Photographer of the Month January 2021

Tom and I celebrate the great images being created by our community of photographers each month by selecting a Photo of the Month. For January we selected Jen Turk’s image of a frozen flower from our Macro for Cabin Fever Class. We hope you enjoy Jen’s images as much as we do

Congratulations to January 2021 ‘s featured photographer – Jen Turk

Jen on our Sedona Workshop

The Story … 

One of the class assignments was to photograph with a different kind of light. I wanted to work with ambient light for the assignment. I usually work with a Studio in a Box. For this image I didn’t want to get the Studio in a Box wet, so I moved to a different location.

Jen’s Studio in a Box set-up

To create the block of ice I used several fresh flowers from a bouquet. I put them in a Tupperware container that I use for my son’s lunches. I put the flowers in upside down and covered them with a half inch of water. After letting that first layer set in the freezer, I added another half inch of water every hour until I got the thickness I wanted.

To set up the shoot, I took the block of ice out of the freezer and suspended it between two stacks of textbooks. This allowed light to come in underneath the ice. I also put down a white kitchen towel as a lighter colored background.

The flower that caught my eye was showing through the side of the ice block. I shot it from the side by getting eye level to the flower. One of the cool things about this technique is that the image changes as the ice melts. To make the ice melt faster, I rubbed the edge of the ice with my thumb to let the details of the flower come through.

The January 2021 Photo of the Month

I did very little to this image by way of editing. With this technique, what you see is what you get. It was just what I wanted right out of camera. I love that. I love the painterly effect you get even with out a specialty lens like a Lens Baby.

Why Macro Photography:

If you really look at a macro subject, you can see so much. I think of each macro subject as it’s own entity. If I am walking around on a photography trip and something catches my eye, I move in closer. The crack in the wood, the color in a flower, the broken down cars in Jerome, Arizona. I wonder about the life of each of these things.

The flower that I photographed above was once a seed. I try to be mindful about my macro subjects. I ask, what are the different textures of what I’m looking at. What are the colors?

For me, macro photography is showing curiosity about the smaller things.

A Tip for Macro Photography:

When you find something that catches your attention, move around the object to get different perspectives. Change your camera angle. Try moving the object around. Keep doing this until you get an image that speaks to you.

Step away. Come back. Shoot it again and you may get something completely different.


Textures and colors

On Jen’s Horizon

Hawaii – to photograph textures and native plants

Ouray – to photograph fall leaves on the ground

Jen creating macros of cactus spines on our Sedona Worksho

Our next online Macro for Cabin Fever class starts on February 8. To learn more about our other upcoming classes, including Bird Photography, Speedlights and PhotoShop 2 Click Here

Check out our new class for March: Travel Photography Click Here

November Photographer of the Month

Tom and I celebrate the great images being created by our community of photographers each month by selecting a Photo of the Month. For November we selected Dianne Biddison’s image of a reddish Egret from our Bird Photography Class. We hope you enjoy Dianne’s images as much as we do

Congratulations to November’s photographer – Dianne Biddison

Dianne in the lavender fields of Provence, France

The Data: ISO 1250 500mm 1/1250 f f13

The Gear: Canon EOS 6D with a 150-500mm lens

The Story … 

I signed up for Tom and Cree’s online Bird Photography class, and knowing there would be assignments, I planned to take a Friday off work to go to Fort DeSoto State Park. I had been there before with a local photography group. The park has a website with a list of birds that have been seen there by season and where to find them. I also used eBird hotspots to see what birds had been seen recently.

The Reddish Egret was very interesting. There was a photographer walking 30 ft ahead of me photographing the egret. I slowed down so I wouldn’t spook the bird. When the photographer left, the Reddish Egret almost seemed disappointed that his audience was gone. I moved in closer and started taking photos of the bird and his behaviour.

The November 2020 Photo of the Month

The sun came out from the clouds just at that moment to light him up the right way. I chose to go to the North beach because I anticipated that the sun would come from the east and look best.

I used my new tripod with a new Neewer gimbal head. It was the first time I had used either. This made it very easy to move the camera. I could manipulate my movement easier as the bird changed his position.

I found that shooting 3 ft off the ground was ideal. Because the beach was uneven, I did not want to get too low.

After photographing the egret, I turned a corner and found a sandbar with 100 American White Pelicans. While other photographers were waiting for them to fly and hopefully come in closer, I started looking around. I found a pair of American Oystercatchers and photographed them.

On my way back to the car the Whimbrel appeared. The birds at the park are used to people and don’t get scared. I lowered the tripod more and it started walking towards me.

I was able to get both a profile and a straight on shot. I like them both. The straight on shot helped me identify the bird because I could see the darker eye band.


Dianne’s Whimbrel on the beach at Fort De Soto State Park


About Photographing Birds:

It’s fun! Being down here in Florida, I can usually find a bird. I like watching what they are going to do and how they interact with each other.

Bird photography is a challenge, especially getting them in flight. But it is a fun challenge!


American Oystercatcher

Tip from the Photographer

Keep looking around you when photographing birds. You never know what is watching you.

When everyone else was watching the pelicans, the oystercatchers were creeping up behind them.

Get as many shots as possible from different angles. Even if the image is blurry, it may help you identify the bird.

Dianne roaming the beaches of Tasmania with her Canon in hand

On Dianne’s Horizon

The Winter Yellowstone Workshop in January

Going back to Fort De Soto. This time I plan to go in the evening. I want to photograph Roseate Spoonbills in warm evening light.

I have plans to put in a backyard bird habitat, after I cut back some Elephant Ear Philodendrons from my pond and waterfall. This will clear the way for birds to take a bath. We have Red-Shouldered Hawks, Cardinals, blue jays and finches regularly in this area. It will be exciting to see what other birds are around here, too.


Our next online Bird Photography class starts this Monday. Learn more about our upcoming classes, including Power Workflow, Advanced Landscape and PhotoShop 1 Click Here

You are also invited to join us for an online Happy Hour on Friday Dec 4 at 7 pm SMT to see a virtual gallery of images from our latest classes. Leave a comment below to receive an invite.

October 2020 Photographer of the Month

Tom and I celebrate the great images being created by our community of photographers each month by selecting a Photo of the Month. For October we selected Kim Turner’s image of Pemaquid Lighthouse from Creative Camera Craft Class. We hope you enjoy Kim’s images as much as we do

Congratulations to October’s photographer – Kim Turner

Spring Yellowstone Workshop 2019

The Story … 

This is Pemaquid Lighthouse. We were in Maine three or four years ago. This lighthouse is photographed by everybody.It’s a great stopping point when you are photographing on the Maine coast.

We were up by the buildings and a woman said to me, “Go down there, there is a great reflection.” I said “Thank you,” but I don’t usually listen to people. I don’t like to be told what to take photos of. But this sounded like it was worth listening to.

The October 2020 Photo of the Month

I was so happy I listened to her. After walking down the hill, I turned around and there it was. I took numerous images and was so happy with the result I made both a color print and a black and white print for an art show.

After cropping the image in your online class (Creative Camera Craft) I want to throw both prints away. The cropped version is so much better.

I learned about the Fibonacci crop overlay in PhotoShop 1. For this image I tried all the crop overlays for this image. At first I wasn’t comfortable making the crop with the overlay because it cut off a lot of details that I thought were vital to the shot, like a red outbuilding and a tree. Once I cropped it, the people in the scene bothered me, so I used PhotoShop to erase them too.

In the final image with the Fibonacci crop, the lines in the rock were so much more distinct. That, to me, is what the image is about. Not the lighthouse, the line in the rocks.


The Data: .

ISO 200 24mm 1/100 f 7.1 in manual mode

The Gear: Canon EOS 5D Mark III with a 24-105mm f4L

Kim converted this image to black and white for an online class assignment

About learning photography online:

It has changed my world! We are working so much on software and editing. I have stayed away from PhotoShop in the past. It was so intimidating for me. Now I cannot wait to find a reason to open an image in PhotoShop.

The video recordings are really helpful. I watch them over and over and pick up something new every time.

Kim Turner took this using her infrared camera

Tip from the Photographer

Try different things when you are cropping. You can always undo it. I usually go through all the crop overlays and end up using the Fibonacci crop.

Kim getting excited about photography at Old Car City in Georgia

On Kim’s Horizon

All I do right now is ride my bike and take pictures. I am really excited about upcoming workshops:

Route 66 East Workshop – I am excited about trying motion blur and multiple exposure on this one.

If you would like to learn more about our online classes like Bird Photography, PhotoShop 1 and 2, Advanced Landscapes Click Here or join us for an online Happy Hour on Friday Nov 6 at 6:45 SMT to see a virtual gallery of images from our latest classes. Leave a comment below to receive an invite.

Photographer of the Month September 2020



Tom and I celebrate the great images being created by our community of photographers each month by selecting a Photo of the Month. For September we selected Linda Sullivan’s image from our Elk Rut Workshop
. We hope you enjoy Linda’s images as much as we do. 

Congratulations to September’s photographer – Linda Sullivan

Elk Rut Workshop September 2020

The Story … 

We were very fortunate. It was the end of the morning session and we were leaving Moraine Park. We came across these two young bulls in the Ponderosa Pines by the road. We jumped out and took advantage of the opportunity to get close to the pair practicing for when they become more serious as adults.

They were out there sparring for an hour. The challenge was trying to set the shot up. The best shot was when they moved into a small clearing. I wanted to get both of their eyes open while they were locked in battle.

The September 2020 Photo of the Month

I was glad that I learned to shoot in manual with auto ISO on the workshop. It made it really easy to shoot wildlife. Using auto ISO allowed me to focus on just the shutter speed. This made me more confident in working in manual mode.

We photographed handheld to be able to move quickly to get action shots with the best composition and the least amount of distractions. I was very pleasantly surprised to see two young bulls fighting for such a long time right in front of us. It was quite an opportunity!


The Data: .

ISO 2800 220mm 1/1000 f 5.6 in manual mode with auto ISO

The Gear: Nikon D850 with a 80-400mm lens

A large bull elk bugles in Moraine Park – by Linda Sullivan

About Photographing the Elk Rut in Rocky Mountain National Park:

It was a magical experience for me. I spent time not only photographing the elk and their behavior. I also just listened to the bugling sounds and the dance of the rut.

All the animal behaviour we experienced during the weekend was so special. It makes me want to go back year after year.

By Linda Sulivan

Tip from the Photographer … 

I really appreciated learning about elk behaviour from all the information that was sent before the workshop. You want to be able to anticipate what they are going to do.

We learned how the elk would move to round up the females in their harem. We knew when the bull would bugle. It made it easier to anticipate when to be ready to photograph. We waited for the right moment, instead of just shooting away at everything.

Linda at the Route 66 Diner Photo Shoot in 2019

On Linda’s Horizon

Galapagos & Costa Rica

Want to join us for the last Colorado Getaway? We have a few open spots and will be photographing the end of the elk rut in Rocky Mountain National Park and hoping for clear enough skies to shoot the galaxy at night. Click Here for more info

Photo of the Month – August 2020



Tom and I celebrate the great images being created by our community of photographers each month by selecting a Photo of the Month. For August we selected Lynn Satterfield’s image from our online Texture Overlay class
. We hope you enjoy Lynn’s images as much as we do. 

Congratulations to August’s photographer – Lynn Satterfield

Lynn at the Perito Moreno Glacier in Patagonia, Argentina

The Story … 

The wagon was at the estancia where we stayed in Patagonia. It was at sunset and the light came in really nice on the wagon. I took the photo handheld. It was a pretty good photo before I did anything with texture layers.

I asked myself can I make it look rustic, like it was old and wearing down. This concept just seemed to go with the wagon.

The August 2020 Photo of the Month

To create the texture image for the overlay, I just went into the kitchen and pulled all the pans out to see what I had. I used the Nikon Z6 to photograph it because it’s so light. I turned the pan right side up first. Then I turned it over and the back side was even better.

I cropped the texture layer a bit because the edge didn’t add anything to it. I put a bit of gold color in it to warm the image up. I added texture and clarity as well. That was about it, really.

Lynn’s texture layer created by photographing the back of a baking pan with her Nikon Z6

The Data: .

ISO 400 35mm 1/125 f 16

The Gear: Nikon D500 for background, Nikon Z6 for texture


About Texture Overlays:

Doing texture layers helped me understand layers and blending modes in PhotoShop. With the layer masks, it just seemed to click that you could use them to bring out parts of the texture and hide the texture in other parts.

Texture layers give you a feeling of creating and being an artist. Taking a photo anyone can do. This technique makes the image your own vision.

A goose texture overlay image from Lynn Satterfield
The golden pond texture Lynn chose for her goose image

Tip from the Photographer … 

Don’t be intimidated by layers. Experiment. Put different textures on and see what they look like. the wagon texture was about 46% opacity. I used the lighten blend mode after going through all of them.

Lynn experimenting with a second texture on the Patagonian wagon

On Lynn’s Horizon

Bears and Glaciers Workshop and Australia/Tasmania Workshop in 2021

She also wants to work more with speedlights and editing in PhotoShop.


Lynn in action in the bird blinds at Laguna Seca Ranch in South Texas

The Patagonian wagon image was taken on a workshop with American Nature Photography Workshops Click here to learn more

There is another Texture Overlay class starting at the end of October. To see a schedule of online classes with Tom Bol Photo Workshops Click Here

June Photo of the Month


Tom and I want to celebrate the great images being created by photographers each month. For June we selected an image from our new online workshop Creative Camera Craft
We hope you enjoy Stuart’s images as much as we do. 

Congratulations to June’s photographer – Stuart Litoff

Stuart in urban Tokyo

The Story:

The assignment was to capture motion.

I live in Washington DC and it’s summertime. The thought of going out in the hot and humid weather wasn’t very appealing so I started thinking about what I could do in my apartment.

I was looking for something manageable from the technical aspects of shooting. I asked myself, “What do I do a lot of? Sitting at my desk and typing on a keyboard. That’s how the idea came to me.

What would I need for the shoot? A tripod. I needed the keyboard to be rock solid and my hand’s needed to be free. I focused on the keyboard and framed it the way I liked it. And then, I used a remote with a ten second delay to take the picture.

I experimented both with being in front and behind the tripod. I found being behind the tripod and reaching around it worked better. The angle of where the camera was worked better.

Next, I experimented with the shutter speeds – I was trying to see how much blur looked good. The shutter speed I chose was faster than I thought it would be. It was just .8 seconds.

I realized it was important to keep my hands apart and not use the middle keys. I learned this by reviewing the first set of images in the l.c.d.

Once I had it I did minimal post processing – even though I do love to move those sliders!

I knew it was a successful image for the assignment. I wouldn’t have thought to take it on my own. That’s one of the fun things about taking a class. I transferred the idea into something that looked clever. It wasn’t a blazing sunset, but I do like it.


Stuart Litoff’s Photo of the Month

The Data: .8 sec, f4, ISO 200

The Gear: Fuji X-T2 with a 16-55mm lens


About Learning Photography Online:

Taking classes online is very stimulating. They have me looking around the apartment and out the window for things to photograph.


Tip from the Photographer: 

The pandemic is dominating everyone’s lives, including photographers. Up until the pandemic, I took 90% of my pictures on workshops. I live in Washington DC. It’s one of the most beautiful cities in the world, but I just don’t go out and photograph it much.

The class I took was perfect for me. My advice is to look around where you live. Follow the light for interesting photographs. If the photographs don’t come on their own, take an online class.


On Stuart’s Horizon

I keep thinking there will be a photo travel trip in the near future…..but I don’t see it. I will apply what I learned in class around here and see what new courses come up.


Stuart in the Redwoods

For more information on Online Classes with TBPW Click Here

May Photo of the Month


Tom and I want to celebrate the great images being created by photographers each month. For May we selected an image from our new Online Macro Workshop. We hope you enjoy Diane’s images as much as we do. 

Congratulations to May’s photographer – Diane Lowry

Diane Lowry on Zoom with Cree

The Story:

I was trying to replicate Tom’s water droplets on a dandelion seed. It was harder than you might think!

I had a syringe and wanted to put a drop of glycerine on the seed. I would try to drop precisely and it would roll to the other side. It was not going as I had hoped.

I was staring at the drop while I was holding my syringe horizontally. I am a physician’s assistant and syringes are normal for me. The drops were falling off the syringe and I noticed that I could see the background flower in the drops. This didn’t tell the right story.

I decided to put the American flag back up. That to me tells the story. I hope that people will make up their own story about the image.

Diane Lowry’s Photo of the Month

The Data: .5 sec, f/7.1, 200 mm, ISO 200

The Gear: Canon EOS 5D Mark IV, EF 100mm 2.8 lens

About Macro Photography:

With macro photography there is a whole other world out there if you look. You don’t have to travel. You can go into the backyard and work with what you have.

Learning to do macro makes you a better photographer. As with all photography you have to work with light.

I like to challenge myself with lighting. For the bubble image I decided to use my studio lights. I don’t do portraits unless my family asks me to so this was a challenge for me.

Macro Photography Tip from the Photographer: 

The best thing you can do is look at other people’s work. It gives you new ideas. Go online and look at what other people are doing.

On Diane’s Horizon:

My trips to Italy and Iceland were canceled – so I hope to fit those in.

I also want to visit the Badlands either on my own or on a workshop.


For more information on Online Classes with TBPW Click Here

Photo of the Month April 2020

Tom and I want to celebrate the great images being created by photographers each month. For April we had to get creative with travel restrictions. We selected an image from our new Facebook Group instead. We hope you enjoy Kimberly’s images as much as we do. 

Congratulations to April’s photographer – Kimberly Shadduck

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Kimbeely on the Sedona 2019 Workshop

The Story:

I stumbled upon a webinar by Harold Davis that he was doing for a photo club. I started watching it and was star struck. I realized that this was something I could do during the lock down. The weather was really bad outside and I craved something colorful.

I had my husband build me a 3 ft x 2 ft lLightbox. I knew I needed a big one. I went to You Tube and looked for a video on how to build a lightbox. The lightbox has 2 pieces of glass with a piece of white material in between. It is lit by a strip of l.e.d. lights.

Lightbox Set Up Small Web
Kimberly’s lightbox and camera set up

Next I went to the fabric store to buy a white cloth with a fine weave for the white background. I also purchased tweezers and museum glue – I didn’t even know what that was! Finally I went shopping for live flowers.

To create the image I started by removing the flowers from the water and laying them on the box. I tried several different arrangements until I got the right one. Harold Davis recommends taking a flower arranging class online. I couldn’t find one so I just dove right in.

The tulip in the middle was actually closed when I laid it down on the light box. I started peeling back the petals with my tweezers to have the inside exposed. The white lily is a Sonata Lily. I thought the white color would really make the image pop. I couldn’t get it to lie flat on the lightbox at first. It made me wonder whether I should start pressing the flowers for future projects.

For processing I start by merging several frames in Lightroom. I export the merged file to PhotoShop to make my adjustments. I focus on making the image as vibrant as possible. I use a Waucom tablet to hand paint the image, mostly using dodge and burn. The last step is to add a texture background to give it a painterly look. I purchased a few textures from Florabella for this purpose

The Data: 1/500 sec, f/2.8, 200 mm, ISO 500

The Gear: Nikon D850 with a 55mm macro lens; Manual mode f22, ISO 200

Photo Tip from the Photographer: 

If you can get a lightbox and go to the store for flowers, this is a great project for you. It is the perfect way to let your creativity go. I will start on a new piece and look up and 5 hours have passed without me even knowing it.

I like hanging my stuff on the wall. I want it to be pretty – that’s what motivates me.

Blue Hydrangea Small Size Web
Hydrangea by Kimberly Shadduck
 

On Kimberly’s Horizon:

KS2

Our May Photo of the Month will be selected from our Macro in May Online Workshop

Photo of the Month March 2020

Tom and I want to celebrate the great images being created on our workshops by posting a photograph each month from one of our workshops that best captures the environment or people of that location. We decided to return to one of our three February workshops since we postponed our March workshop . We hope you enjoy Greg’s images as much as we do. 

Congratulations to March’s photographer – Greg Ness 

Japan

The Story:

Every trip I go on, there are a few iconic photos I want to get. We’ve all seen snow monkeys with snow on their head…..that was what I had in my mind for this shoot.

The day before, we went up to the monkey pool and I got a good idea of what I needed to do for the shot. Tom and Cree took great efforts to make sure we were the first ones up at the pool. I knew I wanted a water-level photo….one were I was staring right into the monkey’s eyes.

I squeezed myself into the corner right on the lower platform near the pool. It was very uncomfortable. I stayed right there for two hours in the snow.

I used my 70-200 f/2.8 to blur the background. The shot settings worked great because the monkey was a little further away. I am used to shooting people’s faces with the 70-200 at f/2.8. There is a lot more depth to a monkey’s face with their deep-set eyes, and for some of the closer monkey photos, I wish I had shot more images at f/4 or f/5.6.

I got a lot of nice photos. This one spoke to me the most. It was the picture I had in my head.

Snow Monkey Photo
 Photo of the Month – March 2020

The Location: 

My goal a few years ago was to visit all 7 continents and I have done that now. On this workshop, the combination of wildlife, people, landscapes, with cranes, monkeys and people photos peaked my interest. I knew I would get bored with just one or the other the whole time. I thought, “I’m going to stay engaged the whole time.”

It was end to end fun. It was so enjoyable. Japan impresses me more than any other country I have visited…..the locations and the efficiency. It is a big, beautiful world out there.

The Data: 1/500 sec, f/2.8, 200 mm, ISO 500

The Gear: Sony A7R IV, Sony FE 70-200mm f/2.8 GM OSS;

Photo Tip from the Photographer: 

Photography is such a personal thing. I never criticize other people’s work. I do not know what they want because I am not inside their head.

My tip is to know what you want to accomplish before you walk out the door. Your best chance of shooting good photos is to minimize the time you spend taking ordinary photos.

A recent example of this came up one morning in Torres del Paine in Chile. We were with a ranger looking for pumas and the weather was perfect for wildlife. Along the way we passed some wildflowers and two members of the group wanted to stop and take macro photos. That was the ordinary photo. To get the really good photo, we needed to stick with the plan we started with. We saw the pumas from far away, but were not able to get good photos. After you pursue the image you have in your head, there is plenty of time to shoot whatever you want.

 

Imperial Palace
Imperial Palace in Tokyo by Greg Ness: 1/400 sec, f/7.1, 70mm, ISO 200

 Greg at the Imperial Palace:
This is a gorgeous scene, but I really wanted to emphasize the Imperial Palace in the photo. This is facing west. I had tried morning images, but because the sun was lighting up Nijubashi Bridge in the foreground, it really emphasized the bridge instead of the palace. I went to this location several times this day to check the lighting conditions. When I went at 3 PM, the light was perfect. The bridge was still beautiful, but the face of it wasn’t directly lit up by the sun.
After I took this photo, I decided to walk around the whole palace complex. It is about three miles around it from outside the moat. About halfway around, I noticed another bridge going over the moat with police and security people there. I saw that they were putting on formal white gloves, so I figured something was up. It was just a couple other people and me standing there, as this was not a typical tourist location. A short time late, ex-emperor, Akihito, was driven out of the palace complex with his rear window rolled down. I smiled at him and waved, and he waved back at me as I took his picture.

 

To see Greg’s photo on FB of former Emperor Akihito   click here

On Greg’s Horizon:

  • Africa – Morocco
  • South America – coastal Brazil, Bolivia
  • Asia – Tibet

To see upcoming international photography workshops with TBPW  click here

Olympic Rings Tokyo Harbor Night
Tokyo Bay with Olympic Rings by Greg Ness: 1/100 sec, f/2.8, 58mm, ISO 400

 

 

 

 

Photo of the Month February 2020

Tom and I want to celebrate the great images being created on our workshops by posting a photograph each month from one of our workshops that best captures the environment or people of that location. With so many great images from Japan and our 2 Texas Birds Workshops, it was hard to choose. We hope you enjoy Alfredo’s image as much as we do. 

Congratulations to February’s photographer – Alfredo Fayard 

Badlands Workshop 2019

The Story:

I love wildlife and photographing birds in particular. When I am photographing birds I usually use my Nikon D500 and a 200-500mm telephoto lens for birds in flight.

This workshop was my first time photographing from a blind. I drove down from Houston so I brought everything with me including a 500mm f4 lens and my new Nikon Z7. I had never used the Z7 for wildlife photography before. The pictures I loved the most came from this combination 500 F4 and the Nikon Z7.

I set up the camera in the blind at Laguna Seca Ranch with this new combination. I took my first pictures and fell in love with the color of the holy berries. I thought “That would be beautiful with cardinals.” At the time there were Green Jays and a few other birds on the perches so I waited for the cardinals to show up.

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Green Jays on the holy berries

I saw that the backgrounds were disappearing (because of the f4 aperture). It reminded me of drawings from naturalists in the 1900’s before there were cameras. The drawings give the sense that there is nothing in the picture except birds and berries. I knew that when the cardinals came in that it would be beautiful.

 

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Photo of the Month – Alfredo Fayard

The Location: 

I loved the variety of birds we saw. Laguna Seca Ranch was the most pictorial of the two ranches. The backgrounds just disappear because of the location of the vegetation. I would like to go back at another time of the year with different flowers and birds.

The roadrunner experience at Santa Clara Ranch was beautiful.

raptorbling
Alfredo at left photographing at Laguna Seca Ranch

The Data: Nikon Z7 with 500mm F4 EXIF F4 1/1250 ISO 720

Photo Tip from the Photographer: 

I went to the location with one idea of what equipment I would use. But I tried something different. The Nikon Z7 is not known for its speed as a wildlife camera. However, the resolution and details it produced were incredible. I did not realize this until I saw the images on my computer.

On the Horizon:

  • Costa Rica – I have been there several times before. Now I am looking forward to applying what I learned on this workshop to the jungles of Costa Rica,

 

To learn more about the Laguna Seca Ranch  click here

To learn more about the Santa Clara Ranch  click here