Tom and I celebrate great images from workshop participants by selecting a Photo of the Month. For December we chose an image taken on our Bosque and White Sands Workshop. The image was taken by Tim Crull during a stunning sunset at Bosque del Apache Wildlife Refuge. Tim is a wildlife and landscape photographer from Indiana and he loves grizzly bears!
Congratulations to December 2023 ‘s featured photographer – Tim Crull
Tim Crull at White Sands National Park
The Story…
When we arrived at the Roosting Pond, there were only a few ducks there. We could hear cranes from a distance and we started to see them flying towards us.
We needed the right sky color. Then we needed the cranes to fly right in front of it.
I began tracking multiple groups of cranes. Sometimes the cranes were not close enough. Othertimes they overlapped and did not look as good. I just kept trying until I got what I wanted. Just keep shooting.
Everything has to come together to get the right shot. I waited until I got an odd number of cranes with just the right separation between them.
Photo of the Month – Trio of Sandhill Cranes by Tim Crull
EXIF Data:
Camera: Canon EOS R5
Lens: 600 mm
Aperture: f4
Shutter: 1/1000 sec
ISO: 500
Mode: Manual, auto ISO
About Photographing in White Sands
I had never been there before. I’ve been to other sand dunes like in Death Valley. The white sand makes it really amazing.
I went two days before the workshop but could not get in early. Going with a workshop means you can get in before sunrise. This makes all the difference in the world.
It’s all about the light there. The sand reflects the different colors in the sky like no where else.
Sunset at White Sands National Park
Tim’s Tips for Photographing at Bosque
Tip 1
You need the right weather. Keep going back until you get it. A sunset with red or orange is what you want.
Tip 2
Shoot a lot. You won’t know the position of the birds and groupings until later.
Tip 3
Practice tracking birds with your camera and lens before you go.
Tip 4
The first day the 600mm felt like it was too much. But that was really all I used for the rest of the trip. The 100-500mm Canon lens was what I used in White Sands, in addition to the 24-105mm
Tip 5
Experiment. Try some slow shutter speeds. I shot the Snow Geese at 1/30th of a second and that was new for me.
Snow Geese at 1/30th second
On Tim’s Horizon:
Bears in Katmai National Park in Alaska
Iceland
Chilkat, Alaska for Bald Eagles
Denali National Park
Northern Lights
Tim at Bosque with his Canon 600mm
Tom and Cree just returned from a family vacation in the jungles and beaches of Mexico. Great to relax and enjoy sunsets with Spotted Eagle Rays swimming by us.
We are finishing up a very successful 2023 year. Thank you to all of you who joined us on trips this year. We hope to see you again in 2024: 2024 Schedule and 2025
Tom and I celebrate great images from workshop participants by selecting a Photo of the Month. For November we chose an image taken on our Chilkat Eagles Workshop. The image was taken by Marni Nagy on a snowy day on the Chilkat River in Alaska. Marni’s creativity extends to her business as well. Check out Capturing Couture to see her beautiful, custom camera straps. Perfect item for the Holidays!
Congratulations to November 2023 ‘s featured photographer – Marni Nagy
Marni on the edge of the Chilkat River
The Story…
I was off to the side. I got a different angle than everyone else. One of the eagles, the one I call Mohawk, was the aggressor all week. Based on her size, I think she was a female. She was often the one going after other eagles. I have the before and after sequence from this image. The eagle who had the fish flipped over and had it’s back on the ground to get it’s talons in the air.
I didn’t realize that eagles were scavengers. Eagles would grab a salmon and bring it out of the river and then another eagle would come in and take it. There were plenty of fish to go around in the river.
I was working on protecting my ISO. This was my biggest learning from the workshop. Tom and I discussed exposure compensation vs ISO. He recommended giving up exposure compensation to have a lower ISO.
Having a day of snow was just magical. Even the grasses became pictures.
Photo of the Month – Eagle Dance on the Chilkat River
EXIF Data:
Camera: Nikon D850
Lens: Sigma 150-600 mm at 600 mm
Aperture: f6.3
Shutter: 1/2500 sec
ISO: 1100
Mode: Manual, auto ISO
Exposure Comp +.3
Mature Bald Eagle in Flight
About Photographing in the Chilkat Bald Eagle Preserve
I had never been to Alaska. Only to Colorado. I feel like the vistas in Alaska were much grander than in Colorado. When the fog rolled in I could really get the layers with the trees. The mountains were stunning. I turned my landscape into a black and white image. There were so many layers of majesty.
The number of eagles made it very easy to find a photo. The difficulty was to find a picture that showed the quantity of eagles. I wish I had gotten a better shot of just how many eagles were sitting there. It was just amazing.
Across the scenic Chilkat River
Marni’s Tips for Photographing Eagles
Tip 1
Go to the right place. At Chilkat the eagles were all right there.
Tip 2
You needed to have patience. Some of the groups would leave after 20 minutes because there were no eagles. The eagles would always show up if you waited long enough.
Tip 3
I was at 600mm most of the time. Bring a long enough lens.
Tip 4
Try using manual mode, with auto ISO for wildlife. I had not shot in manual before. I will use this again. I used the group area tracking in the D850 and liked the results.
On Marni’s Horizon:
Bosque
Iceland
Northern Lights
Marni and new photo friends
Tom and Cree are headed to Bosque for the last 2 workshops of the year. Sandhill cranes fly through vibrant New Mexico skies as they land on the Bosque del Apache Wildlife Refuge. For the last two days of the trip we photograph soft hues of pink and blue over the dramatic dunes at White Sands National Park. Keep an eye on Facebook and Instagram for posts.
The Northern Lights have been spectacular in Fairbanks this fall. Get in on the action on our Northern Lights and Iditarod Workshop in March 2024. Three spaces available. Click here to learn more.
Tom and I celebrate great participant images by selecting a Photo of the Month. For August we chose an image taken on a Strabo Photo Tour, the Impressions of France. The image was taken by Cheryl Sackett in the Loire Valley town of Chedigny. Cheryl is an avid travel photographer and did a masterful job capturing the elegance of the French countryside.
Congratulations to September 2023 ‘s featured photographer – Cheryl Sackett
Cheryl in the Priest’s Garden at Chedigny
The Story…
I love table settings and have photographed them before. I liked the lighting in the area and the small set of stairs in the background. It was very elegant the way they had it set up.
This scene is from the restaurant in Chedigny, France where we ate lunch, La Clos des Roses. It felt like a very private restaurant with the number of people in it.
The food was excellent. it was probably the best meal of the trip. I remember the main meal was two types of veal. The meat was very tender and both versions were delicious. We also got to meet the chef and she was very cute.
We were already sitting down at lunch and my cell phone was the only camera I had at the moment. I looked over my shoulder, saw the scene and wanted to capture it.
La Clos des Roses restaurant in Chedigny, France
EXIF Data: Apple 11 Pro – we were already sitting down at lunch and my Canon camera was put away. All of my other photos were taken with my Canon.
Monet’s Garden at Giverny
About Photographing in France
I loved seeing the iconic Paris sites like the Eiffel Tower and the Seine. I also liked getting out of the city. The small village of Chedigny was beautiful and takes you back in time.
The grandeur of the chateaus in the Loire Valley was amazing. The architecture was wonderful. We stayed in a castle called Domaine de la Tortiniere. It was an old chateau with modern settings like a pool and conference center. I stayed in a very quaint annex overlooking the chateau.
Hot air balloon photography over the Loire Valley
Cheryl’s Tips for Travel Photography
Tip 1
I travel very simply with my Canon camera and one or two lenses. For this trip I mostly used my Canon 18-400 mm. It covers just about everything.
Tip 2
I try to get the big picture first and then go for smaller details.
Tip 3
In Chedigny I was looking for interesting scenery and the smaller pictures. I loved the shutters and flowers near the windows. I like to capture people in the background. It was great that there was nobody there but us.
Vin rouge
On Cheryl’s Horizon:
Ouray, Colorado
Greece
Egypt
Oaxaca, Mexico
Costa Rica
Antarctica and South Georgia
Cheryl – the French Chef
Tom and Cree will be closer to home for their next tour, Ouray Fall Colors. In October they are headed to Slovenia with Strabo Tours again. Slovenia is known for its striking variety of landscapes: coastal Mediterranean towns, rolling foothills like in Tuscany and charming mountain towns like in Switzerland. Take a look at other Strabo Tours here.
At Tom Bol Photo Workshops, we celebrate great participant images by selecting a Photo of the Month. For July we chose an image taken on the Redwoods and Rocky Coastlines Workshopcreated by Scott Harrison. Scott worked as a digital imaging specialist for the LA Times for 33 years. His journalistic approach to photography comes out in the breadth of images he created on the workshop. You can see more of his images at www.harrysonpics.com
Congratulations to July 2023 ‘s featured photographer – Scott Harrison
Scott on the Redwoods and Rocky Coastlines Workshop
The Story…
On the second session on the evening walk I wanted to get a scene setter. I hoped to capture the overall picture. We started up the trail and met with the fog. I started using my 16 mm lens and shot about 20 versions of this scene.
I was trying to use the trail as a leading line. In half of the photos I included a person to give scale to the forest. Almost all of the people were members of our group.
My style – I always use 2 camera bodies. This time I had a 24-200 mm on one. My second lens is always special, in this case a 16 mm. Sometimes I use a LensBaby, sometimes an old manual focus lens.
I like to mix in a variety of focal lengths to tell a story. This keeps the images fresh and not repetitious. By adding a specialty lens I also get creative effects.
July 2023 Photo of the Month
EXIF Data:
Camera: Canon EOS RP
Lens: 16 mm
ISO: 100
Shutter Speed: 1/60 sec
Aperture: f/4
Shooting Mode: Shutter Priority
Exposure Comp -.03
Colors in the fog on the Damnation Creek hike
About Photographing in the Redwoods
I love it!
I’m not a landscape photographer per se, but I like to walk around and photograph things. It is a different world in the Redwoods. I loved the quiet and peacefulness. That is why I was often by myself on the workshop.
I was happy to be in the fog. In Southern California I deal with high contrast lighting all the time. In the fog the lighting is flat and I had the ability to capture more detail. The colors are also saturated. I found the colors were so bright that I had to desaturate them in PhotoShop.
Coquille River Lighthouse in Brandon, Oregon
Scott’s Tips for Photographing on a Workshop
Tip 1
Because of my background, I hate shooting the same photo that everyone takes. I stay away from the Grand Canyon and the parks in Utah. If I am there, then I take photos of the crowds in the foreground taking photos in scenic spots.
About 15 years ago I started taking road trips by myself. To plan my trips I used iphone apps like Roadside America. I also use Fotospot and Atlas Obscura. These apps give me information on all the unusual places in the country. I try to find things that other people do not photograph.
From my training with newspapers, we used to travel to a new town and go right to the local drugstore and look at the postcard rack. Find things outside of the mainstream, including in your own home town.
Tip 2
Join the local camera club and do photo walks. Going as a group can really help.
Tip 3
Listen to what the leaders are saying. I took the fern photo because Cree mentioned dialing back the exposure compensation to create a moody shot. I underexposed by 2 stops for that one. I also created a whole series from the Simpson-Reed Grove in black and white.
Low Key Fern in the Simpson Reed Grove
On Scott’s Horizon:
Route 66 in Oklahoma
Tucson and Saguaro National Park
South Dakota Badlands
New Zealand and Australia
Scott wandering in the redwood forest at the Lady Bird Johnson Grove
Online Image Celebration: Join us on August 10 at 5 pm Denver time to see more of the work created on our workshops in the last 4 months. This is a great way to celebrate new work. Sometimes people need more time to edit their images. If you were on a workshop you are invited to send in 3 images to creetbp@gmail.com. If you would like to join us, send a quick message here and we will send the link.
Tom and Cree are headed to Ecuador next for Ecuador Cloud Forest Workshop. In August they will be out of the office on a wilderness canoe trip in Canyonlands, Utah and then on a scouting trip in remote arctic Alaska.
At Tom Bol Photo Workshops, we celebrate great images by selecting a Photo of the Month. For June we chose an image taken on the Tanzania Photo Workshop with Strabo Photo Tours created by Joan Carroll. Joan is a well-rounded travel and outdoor photographer. She regularly sells her work through Fine Art America. Check out her numerous online galleries for FAA. We hope you enjoy Joan’s images as much as we do!
Congratulations to June 2023 ‘s featured photographer – Joan Carroll
The Story…
We pulled up to the spot and I do not remember which vehicle got there first. It was a pretty amazing scene.
I went back and forth between shooting the 800 mm lens to get a close up view of the animal leaping into the water, and using the 100-400 mm lens to get a wider view of the scene. I really liked the environmental view with animals in both the foreground and the background.
I am a fan of the environmental view. A close portrait of an animal is fantastic. But putting it in the environment gives it a sense of place and is really important.
I was looking at the photos of this scene. I must have 1000 images of it. At the end of the series a crocodile took down one of the wildebeest and stopped the action. Before that, the wildebeest were slipping in from the side of the pool and leaping over the top of each other.
When I looked back on the series of images, I could see the crocodile lurking in the scene, just waiting for the right moment. This made me wonder if the wildebeest knew it was there. Were they swimming for their lives. Animals are smarter than we think. Did they have the awareness of the wildebeest all along?
June 2023 Photo of the Month
All the dust and the whole environment….it’s not something there are really words for.
Of the 1000 images of this sequence, I chose the one where the wildebeest was leaping the highest. He leaped the highest but landed right by the shore where the crocodile was waiting.
EXIF Data:
Camera: Nikon Z9
Lens: 100-400mm at 240
ISO: 5600
Shutter Speed: 1/3200 sec
Aperture: f/11
Shooting Mode: Manual with auto ISO
Exposure Comp +.67
Elephants wrestling at sunset in Serengeti National Park
About Photographing in Africa
Oh my gosh! The two trips to Africa have probably been the most exciting things I have done….ever.
It is so dynamic. It is always changing. It is not like a landscape where you have time to figure everything out and adjust your settings.
I’d still be stuck there if someone hadn’t said “Let’s move on.” I’d just keep shooting.
I’m paying for that now with 44,000 images from the trip. I was going to be more mindful of how many photos I took this time. But when I got to the Serengeti, all bets were off!
Zebra herd at the waterhole
Joan’s Tips for Wildlife Photography
I don’t consider myself any kind of expert.
Stand next to Tom and Cree and do what they do. Keep your ears open for tips and re-evaluate what you are doing.
Be aware of the whole scene and what the possibilities are. Pay attention to the flow of what’s going on. Have global awareness.
Have all the right equipment, batteries and cards.
Get a lot of rest. Be ready to go for every shooting session. I was there to photograph animals and do as much as I could. Know what you want out of a photo trip.
On Joan’s Horizon:
Bears in Lake Clark National Park
Eagles in Chilkat, Alaska
Antarctica, South Georgia and the Falklands
My all time favorite trip was to the Canadian Arctic. We landed at Grise Fjord on Ellesmere Island and took a sledge out onto the ice to go ice diving. The silence was incredible.
Joan and er husband Benny enjoying an African sunset
Why Strabo?
Tom has been doing workshops for Strabo Photo Tours for decades. He likes how trips are well organized and cater to photographer’s needs. Tom and Cree currently do at least one trip per year with Strabo.
At Tom Bol Photo Workshops, we celebrate great images created on our workshops by selecting a Photo of the Month. For May we chose an image from our Louisiana Birds and Bayous Workshop created by Nancy Lehrer. Nancy is primarily a street photographer. She signed up for this workshop to learn more about wildlife and bird photography. We hope you enjoy Nancy’s images as much as we do!
Congratulations to May 2023 ‘s featured photographer – Nancy Lehrer
The Story…
We were heading towards an alligator on the boat. I heard Tom yell, “Look at the light, look at the light.”
In that part of the swamp there was less moss. It seemed like there were two parts to the swamp. There were light green, mossy parts and then there were these dark green and brown parts. When we arrived in this spot I had not seen the dark green part before.
I was trying to get the reflections and the floating algae. I shot about 20 frames, but the focus wasn’t right. I focused on the reflection and not on the plants. I decided to try a wider angle lens instead. I grabbed my 24-105 mm lens. I wanted to capture the feeling of a bowl. Wide angle images give more of a fisheye feeling. I wanted the feeling of a lake in front of the trees.
I didn’t put the tops of the trees in the image because they are in the sun light. It would be too much contrast with the understory. By focusing on the reflection, the viewer can see the sky in the reflection on the water. I also wanted to capture the side lighting that brought out the yellow tones on the trees
May 2023 Photo of the Month
EXIF Data:
Camera: Sony A7 R5
Lens: 24-105mm f4
ISO: 640
Shutter Speed: 1/125 sec
Aperture: f/9
Shooting Mode: Aperture Priority
Shot at 30mm, handheld
Great Blue Heron taking flight
About Photographing in Louisiana’s Swamps
I am really not a wildlife or landscape photographer. I found that photographing in the swamp was very much like doing street photography. The actors were the animals. We were gliding on the boat like I’d be walking down the street, very slowly.
It was very peaceful in the swamp. The animals were in their habitat. I found myself just looking around for animals, birds, turtles, alligators.
Great Egret feeds chicks in a mixed wader rookery
Nancy’s Tips for Bird Photography
Get a camera that has really good Auto Focus. I rented a Sony A7 R5 for this trip and it made a big difference.
Using a monopod really helped me be stable. It meant I didn’t have to worry about fatigue. I practiced with it at home on the birds in the backyard.
Be a good motion detector. Look for motion and then follow the bird.
Look for birds that are stationary and getting ready to take off. That’s the only way I can count on getting birds in flight.
Connect the bird to the landscape. It’s just like street photography. The background should tell a story.
Watch the behaviors. Keep shooting different behaviors and decide later which is the best image.
Louisiana has more alligators than any where else in the world
On Nancy’s Horizon:
Hokkaido, Japan for fishing villages and the Ice festival
Iditarod in Alaska
The Silk Road in China
Anywhere in eastern Europe: Poland, Ukraine, Russia, Hungary, Czech Republique
Nancy, the wildlife photographer
Where are Tom and Cree?
We are headed to Africa to photograph in Tanzania for two weeks. Then it’s up to Alaska for our annual Brown Bears at Summer Solstice trip. We have space for 1 male photographer if you’d like to join us from June 18-23. We’ll be photographing brown bears with cubs in Lake Clark National Park. Click here for more information.
We’ll be posting photos from these two trips on Instragram @tombolphoto and Facebook. We’d love to see your photos on our Photos for Inspiration TBPW Facebook Page.
At Tom Bol Photo Workshops, we celebrate great images created on our workshops by selecting a Photo of the Month. For April we chose an image from our Tucson Workshop created by Suzy Onysko. Suzy is a wildlife and portrait photographer. Her work is wonderfully creative and she often carries an infrared camera in addition to her regular gear. We hope you enjoy Suzy’s images as much as we do!
Congratulations to April 2023 ‘s featured photographer – Susan Onysko
The Story…
Well, this never, ever happens… at least to me anyway. This photograph was taken the first morning of our workshop at Gates Pass. I started out using a wide-angle lens to photograph the yellow brittle bush in the foreground and the stunning rocks, cacti, and clouds in the background. I love color and that was a pop of color in the desert that I didn’t expect. It was pretty windy out, though, and I worried about the flowers ghosting too much in the foreground. I looked for another foreground element and found this stunning barrel cactus.
I took a few shots in color first. They looked nice but with the clouds in the scene and yellow flowers not being an important element anymore, I ran back to the car. I got my infrared camera to see how that would look. I quickly changed my preview screen to show the image in black and white instead of the out of camera red preview. I shot a frame and the infrared image took my breath away.
I will be the first to admit that wide angle landscape photography is not my forte, so when I get an image I like I am quick to analyze why I like it. Hopefully in the future I come to “see” that image a bit quicker in the field. Why do we like the desert? The textures of the prickly cactus is what we are drawn to and what it’s known for. By taking away the color I enhanced all the desert textures and shapes. The clouds enhanced it by adding a bit more mood.
Did I click once and be done? Oh no… I took two hundred images of this scene (no judging, it’s free!) by changing my position mere inches up, down, left, and right until the cactus was just big enough in the foreground but not too big to overwhelm the rest of the scene. I liked how the barrel cactus was the focal point, but by showing some mid-ground I also included some prickly pear cactus which led to some Saguaro Cactus and an impressive rock formation and then those incredible clouds!
April 2023 Photo of the Month
EXIF Data:
Camera: Nikon Z9
Lens: Nikon NIKKOR Z 14-30mm f/4 S Lens
ISO: 2000 (did I denoise it? Nope – I like the grainy effect for a western black and white image)
Shutter Speed: 1/100 sec
Aperture: f/11
Shooting Mode: Aperture Priority
Shot at 15mm, handheld
About Photographing in Saguaro National Park
I am from the Midwest and love unusual landscapes that I do not get to see at home. Death Valley is another place that I love. I find that the desert and Death Valley both give an other-worldly vibe that I adore. We were fortunate enough to have the yellow brittle bush blooming while we were there which for me added an unexpected element. What a happy surprise!
This trip truly has something for everyone, and the variety helped me and my ADD brain! It offered wide landscape desert views, macro photography, bird photography, and at Old Tucson we photographed some very dashing cowboys. Check on the portrait photography also!
Saguaro and Brittle Bush with a 600mm lens
One of my favorite things we worked on was long lens landscape shooting. I often have a hard time seeing the wide angle shot that are right in front of me, sun stars included. It’s like all clutter to me since there is so much going on. Many times in the past I have used a 70-200mm or 100-400 mm to isolate more intimate scenes in a landscape. Tom encouraged me to try using my 600mm to do this and I have to say that I am hooked. I look insane carrying the beast of a lens for a landscape shot, but the images created using this lens have such mood. Cacti framed by yellow flowers look so mysterious and I feel like a spectator viewing and interpreting the relationships between desert subjects as opposed to just pointing and shooting at them.
Gambel’s Quail at the Desert Photo Retreat
About the Quail Image
I love shooting from bird blinds – I was hooked after going on the Texas Bird trip. I will be the first to admit I struggle when finding/seeing/shooting birds in the wild handheld. I get too spastic and excited when I see them. Animal eye tracking on the Nikon Z9 is slowly helping with that issue, but being able to slow down on a tripod with a gimbal to help stabilize the camera makes all the difference in the world. If you know me, I am not normally a tripod fan so when I say that it means a lot!
This Gambel’s Quail is probably like a pigeon to those who live out West but for me this little guy had so much spunk and personality. He was my favorite bird I photographed on the trip. I was determined to get a shot that showed more of his personality than just him strutting across a log, which he did a lot! When he paused for a split second on the log and pondered what his next move would be I saw my chance and shot away. I loved the curve of his head and how the log swirl underneath him mimicked his body position. I looked for a photo that didn’t have his tail merging into the log and was fortunate to have one. This image will be hanging in my house and hopefully others.
Saguaros in infrared at Saguaro National Park – West
Suzy’s Tips for Photographing in the Desert with Infrared
Tip #1) IR works beautifully: it gives an Old West feel to the images. If you ever play with IR, do more than just make a preset for it and call it done. I love playing with all the different LR black and white presets. By doing just that with my multiple infrared images here they all take on a different look. Ethereal, contrasty, ghostlike… you have all the control and can change the mood of the image with one click. I recently converted one of my Z9s to a Deep BW IR conversion through Lifepixel.
For at least ten years I have been converting my oldest camera to infrared through Lifepixel and I am always thrilled with the results. I went mirrorless last year and had to upgrade all my gear. Instead of using my oldest camera (that didn’t exist) I purchased an already converted Nikon Zfc through Lifepixel. I chose the Zfc because it was only ½ lb. It worked well, but it ended up being the only camera in my bag with completely different controls. To make things easier on myself last month I decided to convert a Nikon Z9 body so that all my controls were the same on all my camera bodies. I was thrilled with the results. My fingers knew the controls by heart and I was no longer fumbling, trying to learn a new camera body. As an added bonus the 45 megapixel infrared files are stunning compared the 20 megapixel images of the Zfc!
Tip #2) Bring every focal length: 14-840mm. I did for this trip (my family thought I was insane) and used every one of them!
Tip #3) Mind your body in the field. Jumping Cholla (look them up) are not to be messed with. A week later and I still have bruises where I was nailed by two little balls.
On Suzy’s Horizon:
Botswana, Tanzania and Kenya in June
Hummingbirds in Madera Canyon, Arizona and Ecuador in July
Eagles at Chilkat in Alaska
Cypress trees in the Texas Bayous
Cosplayers at conventions in Vermont, Indiana, Wyoming, New Hampshire, South Dakota, and Maine for my personal project –Cosplay 50: The United States of Cosplay.
Bears at Lake Clark, June 18-23 – 1 space available. Photograph grizzly bears with cubs in Alaska Click here
Where are Tom and Cree?
We are headed to the Lone Star State for our annual Texas Birds in Spring (space available). If we are lucky, we will see Painted Buntings all over the ponds.
We hope spring has finally arrived in your area of the world. We’d love to see what you are photographing. Post your spring images on our Photos for Inspiration TBPW Facebook Page.
At Tom Bol Photo Workshops, we celebrate great images created on our workshops by selecting a Photo of the Month. For February we chose an image from our Norway in Winter Workshop created by Ellie Burns-Brookens. Ellie is new to Tom Bol Photo Workshops and recently traveled to both Patagonia and Norway with us. We hope you enjoy Ellie’s images as much as we do!
Congratulations to February 2023 ‘s featured photographer – Ellie Burns-Brookens
The Story…
We walked through a little gate and could see this amazing color down the fjord. It was a lovely fjord with a beautiful view, but it was the color that first caught my attention.
The challenge for me was deciding what to include. What was my composition? What was my subject? The little town on the fjord caught my attention. There were so many beautiful things in the area.
I decided the color was the most interesting thing about the scene.
I had my 24-70mm on the camera to capture the entire scene. But I decided the mountains, the orange light and the sun were the real subject of the photo.
February 2023 Photo of the Month
I switched lenses in the freezing cold, which I never do, so I could zoom in more on the mountains.
Then, I noticed that there was a very large dynamic range to the scene. I asked myself, “What do I do now?”.
I decided to wait for the sun rays to peak through the clouds and then take 3 different exposures. I did this manually and shot at 0, then -1, then -2. I blended the 3 images in Lightroom. I wanted to bring the direct sunlight down and get some more definition in the brighter areas.
We saw this combination of orange and blue light several times in Norway. It almost did not look real, but that was the color it was. It was so stunning.
EXIF Data:
Canon R6 with a 70-200mm lens
ISO 100 1/800 sec f8
Aperture Mode
Shot at 138mm on a tripod
About Photographing in the Lofoten Islands
Every time I turned around it was “Oh my god!” It was so beautiful everywhere we went. There were small villages, tall mountains and stunning fjords.
I loved the snow. I really like the constant contrast of the orange, blue, read and yellow with the snow.
I think the Lofoten Islands are the most beautiful place that I’ve brought my camera to.
Ellie’s Tips for Travel Photography
Tip 1: Research in advance to figure out where to go. I often look at 500px. I like to know where other people have shot.
Tip 2: Then look for what is interesting when you get there. I look for curves, angles and leading lines.
Tip 3: Remember what your subject is. Try to tell a story with an image.
On Ellie’s Horizon:
Lake District in England – big rolling landscapes
Highlands in Scotland – old castle ruins
Faroe Islands – quirky cousin of Iceland
Ellie composing her image in Norway
Last minute openings on 2023workshops:
Louisiana Birds and Bayous, May 10-14, 2023 – 2 spaces available. Photograph wading birds in the beautiful cypress swamps of Cajun Country in Louisiana Click here
Bears at Lake Clark, June 18-23 – 1 space available. Photograph grizzly bears with cubs in Alaska Click here
Ecuador Cloud Forest July 30-August 7, 2023 – 1 space available. Photograph exotic hummingbirds with long tails and beaks, toucans, barbets and more: Click here
Where are Tom and Cree?
Next stop: We are headed to Alaska next for an assignment with the Matanuska-Susitna Visitor’s Bureau. We’ll be photographing the Iditarod start in Willow, snow machining, skiing, snow shoeing. If we are lucky, we will find some aurora at night as well.
We hope you are enjoying the winter photography in your area of the world. Thanks for reading our posts!
At Tom Bol Photo Workshops, we celebrate great images created on our workshops by selecting a Photo of the Month. For January we chose an image from our Easter Island Workshop created by Keith Eisele. Keith is a fan of using artificial lights and jumped right in with a speed light when he saw our Rapa Nui dancers. We hope you enjoy Keith’s images as much as we do!
Congratulations to January 2023 ‘s featured photographer – Keith Eisele
Keith using his Z9 in Easter Island
The Story…
The light was rapidly decreasing as the sun was going down. To me that meant it was the perfect time to use a speed light.
There was just enough ambient light to pick up the statues in the background. With a native dancer in traditional attire, I really wanted to show the Moai statues in the background.
I took a couple of test shots to make sure the light wasn’t too hot. I was pleased that the shadows from the feathers on his hand showed up on his body.
I wanted to make sure the horizon line did not cross any major parts of the body like his head or hands. This would create too much of a distraction. I ended up down on the ground sitting on my derriere to get the horizon line where I wanted it.
January 2023 Photo of the Month
It was tough to get separation between the dancer and the statues. He moved a lot while posing and then would freeze for just a few seconds. The feathers often merged with the statue and I really wanted to get clean separation in the image.
I really liked this image because of the lean of his body. His leg creates a strong leading line in the image.
It felt to me that the dancers really knew what they were doing. I noticed that they never touched, even though they had very good rapport. The male was very patient and willing to look at us. There were not at all self-conscious. It made them very easy to photograph.
EXIF Data:
Nikon Z9 with a 24-70mm lens
ISO 200 1/60sec f5.6
Manual Mode
Shot at 27mm
About Photographing on Easter Island
I really enjoyed it.
I also found it somewhat challenging. Because of all the clouds moving around, the light changed very quickly. I had to be on top of my settings all of the time.
Overall, I really enjoyed the trip. Of course you expect to shoot statues on Easter Island. I also really enjoyed the hike through the quarry where the Moai statues were excavated.
Keith’s Tips for Photographing Portraits
Tip 1: I’m still learning
When I’m shooting someone, even if it is someone I already know, I have to establish a new rapport. They may be nervous about the lights or they haven’t worked with me as a photographer before.
I set the camera down and walk over to them. I explain what I have in mind for the shot and ask them “What would you like?”
Tip 2: You can tell people where you want them to stand and how you want them to pose. I prefer to show them and demonstrate what I want.
Tip 3: After I have taken a few frames, I show them an example of what I’m getting. Sometimes I even shoot tethered. Then they can see the results as soon as I can.
On Keith’s Horizon:
Lofoten Islands in Norway – returning for Northern Lights
Faroe Islands
Svalbard
Ouray, Coroado
Oaxaca, Mexico
Paris, France
Keith and John – always together on a shoot
Just 5 openings left on domestic trips in2023:
Old Car City Workshop, March 30-April 2 – 2 spaces available . Use speed lights on classic cars and models. Click here
Bears at Lake Clark, June 18-23 – 1 space available. Photograph grizzly bears with cubs in Alaska Click here
Route 66 East from Oct 25-29 – 2 spaces available . Learn about speed lights for creative effect. Click here
Where are Tom and Cree?
Next stop: Lofoten islands in Norway. We hope to find crystal clear nights with green Northern Lights reflecting of water and snowy surfaces. Bring on the cold!
We hope you are enjoying the winter photography in your area of the world. Thanks for reading our posts!
At Tom Bol Photo Workshops, we celebrate great images created on our workshops by selecting a Photo of the Month. For December we chose an image from our Patagonia Photo Workshop created by Greg Ness. Greg has photographed wildlife in Patagonia several times and was delighted with his condor encounter on this trip. We hope you enjoy Greg’s images as much as we do!
Congratulations to December 2022 ‘s featured photographer – Greg Ness
Greg, dressed for the weather, at the Mirador del Condores (Condor Viewpoint)
The Story…
It was humorous. When we arrived on scene we looked like a cautious infantry unit. Everyone took 5 steps forward. Then everyone took 5 more steps. The condor was eye balling us the whole time. It must have been thinking, “What are they doing?”
I was using the Sony A1 because I was hoping for a flight shot. I figured if he did fly it would be a very quick shot. I got a couple of decent flight shots but they were kind of at an angle that did not show off his wings.
I loved the bird just sitting there. What an interesting face. You have to ask yourself, what is it about that bird? A face that could stop a truck. Why is it designed like that. I am sure bird experts have some interesting theories on that. I wanted to show the interesting features.
December 2022 Photo of the Month
The light was just right. We had intermittent sunshine. It illuminated the grass right in front of the bird. This made for a nice counterpoint to the dark body of the bird.
I would like to know why it sat there as long as it did. It must have been eating something.
After I got home I did some research. The condor is the biggest flying bird in the world if you combine wingspan (up to 10 ft) and weight (up to 30 pounds). We saw them all over the place. With the Patagonian winds they barely have to flap their wings to take off.
EXIF Data:
Sony AI Sony 200-600 mm f5-6.3 lens at 600 mm
ISO 500 1/2000 sec f6.3
Aperture Priority Mode
Exposure compensation -.03
The view of Mt Fitzroy when heading into Chalten
About Photographing in Patagonia
One of the things that intrigued me about Patagonia is its ties to our past. Anyone who lives in Colorado asks themselves, wouldn’t it be fun to transport yourself back to the Old West. Some one described Patagonia as being like the Old West – large plains, mountain ranges, dramatic weather.
It’s big and wild there. It’s also hard to get to a lot of the places. It keeps the majority of the tourists out. You have to work for photographs in Patagonia. Even if you get to the locations, you can spend days trying to get a picture of Fitzroy or El Chalten and never see it.
This means you have to have patience. The last day we were in Torres del Paine. The calm waters were incredible. How many people have seen that before?
Calm waters at Hosteria Pehoe, our hotel for 3 days
Greg’s Tips for Photographing in Patagonia
Tip 1: I took two rented lenses. This was not a great idea. Know your lenses and know your camera equipment really well. If Marcos is sprinting across the pond on his horse, you may only get one shot of it.
Zoom lenses are really valuable to have. A condor is sitting on the ground, but it could fly at any minute. My suggestions are: 100-500mm and 70-200 and 24-70mm. Take two bodies: anything could happen.
Tip 2: The weather was like last time. It would almost knock you over one day and the next day, no wind. Shoot a lot on the good days. Consider black and white for the cloudy days.
Tip 3: I liked using black and white for the gaucho photos. It fits with the idea of a hard to get to place that is almost lost in time. It has not changed that much in the last 9 years. But it will slowly change.
Patagonian Grey Fox at ground level
On Greg’s Horizon:
Wanaka in New Zealand
Lofoten in Norway – want to return for hiking
Arizona for a month – both hiking and photography
Polar regions -Greenland, Iceland
Cruise to Northern Greenland
Faroe Islands
Madeira in Spain
Greg photographing a Porcelan Orchid
Workshop News
Few spots left: Masking Made Easy: Online Editing Class. Brush up on your editing skills and learn how to use new masking features in either PhotoShop or Lightroom as well as older features like luminosity masks. Click here to learn more.
Few Spots Left: Old Car City Workshop from March 30-April 2, 2023. Photograph classic cars in the Georgia hardwoods. Learn about speed lights for creative effect. Click here to read more.
Where are Tom and Cree?
We are just back from a personal trip to Jackson, Wyoming. We photographed Great Gray Owls, Moose and Coyotes and had a splendid ski in front of the Tetons on New Years Day.
We hope you have a wonderful 2023 and find plenty of time to take photos. Thanks for reading our posts!
