Tag: Photo of the month

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Photographer of the Month – February 2025

Tom and I celebrate great images from workshop participants by selecting a Photo of the Month. For February we chose an image taken on our Baja Whales Workshop. The image was taken by Marni Nagy off the coast of Cabo San Lucas in Mexico. Marni is a California photographer who owns a business that makes custom camera straps: Capturing Couture

Congratulations to February 2025 ‘s featured photographer – Marni Nagy

Marni at San Ignacio Lagoon

The Story… 

For this image I had my 150-600 lens all the way out. A guy named Bertrand was in the front of the boat and would not move. So I moved to the left side of the boat. The whale jumped another time right before the picture that I got. It was wavy and bumpy. I found it was easier to stabilize the camera shooting from the side of the boat.

It was dumb luck to get the boat in there. With wildlife photography you are just lucky most of the time.

I was shooting pretty quick. Tom had us up at over 4000th of a second for shutter speed. It was pretty sunny, so ISO was not a problem.

The boat gives the breach context and scale. In my new job I am always asking my media folks to give me more context. They submit close up images of race cars. I always want to see the track or something in the background for context.

February 2025 Photo of the Month by Marni Nagy

EXIF Data:

Camera: Nikon D850

Lens: Sigma 180-600

Aperture: f6.3

Shutter: 1/5000

ISO: 4100

About Photographing in Baja

Baja was great. Whales galore. The whales were so close that they filled the frame. It was hard to get context because we were so close.

There were some behaviors that I did not even know I wanted to get. I was very happy to get a shot of the “golden rainbow” feeding behavior that creates a rainbow when the whale spouts.

The Sea of Cortez side was all about the different kinds of animals. I had never seen dolphins like that, They were small and black with stubby little noses.

The sealions had so many expressive faces. I took photos of everything we saw: Great Blue Herons, kingfishers, jellyfish. The sea lions had the most personality of all.

I always have a bit of gear envy on these trips. Most people had the new stuff. I was super impressed with the quality of the images from my Nikon d850. After holding it up for so long shooting whales, I started to think about how to create a small tripod support system to help with the weight. A mono pod might have helped.

I was sceptical that we would really get to pet the whales. On the second day we were headed back. The boat slowed down. Everyone was saying “Come on, come on.” The whale turned around and came to out boat. It was just magical. We all willed the whale to come over.

When I photographed the Blue Footed Boobies, they were getting bounce light off of the bird poop on the rock. It made everything really bright. I waited until the birds were doing something interesting with their heads. That was my first time photographing Blue-footed Boobies. They have weird little eyes. They look a bit creepy and have interesting feathers.

Blue-footed Boobies

Marni’ s Tips for Photographing in Baja

Tip 1

Sunscreen.

Tip 2

The shots I like the most are the images with some background in them. I was on a workshop once with Joe McNally and he said, “Take a picture that can’t be shot in a zoo”. A whale with the Baja coastline in the background is definitely not from the zoo

Tip 3

Don’t throw anything away. I didn’t lock the pelican shot in the camera. It was brighter int he camera and I brought the exposure down in Lightroom. It was the shape of the water that made the shot for me.

Brown Pelican on the Sea of Cortez

On Marni’s Horizon:

Patagonia

Iceland

Finland

Galapagos

Baja Workshop

What’s coming up?

Happy Hour: Winter Image Celebration – Join Tom and Cree on March 19 at 6 pm MDT Denver time to see what everyone has been shooting lately. Submit your 3 favorite images from this winter and settle in for a photo expo. Click here to ask for the link

Where are Tom and Cree? They are in Alaska right now photographing in the arctic. The weather looks good and aurora activity should be high this week. Next up they will be heading to Costa Rica with 12 photographers to explore the rainforest and photograph sloths, monkeys and macaws.

Workshop Openings?

Last minute opening for Louisiana Bayous, just one space May 7-11, 2025 also just one space left for August 22-29, 2025 Greenland.

Hope to see you at the Image Celebration!

Tom and Cree

www.tombolphotoworkshops.com

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Photographer of the Month – January 2025

Tom and I celebrate great images from workshop participants by selecting a Photo of the Month. For January we chose an image taken on our Bosque and White Sands Workshop. The image was taken by Ellie Burns-Brookens while photographing the “Blast Off” at Bosque Del Apache NWR. Ellie is a landscape photographer from Oregon who is quickly becoming a wildlife photographer as well.

Congratulations to January 2025 ‘s featured photographer – Ellie Burns-Brookens

Ellie in White Sands National Park

The Story… 

I don’t shoot birds very well. We had a practice session where we were just learning about our equipment. I knew I needed help getting the right settings. Steve Glass helped me get the right Canon settings. Tom did a presentation that showed us what we were looking for with birds in flight. Tom’s hints included light coming through feathers, groups of birds and specific behavious. That helped me understand the goals.

I knew that I needed to just see those situations and shoot. With landscape photography I take my time and try different compositions. The pace is much faster with wildlife photography.

We shot for quite a while that morning. I started by taking close up photos of Snow Geese. I tried to capture bird behaviour and then started working on birds that were taking off and landing.

Tom often starts yelling random things. He said “Try to get them flying through the sun”. This made no sense to me in the beginning. I was wondering “What exposure should I use?” “How do i do this?” Then I just started looking for groups of geese flying through the sun. I kept tracking them and pushing the shutter.

January 2025 Photo of the Month by Ellie Burns-Brookens

In this photo, I loved the silhouettes, especially the one with the tattered wing. In order for me to be successful with this king of shooting, I needed a combination of knowing when to start shooting and knowing what to looking for. Normally, I would never have shot into the sun without Tom’s hint. A tiny bit of skill, Some luck. And the right suggestion at the right time.

Now I am in Hawaii shooting albatross in flight….very hard! I feel like I know what I am looking for. The camera is behaving. I feel like I have learned a lot. It will be a long time before I feel like I am really good at it.

I am using Photo Mechanic now to go through all my new bird images. This is the least edited photo I have ever done. It was all in the camera. I added a slight vignette and brought down the highlights.

Okay…..I guess you can shoot into the sun.

EXIF Data:

Camera: Canon R6

Lens: Canon RF 100-500 at 500mm

Aperture: f7.1

Shutter: 1/1250

ISO: 100

Mode: Manual, Auto ISO

Sunset with Sandhill Cranes at Bernardo Refuge

About Photographing in Bosque

I learned a lot more about wildlife photography. The last time I shot birds was in Patagonia and they were condors with 9 ft wing spans.

The colors in Bosque are stunning in the sky. You have beautiful light for the background to the wildlife.

We knew the geese and cranes would be coming to certain areas for roosting at night and take off in the morning. The ponds are managed for that. The wildlife is so abundant that you get a chance to practice a lot. There are so many behaviors to see. Combine that with incredible skies and it is just magical.

I didn’t realize the Sandhill Cranes were so colorful. They are quirky birds that make weird gestures. They move their necks in funny ways. They are very different from other birds that I have photographed.

I love the feeling and the noise when all the cranes come in at once. You can hear them coming from a long way off. It is very exciting. I didn’t think bird photography would be so exciting.

About Photographing in New Mexico

I loved photographing in White Sands. It felt a lot like photographing in the Palouse. I practiced looking for shape and light. This was different for me as a landscape photographer. I was looking forward to that.

I did a workshop in the Palouse and for the first few days I could not see it. I could not see the shapes and lines. This came back to me when we were in White Sands. I was always looking for beautiful opportunities with layers and V shapes. Intersecting lines and curves. The intersecting layers reached all the way to the mountains and it was so pretty.

The other thing that was available was finding a single standout subject, like the yucca, to contrast to the sea of shapes and color. I tried to keep it very simplistic. I used my telephoto and made sure I had just a few layers in the foreground. I put the yucca on the right on purpose to balance out the hills on the left.

Landscape in White Sands National Park

Ellie’s Tips for Photographing in New Mexico

Tip 1

Go with Tom and Cree. They know the locations and the bird behavior. It is the perfect workshop to learn to shoot birds in flight. I could never have done it on my own. I knew what to look for and had plenty of time to practice in the field.

Tip 2

I was amazed at the colors. I love lenticular clouds. I have never seen a bright orange lenticular cloud like that before. In White Sands, the sand reflects the beautiful color of the clouds. I don’t know of any other place where the light is like the light in New Mexico.

Tip 3

These are great locations for trying new creative techniques. Sometimes you get stuck in a photography rut and want to be more creative. These are great places to try thinking differently. Shoot flying things flying through the sun. Shooting shapes and simplicity in the dunes. This workshop got me jazzed up again. I am inspired to try more new things.

Sandhill Crane Behaviour in Bosque NWR

On Ellie’s Horizon:

Iceland

Botswana – first time to Africa

Ireland and Scotland

Orkney and Shetland Islands

Ellie photographing the Blast Off in Bosque NWR

What’s coming up?

Happy Hour: All About Aurora – Join Tom and Cree for a free online presentation on photographing the Aurora. February 11 at 6 pm MST Denver time. Click here to ask for the link

Where are Tom and Cree? We are headed to Finland for a Northern Lights Workshop and then on to Baja to photograph whales with a group. Both temperature extremes on these two workshops

Workshop Openings? Interested in photographing whales and iceburgs in Greenland? One space just opened in August. We also have openings for Costa Rica and Spring Warblers in 2025.

We are headed back to Bosque and White Sands in 2027. Just 2 spaces available.

We hope you are enjoying some winter photography where ever you are!

Tom and Cree

www.tombolphotoworkshops.com

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Photo of the Month – November 2024

Tom and I celebrate great images from workshop participants by selecting a Photo of the Month. For November we chose an image taken on our Arches and Canyonlands Workshop. The image was taken by SaraLynn Lehner and edited by her husband Dave Lehner while photographing at the Garden of Eden in Arches National Park. Dave and Saralynn are wildlife and landscape photographers from Colorado Springs.

Congratulations to November 2024 ‘s featured photographer – Saralynn and Dave Lehner

Saralynn and Dave in Castle Valley, Utah

The Story… 

Saralynn: It took my breath away. I am not normally a person who likes deserts. I was thinking this scene is magnificent. How do I record this to capture the feeling after we leave?

I wanted to be sure I had my settings right. I am still learning the camera. I tried different apertures. I was thinking about exposure comp and asked myself “Do I want it lighter or darker?” Because I get so easily excitable, I had to think about my breathing. I was hand holding the camera and wanted to be still, so I took some deep breaths.

I took a whole bunch of photos. I moved to the left to get the arch in the frame. I felt very satisfied that I got it. I played with a variety of settings to make sure I captured the scene just right.

In the past I have not used my playback enough. On this trip I used playback all the time. I was walking back to the car and saw some tourists from India. They asked what we were photographing and I showed them my camera back. They said, “Oh my gosh, that looks like a painting.” That’s when I knew I really got it.

November 2024 Photo of the Month by Saralynn Lehner

Dave: I like using just one tool to edit. I found PhotoShop much easier to use than Lightroom and it really meets my needs. The editing was pretty straight forward. I masked the sky separately from the mountains. I brought the whites down a bit in the landscape because the mountains and clouds were bright. I added texture to the red rocks. This brought out some of the lines in the rocks.

I did a very minimal edit on the color. I did not want to effect the pink sky because Saralynn really captured it. I did not want to lose any of the red orange on the rocks. I really just stuck to changing the textures in the scene. I did remove a few minor road signs.

EXIF Data:

Camera: Nikon Z8

Lens: Nikon 100-400 at 360mm

Aperture: f5.6

Shutter: 1/320th

ISO: 640

Mode: Aperture

The Garden of Eden in Arches National Park by Saralynn Lehner

About Photographing in Arches and Canyonlands

Saralynn – I loved it. I was so surprised at how beautiful the rocks and the arches were. This was especially so when the sun came out. Monument Valley was beautiful too. Arches had so much more. There were formations all over the place and the snowy background added to it. I fell in love with Moab. It surprised me.

Dave – This was my third time going to Arches. I have always been impressed with the arches and the sky behind the arches. The highlight of this trip was the recent snow on the LaSals.. They looked so crisp and clean. They looked like they were on a Coors Lite commercial.

Saralynn – We have plans to go back in late February or early March. You could spend so much time in the park and it is only 8 hours from our house. You can shoot the formations from so many different angles. We want to spend some time at Delicate Arch and Double Arch.

Dave – Mesa Arch was on my wishlist and we nailed it. I loved our angle on the right side of the arch.

Mesa Arch at Sunrise by Saralynn Lehner

Lehner Tips for Photographing in the Utah Desert

Tip 1 Saralynn

Include the iconic features. It donned on me that I was taking so many photos and yet, I did not have any of the arches in them. The snow on the LaSals and the sun distracted me. I took two steps to the left and was able to include the Turret Arch in the image.

Tip 2 Dave

Walking down the road just a bit will really change the perspective on the scene. Walk up the road and then walk in the opposite direction. Going the other direction will bring other opportunities. Keep looking for images as you walk.

Tip 3 Dave

Every day is different with the weather in November. It was a blessing for us. It gave us new opportunities every day. ND filters can add a moody element to changing weather.

Tip 4 Saralynn

When other people are photographing from a different spot, walk over and see if there is something there. Maybe they are seeing something different. Keep an open mind to others’ point of view.

On Team Lehner’s Horizon:

Bosque & White Sands National Park

Tucson & Saguaro National Park

Iceland

Redwoods National Park

Ouray, Colorado

Acadia National Park

Vietnam

Team Lehner in action

What’s coming up?

Bol Holiday Gift Guide – Everyone welcome! Join Tom and Cree online for our free annual gift recommendations for photographers. December 1, 2024 at 4 pm MDT Denver. Click here to get the free link.

Tom and Cree are headed to Bosque del Apache and White Sands National Park next. A last minute space opened up on the Dec 8-12 workshop if you would like to join them Click here for details.

Happy Thanksgiving from our family to yours!

Tom and Cree

www.tombolphotoworkshops.com

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Photo of the Month July 2024

Tom and I celebrate great images from workshop participants by selecting a Photo of the Month. For July we chose an image taken on our Pantanal Workshop for Strabo Tours. The image was taken by Melissa Stanton while photographing jaguars in the wetlands of Brazil. Melissa is a travel and wildlife photographer and has a strong fondness for felines.

Congratulations to July 2024 ‘s featured photographer – Melissa Stanton

Photographer Melissa Stanton

The Story… 

We came around the corner and the jaguar was walking down a log. Tom was yelling and dancing around. He is always so excited about cats. I figured I better get ready to take a photo.

It looked like the cat was thinking about jumping into the water. I turned up the shutter speed a bit so I could get it in focus, Then the cat jumped.

It was fun to watch him swim. Cats do not normally like water. To see cats swimming was really kind of cool. Everyone was so impressed with watching the jaguar jump. The jaguar was pretty close to us when it happened. It was definitely cool to see.

I didn’t know that I had such a good picture until I got home and looked at in on the bigger screen.

Photo of the Month – July 2024

EXIF Data:

Camera: Nikon Z9

Lens: Nikon Z series 600 mm PF

Aperture: f6.3

Shutter: 1/5000 second

ISO: 1600

Mode: Manual with Auto ISO

About Photographing in the Pantanal

It was great. It was relaxing to be in the boats, riding around on little rivers. Everywhere you looked there were capybaras or caimans or something else.

The drivers were very good at getting us close to the wildlife. We were close but we did not disrupt them.

We were ridiculously close to some of the birds and they did not seem to care. They knew they could just fly away. They also knew that we were not going to bother them so they just went about their business.

The birds were easy to capture. Many of them were perched right near the river. There was a lot of variety between the huge storks and the tiny kingfishers.

I was going through my photos and landed on the Road-side Hawk. I thought he looked so cute. He’s on one foot and is looking right at the camera. This created a connection which I really liked.

Roadside Hawk

The Capybaras looked so chill. They sit around on the banks. Lucas, our guide, said they are stressed because of the jaguars but to us they seemed like the Chill Dudes of the river. The caiman would lie right next to them without a worry. They just look like fun animals.

It was a great trip, fun leaders and companions. I was glad I was able to do it!

Melissa’s Tips for Wildlife Photography

Tip 1

Try to be aware of everything. There were so many birds and animals that I needed to watch my shutter speed. I didn’t want to miss the shutter speed and end up with soft photos.

Tip 2

Shoot in manual with auto ISO. The light conditions changed all the time and using these settings made it easier for me to get it right.

Tip 3

The Nikon 600mm pf lens was amazing. It was very sharp and very light. For 70% of the shots on this trip it was the perfect focal length. A few times I was a little too tight and ended up focusing on just a part. of the animal

On Melissa’s Horizon:

Route 66

Greenland

Moving to Spain in 2025

Antarctica

Melissa photographing hummingbirds in Ecuador

Join us on a workshop this fall! Spaces Open in 2024:

Route 66: Albuquerque to Winslow, Arizona from Oct 23-27, 2024 Learn more

Route 66: Oklahoma City to Amarillo from Oct 18-22, 2024 Learn more

Bosque and White Sands National Park Workshop from Dec 8-12, 2024 Learn more

Enjoy the Olympics!

Tom and Cree

www.tombolphotoworkshops.com

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Photo of the Month – May 2024

Tom and I celebrate great images from workshop participants by selecting a Photo of the Month. For May we chose an image taken on our Badlands Workshop. The image was taken by Jim Seward while photographing bison in Badlands National Park. Jim is a travel and landscape photographer from the Chicago area.

Congratulations to May 2024 ‘s featured photographer – Jim Seward

Photographer Jim Seward

The Story… 

I do not have a lot of experience shooting wildlife. First I got some of the iconic shoots of bison but I wanted to get something different as well.

We were on the long road with a fence line. I didn’t like the fence line in the background. On the left side of the road there were a pair of bison standing up but they were not doing much. I saw a little head pop up in the yellow flowers. He was lying down with just his head up. I got down low and shot at eye level.

It was all the things I have learned from taking pictures over the years. I wanted my mid ground to be sharp with interesting bokeh in both the foreground and background. I shot through the flowers to get the effect.

If somebody puts me in the right spot and I have decent equipment, I can take a decent picture.

Photo of the Month – May 2024

EXIF Data:

Camera: Canon EOS 6D Mark II

Lens: Sigma 150-600 mm with 1.4 extender

Aperture: f6.3

Shutter: 1/400 second

ISO: 500

Mode: Manual

About Photographing in the Badlands

I was completely surprised at how much color variation there was. This was especially in the rocks. The yellows and the reds blew me away. Before the trip I had looked at several sites to see what we would be shooting. None of those images did justice to what we actually shot in the park.

It was like shooting sunsets in Patagonia. The colors are so good right out of the camera that you barely need to do anything in post. I just let the colors speak for themselves.

The timing for the green grass in Spring was important. The green grass, yellow rocks and blue sky were tremendous. It is the right time to go to the Badlands if you like color.

These is also a great variety of wildlife. I got a couple shots of the Burrowing Owls. I had never seen them before in my life. I was amazed by their habitat. Just to see it was terrific.

Goin to the abandoned town was as fun as anything in the park. I have used ND filters before in New Zealand, Utah and in North Dakota. The sky was perfect for Cottonwood. With an ND filter I like spending a little more time. It is a more relaxed pace.

With the silo I kept repeating the process over and over to get the right sky. I wanted the clouds moving over my head. I like it when the clouds are moving into the background.

Abandoned Silo in Cottonwood

Jim’s Tips for Landscape Photography

Tip 1

When you are in the field and you think you might be done, wait another five or ten minutes. You might be surprised with a piece of light that breaks through or a change of color. Things can change just when you think it is time to leave.

Tip 2

Don’t be afraid of unusual light situations. On the last morning we had fog roll in. We thought the fog would obliterate everything. However, as the fog moved through the scene it created some interesting photos.

On Jim’s Horizon:

Namibia

Greenland

Oregon Coast and Redwoods

Harris and Skye in the Hebrides

Jim photographing Big Horn Sheep

Interested in joining us in a national park this year? We have space on our Bosque and White Sands National Park Workshop from Dec 8-12, 2024 Learn more

Happy Summer!

Tom and Cree

www.tombolphotoworkshops.com

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Photo of the Month: February 2024

Tom and I celebrate great images from workshop participants by selecting a Photo of the Month. For February we chose an image taken on our Indonesia Workshop. The image was taken by Richard Epter during a photo shoot in a rice paddy near Malang on East Java. Richard is a wildlife and landscape photographer from Augusta, Georgia.

Congratulations to February 2024 ‘s featured photographer – Richard Epter

Richard Epter in Indonesia

The Story… 

I remember that we got to sleep in. We left at 4am which was later than the days before. I had no idea what we were going to see because I had never been to a rice paddy before.

When we got there, we walked through some fields and then the view opened up. It was twilight and we were just starting to see light. In the distance I could see terracing. I could’t see much beyond that because it was cloudy and too dark.

There was a short wall made of mud on our right. The walls were a foot think. I thought it was gorgeous to see that. Terracing has always been fascinating to me. Earlier on the trip we saw terraces on the sides of mountains and I was amazed at how steep they were.

During the shoot, I learned how the local men in the rice paddies make the walls. They dig up mud, push it to the edge of the paddy and manually build up the the walls, layer by layer. It all happened right before us.

In my photo there are tiny rice plant shoots in the foreground. Rice is one of the few aquatic crops other than taro. The image shows a lot of water with the rice plants just starting to grow. As they grow they don’t need as much water.

I found it very interesting that on the downhill edge of each paddy, there was a small 6 inch gap that drained the terraces. This allowed the entire field to drain slowly throughout the day.

As the sun rose I could see a huge mountain in the background. I was so surprised to hear that it was Mt Semeru. Semeru is the the same mountain we had photographed days early with volcanic gases escaping. We were on the opposite site of the volcanic massif. It was not just a coincidence. That was fantastic to see and photograph both sides.

When we were walking back from the shoot, I was looking for an angle that really accentuated the lines of the terraces and the reflection of Semeru. I used a low perspective to get the entire mountain in the reflection.

It wasn’t until I got on the computer that I realized what I had. I couldn’t believe how beautiful it was,

Photo of the Month – Malang Rice Paddy with Mt Semeru by Richard Epter

EXIF Data:

Camera: Nikon Z9

Lens: Nikon 24-120

Aperture: f11

Shutter: 1/13 sec

ISO: 64

Mode: Manual

About Photographing in Indonesia

This was my first time to Indonesia. It has so much natural beauty. The people were so nice everywhere we went.

The only volcano I had ever seen was Haleakala in Hawaii a long time ago. All of my pictures were blown out then. I did a much better job this time around.

Our sunrise shoot at Semeru was very impactful for me. It was interesting to be so close to an active volcano. You never know what it is going to do. That is exciting in and of itself.

This was one of the most beautiful things I’ve ever seen. The gases were spewing perfectly to catch the colors of sunrise in the clouds. The sun started strolling down the sides of the volcanos and brought out all of the volcanic ridges.

Every day in Indonesia was exciting. We never knew what we were going to see.

The monkeys and orangutans in the wild made it feel like we were on the set of Tarzan. The skills of the guides were terrific. They could see and hear things that none of the rest of us could. They were fantastic. They would point out a kingfisher on a limb and I couldn’t even see the limb! It helped me learn to train my eye.

This was one of the most adventurous trips I’ve ever taken.

Mt Semeru at sunrise

Richard’s Tips for Travel Photography

Tip 1

Take an extra minute or so to access the angle of view. Try moving up and down to change your perspective. A foot to the left or right can also make a hug difference. When I squatted down, I was able to get the entire reflection of Mt Semeru in the photo.

Tip 3

Don’t worry about taking too many frames. Shoot at a high frame rate, especially if you are on a moving boat. I tend to shoot wildlife at 20 frames per second. This really helps capture more images where the animal is looking right at you. This makes a more engaging shot.

Tip 4

Use the lowest ISO that you can. I learned this from Tom in Indonesia. Now I try to use ISO 64 when I can to keep the noise low. Noise reduction software can make a big difference, but it’s even better to start with a low ISO.

Proboscis Monkey (left) Orangutan Juvenile (right)

On Richard’s Horizon:

Africa: Botswana, South Africa

Alaska Bears in Katmai

Iceland and Scandinavia

Ireland

Richard and Wendy Epter enjoying Borneo

Interested in joining us for a photo adventure in the rainforest? We have space available on our Costa Rica Rainforest Workshop in 2025 Learn more

Happy trails!

Tom and Cree

www.tombolphotoworkshops.com

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Photo of the Month – January 2024

Tom and I celebrate great images from workshop participants by selecting a Photo of the Month. For January we chose an image taken on our Oaxaca Mexico Workshop. The image was taken by Monica Whitt during our Dia de los Muertos photo shoot. Monica is a commercial and portrait photographer from Anchorage, Alaska. Check out her work at Monica Whitt Photography

Congratulations to January 2024 ‘s featured photographer – Monica Whitt

Monica in agave fields of Oaxaca

The Story… 

The way the lights were set up was amazing. The Clam Shell format is pretty cool. It really highlights the face.

The background light was also convenient. The wall was already red. The background light with the red gel cap accentuated the color and added mood.

It was great to have the strobe trigger and be able to direct the model. I tried to get as many expressions in the face as possible. I asked her to turn around and to tilt her face a bit.

I also shot in portrait and landscape. I zoomed in and out. I was using my Canon 28-70 2.0 lens. This worked well for zooming. I just kept experimenting to see what worked best.

The villa was amazing. The arches, the color, the flooring. The whole place helped the mood and the vibe. It was comfortable and not at all hot. So colonial. I loved it!

Photo of the Month – Sofia - Day of Dead

EXIF Data:

Camera: Canon EOS 5D Mark IV

Lens: 28-70 2.0

Aperture: f8

Shutter: 1/100 sec

ISO: 100

Mode: Manual

About Photographing in Oaxaca

It was my first time in Oaxaca. Photographing people was a highlight of the week. This is why I signed up for the workshop.

I was also fascinated by the murals all over town. Then adding the couple (of models), this made it so much better.

I frequently had to decide what angle to photograph. Literally in a 360′ view, there would be 1000 photos right there. The people were just wonderful.

Chef Alejandro Ruiz at the market

Monica’s Tips for Travel Portraits

Tip 1

I recommend environmental portraits in Oaxaca. They showcase where the person works and the area.

Tip 2

Shooting in shade makes for even lighting. If there is no shade, try putting the sun behind the person.

Tip 3

Depending on their comfort level – tell the models to do whatever they want. They feel free and really show more natural expressions and genuine smiles.

Tip 4

I try to get a variety of expressions. When I work with high school seniors I ask them funny questions like, “Are you the smart one in the family?” They laugh and I get great expressions.

Working the agave fields

On Monica’s Horizon:

Patagonia

Germany – to visit family

Portraits of Native Alaskans

Interested in joining us in Oaxaca in January 2025? Learn more

Tom and Cree are headed to Borneo with a workshop this weekend. They will be photographing an area with the largest population of Orangutans in the world. After that they join a group in Alaska for Northern Lights and the Iditarod.

Happy trails!

Tom and Cree

www.tombolphotoworkshops.com

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December 2023 – Photo of the Month

Tom and I celebrate great images from workshop participants by selecting a Photo of the Month. For December we chose an image taken on our Bosque and White Sands Workshop. The image was taken by Tim Crull during a stunning sunset at Bosque del Apache Wildlife Refuge. Tim is a wildlife and landscape photographer from Indiana and he loves grizzly bears!

Congratulations to December 2023 ‘s featured photographer – Tim Crull

Tim Crull at White Sands National Park

The Story… 

When we arrived at the Roosting Pond, there were only a few ducks there. We could hear cranes from a distance and we started to see them flying towards us.

We needed the right sky color. Then we needed the cranes to fly right in front of it.

I began tracking multiple groups of cranes. Sometimes the cranes were not close enough. Othertimes they overlapped and did not look as good. I just kept trying until I got what I wanted. Just keep shooting.

Everything has to come together to get the right shot. I waited until I got an odd number of cranes with just the right separation between them.

Photo of the Month – Trio of Sandhill Cranes by Tim Crull

EXIF Data:

Camera: Canon EOS R5

Lens: 600 mm

Aperture: f4

Shutter: 1/1000 sec

ISO: 500

Mode: Manual, auto ISO

About Photographing in White Sands

I had never been there before. I’ve been to other sand dunes like in Death Valley. The white sand makes it really amazing.

I went two days before the workshop but could not get in early. Going with a workshop means you can get in before sunrise. This makes all the difference in the world.

It’s all about the light there. The sand reflects the different colors in the sky like no where else.

Sunset at White Sands National Park

Tim’s Tips for Photographing at Bosque

Tip 1

You need the right weather. Keep going back until you get it. A sunset with red or orange is what you want.

Tip 2

Shoot a lot. You won’t know the position of the birds and groupings until later.

Tip 3

Practice tracking birds with your camera and lens before you go.

Tip 4

The first day the 600mm felt like it was too much. But that was really all I used for the rest of the trip. The 100-500mm Canon lens was what I used in White Sands, in addition to the 24-105mm

Tip 5

Experiment. Try some slow shutter speeds. I shot the Snow Geese at 1/30th of a second and that was new for me.

Snow Geese at 1/30th second

On Tim’s Horizon:

Bears in Katmai National Park in Alaska

Iceland

Chilkat, Alaska for Bald Eagles

Denali National Park

Northern Lights

Tim at Bosque with his Canon 600mm

Tom and Cree just returned from a family vacation in the jungles and beaches of Mexico. Great to relax and enjoy sunsets with Spotted Eagle Rays swimming by us.

We are finishing up a very successful 2023 year. Thank you to all of you who joined us on trips this year. We hope to see you again in 2024: 2024 Schedule and 2025

Enjoy your holidays with friends and family!

Tom and Cree

www.tombolphotoworkshops.com

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Photo of the Month November 2023

Tom and I celebrate great images from workshop participants by selecting a Photo of the Month. For November we chose an image taken on our Chilkat Eagles Workshop. The image was taken by Marni Nagy on a snowy day on the Chilkat River in Alaska. Marni’s creativity extends to her business as well. Check out Capturing Couture to see her beautiful, custom camera straps. Perfect item for the Holidays!

Congratulations to November 2023 ‘s featured photographer – Marni Nagy

Marni on the edge of the Chilkat River

The Story… 

I was off to the side. I got a different angle than everyone else. One of the eagles, the one I call Mohawk, was the aggressor all week. Based on her size, I think she was a female. She was often the one going after other eagles. I have the before and after sequence from this image. The eagle who had the fish flipped over and had it’s back on the ground to get it’s talons in the air.

I didn’t realize that eagles were scavengers. Eagles would grab a salmon and bring it out of the river and then another eagle would come in and take it. There were plenty of fish to go around in the river.

I was working on protecting my ISO. This was my biggest learning from the workshop. Tom and I discussed exposure compensation vs ISO. He recommended giving up exposure compensation to have a lower ISO.

Having a day of snow was just magical. Even the grasses became pictures.

Photo of the Month – Eagle Dance on the Chilkat River

EXIF Data:

Camera: Nikon D850

Lens: Sigma 150-600 mm at 600 mm

Aperture: f6.3

Shutter: 1/2500 sec

ISO: 1100

Mode: Manual, auto ISO

Exposure Comp +.3

Mature Bald Eagle in Flight

About Photographing in the Chilkat Bald Eagle Preserve

I had never been to Alaska. Only to Colorado. I feel like the vistas in Alaska were much grander than in Colorado. When the fog rolled in I could really get the layers with the trees. The mountains were stunning. I turned my landscape into a black and white image. There were so many layers of majesty.

The number of eagles made it very easy to find a photo. The difficulty was to find a picture that showed the quantity of eagles. I wish I had gotten a better shot of just how many eagles were sitting there. It was just amazing.

Across the scenic Chilkat River

Marni’s Tips for Photographing Eagles

Tip 1

Go to the right place. At Chilkat the eagles were all right there.

Tip 2

You needed to have patience. Some of the groups would leave after 20 minutes because there were no eagles. The eagles would always show up if you waited long enough.

Tip 3

I was at 600mm most of the time. Bring a long enough lens.

Tip 4

Try using manual mode, with auto ISO for wildlife. I had not shot in manual before. I will use this again. I used the group area tracking in the D850 and liked the results.

On Marni’s Horizon:

Bosque

Iceland

Northern Lights

Marni and new photo friends

Tom and Cree are headed to Bosque for the last 2 workshops of the year. Sandhill cranes fly through vibrant New Mexico skies as they land on the Bosque del Apache Wildlife Refuge. For the last two days of the trip we photograph soft hues of pink and blue over the dramatic dunes at White Sands National Park. Keep an eye on Facebook and Instagram for posts.

The Northern Lights have been spectacular in Fairbanks this fall. Get in on the action on our Northern Lights and Iditarod Workshop in March 2024. Three spaces available. Click here to learn more.

Thanks for following our posts!

Tom and Cree

www.tombolphotoworkshops.com

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Photo of the Month July 2023

At Tom Bol Photo Workshops, we celebrate great participant images by selecting a Photo of the Month. For July we chose an image taken on the Redwoods and Rocky Coastlines Workshop created by Scott Harrison. Scott worked as a digital imaging specialist for the LA Times for 33 years. His journalistic approach to photography comes out in the breadth of images he created on the workshop. You can see more of his images at www.harrysonpics.com

Congratulations to July 2023 ‘s featured photographer – Scott Harrison

Scott on the Redwoods and Rocky Coastlines Workshop

The Story… 

On the second session on the evening walk I wanted to get a scene setter. I hoped to capture the overall picture. We started up the trail and met with the fog. I started using my 16 mm lens and shot about 20 versions of this scene.

I was trying to use the trail as a leading line. In half of the photos I included a person to give scale to the forest. Almost all of the people were members of our group.

My style – I always use 2 camera bodies. This time I had a 24-200 mm on one. My second lens is always special, in this case a 16 mm. Sometimes I use a LensBaby, sometimes an old manual focus lens.

I like to mix in a variety of focal lengths to tell a story. This keeps the images fresh and not repetitious. By adding a specialty lens I also get creative effects.

July 2023 Photo of the Month

EXIF Data:

Camera: Canon EOS RP

Lens: 16 mm

ISO: 100

Shutter Speed: 1/60 sec

Aperture: f/4

Shooting Mode: Shutter Priority

Exposure Comp -.03

Colors in the fog on the Damnation Creek hike

About Photographing in the Redwoods

I love it!

I’m not a landscape photographer per se, but I like to walk around and photograph things. It is a different world in the Redwoods. I loved the quiet and peacefulness. That is why I was often by myself on the workshop.

I was happy to be in the fog. In Southern California I deal with high contrast lighting all the time. In the fog the lighting is flat and I had the ability to capture more detail. The colors are also saturated. I found the colors were so bright that I had to desaturate them in PhotoShop.

Coquille River Lighthouse in Brandon, Oregon

Scott’s Tips for Photographing on a Workshop

Tip 1

Because of my background, I hate shooting the same photo that everyone takes. I stay away from the Grand Canyon and the parks in Utah. If I am there, then I take photos of the crowds in the foreground taking photos in scenic spots.

About 15 years ago I started taking road trips by myself. To plan my trips I used iphone apps like Roadside America. I also use Fotospot and Atlas Obscura. These apps give me information on all the unusual places in the country. I try to find things that other people do not photograph.

From my training with newspapers, we used to travel to a new town and go right to the local drugstore and look at the postcard rack. Find things outside of the mainstream, including in your own home town.

Tip 2

Join the local camera club and do photo walks. Going as a group can really help.

Tip 3

Listen to what the leaders are saying. I took the fern photo because Cree mentioned dialing back the exposure compensation to create a moody shot. I underexposed by 2 stops for that one. I also created a whole series from the Simpson-Reed Grove in black and white.

Low Key Fern in the Simpson Reed Grove

On Scott’s Horizon:

Route 66 in Oklahoma

Tucson and Saguaro National Park

South Dakota Badlands

New Zealand and Australia

Scott wandering in the redwood forest at the Lady Bird Johnson Grove

Want to join us in 2025: Redwoods and Rocky Coastlines July 9-13, 2025 Space Available!

Online Image Celebration: Join us on August 10 at 5 pm Denver time to see more of the work created on our workshops in the last 4 months. This is a great way to celebrate new work. Sometimes people need more time to edit their images. If you were on a workshop you are invited to send in 3 images to creetbp@gmail.com. If you would like to join us, send a quick message here and we will send the link.

Tom and Cree are headed to Ecuador next for Ecuador Cloud Forest Workshop. In August they will be out of the office on a wilderness canoe trip in Canyonlands, Utah and then on a scouting trip in remote arctic Alaska.

Enjoy the end of summer!

Tom and Cree

www.tombolphotoworkshops.com