March 2026: Photo of the Month

Tom and I celebrate great photos from photographers on our workshops by selecting a Photo of the Month. For March we chose an image from our Iditarod Photo Workshop. The image was taken by Richard Epter at the official re- start of the Iditarod in WIllow, Alaska. Richard is a wildlife and landscape photographer from Augusta, Georgia.

Congratulations to March 2026 ‘s featured photographer – Richard Epter

The Storyโ€ฆย 

There had already been a handful of mushers through the starting chute. Jessie Holmes was number 7. We had all talked about who would win this year. He won last year and was a likely candidate for this year as well. When I saw him coming around the curve and at me I started taking frame after frame.

I saw him lifting both of his hands into the air closer to the chute and banner. Then he started getting close to the crowd as he was coming down the hill. He touched one person’s hand and that was the frame I captured.

It was an emotional second. I was thinking, here he is at the beginning of a 1000 mile journey and he is making a connection with the crowd. The dogs were just raring to go. It was electric energy at the beginning of the race in Willow.

March 2026 Photo of the Month

Photographing the Iditarod was a life changer for me. Five years ago I did not even know what the Iditarod was. After we signed up for the workshop, I listened to a book on tape about the race with Wendy. It was all very intense: the challenging trail conditions, the worry for the dogs, possibly going over a cliff or running the dogs into open water. It really changed my idea of the race.

In Anchorage, it was a magical day with the snow. We used high shutter speeds to photograph the teams in falling snow. Taking photos in the snow with fast shutter speed. It was amazing being so close to the sleds in Anchorage. We were down very low to the ground to get eye level shots when they ran past us.

These dogs and mushers who do this race are like Olympians. They train for years. They breed the dogs and live with them. They are like family. Seeing that special bond was one of the coolest things ever.

EXIF Data:

Camera: Nikon Z9

Lens: Nikon 100-400mm at 210 mm

Aperture: f5.6

Shutter: 1/3200

ISO: 1250

Manual Mode, auto ISO


About Photographing at the Rainy Pass Checkpoint

That was amazing. We took a bush plane into Rainy Pass. I did not know what to expect. I had never been to a remote checkpoint before.

As we were flying there, I was looking at Denali on my right. I was looking down and I could see the tiny teams below us. The sleds were surrounded by white snow and magnificent scenery. Everything looked so small within the context of the vast Alaskan Range in winter.

When we landed it was breath-taking. It was a large frozen lake with cabins and outhouses. The planes coming in and taking off were very photogenic as well. Getting to ride on a snow machine was very cool.

It was a tranquil environment. The teams were magnificent coming into the checkpoint. You can read about it, but you have to be there to really understand it.

When they check in they have to show they have all the mandatory gear. The dogs are checked to make sure they are healthy and don’t have snow on their paws. I was relieved to see how much care there was for the dogs at the checkpoints.

Dogs resting at the Rainy Pass Checkpoint

We had gone in front of the officials to get a bit ahead so we could lay down on the ground. There was a person in a blue jacket taking pictures of three teams coming in at once. I wondered if it was normal to see three teams at once. I was laying down a little bit off the trail.. I wanted to make sure I got all three in the frame. It was an unbelievable site. It was lucky to be were I was. I’ll never forget that photo.

Three teams arrive at once in Rainy Pass

Richard’s Tips for Photographing Dog Sledding

1) Shoot wide open with your aperture. Use a telephoto lens. You only have fractions of a second to capture the perfect moments. Shoot at 20 frames a second. You have to be ready with your finger on the shutter, even in cold temps.

2) Decide whether you want the focus to be on dogs in the front, the whole team or the musher.

3) When choosing the best images in post, look for images that are sharp and have great dog expressions. Look for paws that are in the air. The bacon tongues just crack me up.

Bacon tongues on Jessie Holmes’ dogs in Anchorage

On Richard’s Horizon:

Katmai National Park in Alaska

Kenya

Northern Lights in Alaska

Iceland

Upcoming Online Events:

Happy Hour – Spring Image Celebration: Join us to celebrate images created by our community of photographers. Send in 3 of your best images from this spring and see what others have created. Tuesday May 19, 2026 at 6 pm Denver time. Everyone welcome! Send a note for the link.


Workshop Openings:

Just 1 Space Left: Alaska Black Bears August 8-14, 2026 Photograph huge Black Bears in Alaska’s coastal rainforest near the town of Wrangell. Cruise the pristine waters in a small boat and photograph whales, sea otters, calving glaciers and flaming sunsets. Read more

Northern Lights in Alaska – February 23-28, 2027. Join Tom and Cree at the Chena Hot Springs Resort for aurora photography at the top of a mountain dome. Read more

Thanks for reading our trip reports!

Happy Spring

Tom and Cree

www.tombolphotoworkshops.com

February 2026: Photographer of the Month

Tom and I celebrate great photos from photographers on our workshops by selecting a Photo of the Month. For February we chose an image from our Arctic Lights Photo Workshop. The image was taken by Laura DeSimone in the town of Wiseman, Alaska. Laura is from Fernley, Nevada and is known for her photos of flowers and rodeos. You can see her work here.

Congratulations to February 2026 ‘s featured photographer – Laura DeSimone

The Storyโ€ฆ 

Tom was outside and he told us through What’sAp that the sky was blowing up with aurora. We grabbed our gear and ran outside.

It was amazing. The full moon was so cool because it just shown through the aurora. It illuminated the foreground and everything around us.

We set up our tripods next to the rest of the group. We were waiting for the evening aurora tour. We were on the road in front of the lodge. Off to the side there were all sorts of trucks. I shot to the north to avoid the trucks. The remove tool and auto were my friends in editing. I also added a little bit of texture to the entire image.

When we see aurora in Nevada it is faint, like a cloud. You really can’t see it without a cell phone. In Alaska you could see the shapes of it with the naked eye. I could see the shapes in the sky.

My glasses frosted up. So I just put them in my pocket and I was shooting blind.

I really appreciate Tom letting me use his jacket. That really saved me. I had my good down parka with me but it would not have kept me warm at -40. Tom loaned me his big yellow Feathered Friends jacket. I had 2 down parkas on, a fleece jacket, two long underwear tops and a t-shirt. With all that on I felt like the Michelin Man. I stayed warm the whole time.

February 2026 Photo of the Month

EXIF Data:

Camera: Nikon Z8

Lens: Nikon 14-24mm at 14 mm

Aperture: f2.8

Shutter: 5 seconds

ISO: 640

Manual Mode


About Photographing in Arctic Alaska

It was so much fun! The snow, the shapes of the frozen trees. The textures in the snow. I have never experienced cold like that, but I didn’t feel cold.

It was a great adventure. We were in an extreme environment. I had boots on that felt like Frankenstein boots. They worked.

I totally got into the frozen forest. The shapes were interesting. I wondered how the trees live when they are covered with so much snow and in such extreme temperatures. I loved the textures in the snow and how the wind created lines on the snow. The blue sky and the white of the trees made me in awe. I already want to go back

Historic cabins under the aurora in Wiseman, Alaska

Laura’s’ s Tips for Aurora Photography

1) Point and shoot. It is like shooting the Milky Way. You’ll be shooting long exposures. WIth aurora you want to try to stop the activity in the display by using just enough shutter speed but not too much.

2) Shoot a ton. You want to have a choice of foregrounds and displays.

3) Good luck if you have glasses on. They are kind of useless when covered with frost. I would bring contacts next time.

On Laura’s Horizon:

Iceland

Svalbard

Death Valley – Superbloom & Milky Way

Free Event: Aurora Photography: an online presentation with Tom and Cree. Learn everything you need to know to photograph and edit the aurora on Zoom. Wednesday, March 18 at 6 pm Denver time. Send us a note to get the link.

Workshop Openings:

Tom Bol Photo Workshops is headed back to Antarctica in 2028. We will be navigating below the Antarctica Circle with Polar Latitudes – a place where few boats go. Penguins, whales and stunning icy landscapes. Just a few spaces left!

Explore Alaska this summer with Tom and Cree. Daily boat rides keep the walking to a minimum. July 7-12, 2026. Calving glaciers, Sea Otters, Whales, and beautiful scenery near Seward and Homer, Alaska. Learn more about our Alaska Kenai Explorer Workshop

Thanks for reading our trip reports!

Happy Spring

Tom and Cree

www.tombolphotoworkshops.com

January 2026: Photographer of the Month

Tom and I celebrate great photos from photographers on our workshops by selecting a Photo of the Month. For January we chose an image from our Antarctica and South Georgia Workshop. The image was taken by Teri Manchen on a zodiac excursion to a Macaroni Penguin colony. Teri is a wildlife photographer who splits her time between Ohio and Florida.

Congratulations to January 2026 ‘s featured photographer – Teri Manchen

The Storyโ€ฆ 

We were in Hercules Bay on South Georgia Island and we went around the corner to a small cove. None of the other zodiacs came over to that location. Both boats in our photography group made it over. It was towards the end of the photo session and we had not found many Macaroni Penguins to photograph yet. I really wanted to see them.

There were fur seals in the cove and Macaroni Penguins were everywhere we looked.

There was a whole group of them. The boat was rocking. I zeroed in on a group of penguins that were all clean and all walking in the same direction. I liked that the lichen on the rocks matched the crest on the penguins. This is the only photo I got where all of the penguins were looking up and facing the camera.

January 2026 Photo of the Month

When I was editing the photo I had to work on the eyeballs a bit. They have bright red eyes and they were originally pretty shaded.

My ISO was pretty high because it was dark and overcast in the cove. I used the denoise function in Lightroom to take care of that.

The Macaroni Penguins were pretty cute. I like the bright yellow color of their crest.

EXIF Data:

Camera: Nikon Z9

Lens: Nikon 600mm 6.3

Aperture: f6.3

Shutter: 1/2000

ISO: 5000

Exposure Compensation: +1.0


About Photographing in South Georgia and Antarctica

I love Antarctica. It is so pristine. It was amazing to be there. I probably missed a lot of the iceberg photos. We had just been in Greenland and saw a lot of icebergs. I felt like I had that piece and focused on the penguins instead.

South Georgia was quite amazing. Every turn you would take there was a new aspect. It was super fun because the penguins would create a mile long trail to the colony. I wondered if it was worth walking a mile. Then I walked to the end and said it was the most amazing thing I’ve seen in my life.

I wish I had taken more videos to show how it was. When we were on the water in South Georgia and we were seeing penguins all over, there was always a beautiful landscape right behind the penguins. If I was shooting penguins with my 600mm I missed the landscape.

Seeing so many Humpback Whales was crazy. The lunge feeding was incredible. I have also never seen so many flukes before.

The weather in the Drake was perfect for us. I was nervous and brought a bunch of different medications but did not need it. I have seen other people posting about the Drake Passage and was very happy that we had the weather that we did. There was no sea sickness on the trip.

It is definitely a bucket list trip. It was unbelievable.

King Penguins walking in the snow on South Georgia

Teri’ s Tips for Photographing Penguins

1) So happy I brought the 600mm lens. I used it 70% of the time. It focuses well and at 6.3 you can still create good bokeh.

2) Make sure there is a good background behind the penguins. I like blurry backgrounds or something that shows a mountain scene.

3) I shoot mostly in wide area large focus mode. The camera does the work and catches the eye for you.

4) I used the side lean to get low. We were not able to sit, squat or lie on the ground because of animal safety. I just leaned to the side and got as low as I could.

5) Shooting in the colonies was more difficult. I was always looking for good interaction between birds or for chicks.

Humpback Whale fluke in Charlotte Bay in Antarctica

On Teri’s Horizon:

Black Bears in Alaska

Patagonia in Spring

Bears of Lake Clark

Banff in Canada

Africa and Asia

Thank you for reading our Photo of the Month posts! We’d love to know what you think about them. Send us a note.

Workshop Openings:

Tom Bol Photo Workshops is headed back to Antarctica in 2028. We will be navigating below the Antarctica Circle with Polar Latitudes. Join the Interest List here.

Want to photograph wildlife from a boat in Alaska this summer? We have space available on our Kenai Fjords National Park Workshop July 7-12, 2026. Calving glaciers, Sea Otters, Whales, and beautiful scenery near Seward and Homer, Alaska. Learn more

Tom and Cree

www.tombolphotoworkshops.com

October 2025: Photographer of the Month

Tom and I celebrate great photos from workshop participants by selecting a Photo of the Month. For October we chose an image from our Acadia National Park Workshop. The image was taken by Karen Adair on a sunrise shoot at Otter Rocks. Karen is a graphic designer and photographer from Oregon. You can see more of her work here.

Congratulations to October 2025 ‘s featured photographer – Karen Adair

The Storyโ€ฆ 

We were shooting the stars. It was beautiful. I felt like I got the shot and then I stopped. The light was changing and starting to dilute. It was loosing the more emotional part of the light. I thought I would just enjoy the sunrise

I turned and saw the rocks in front of me. There was a beautiful opening in the rocks. I turned my tripod 90 degrees and there it was. It was beautiful.

Tom started walking over and he was shooting next to me. I photographed him in front of the sun. Then he walked away.

I was so in love with the glow of the sun on the rocks and the little window that caught the sunbeams. The color was just glorious. It was a beautiful palette.

There was not a lot of color editing. That was all natural color that was there. I masked the rocks to bring the exposure up on the rocks but did very little else.

October 2025 Photo of the Month

EXIF Data:

Camera: Nikon 7ii

Lens: 14-24mm at 17.5mm

Aperture: f16

Shutter: 1/80

ISO: 100

Exposure Compensation: -1


About Photographing in Maine


Inspiring. The nature and the beauty are infinite.

There was such a calm watching the waters. Even watching and hearing the crashing waves was calming. The solitude and quiet of the woods was heart-filling.

The color is brilliant. They are mind-blowing. Even though we did not have the peak colors I recalled from being there before, they were still there. The seasons seem to be shifting anyway. It felt like the peak colors may have been earlier.

The coastal villages were familiar to me. It reminded me of spots on the Oregon Coast. It is a respectable culture. I was happy to watch the fisherman go in and out of the harbor. I did not know that the buoys were a signature to each fisherman. That was neat to learn about.

Karen’ s Tips for Photographing Landscapes

  • 1) Rather than trying to get a good photo, I connect with what I am seeing….what is grabbing my attention. Is it the red tree among all the golden and green ones? Is it the power of the wave crashing on the rock?

A lot of time it is emotion. What did I feel when I saw the sun come up in the rocks? Then I try to connect to that with my camera. I am not looking for a shot. I am trying to express what I see and feel in the scene. What moved me. How will the camera see that?

Landscapes are how nature inspires and moves you. Imagine how the camera will see that.

2) Post is such a great way to put the cherry on the top. It allows you to draw out the part of the image that captivated you in the first place. I am grateful for my 35 years of background using PhotoShop.

3) A lot of times when I am not feeling or seeing something, I just put my camera down and chill. I just take it in.

When we were at Jordan Pond I got the shot but I couldn’t see where I wanted to go next. I decided I would just find a spot along the lake and enjoy the view of the trees across the lake. The density of the trees was beautiful. The water in front of the trees was beautiful. I just wanted to stand along the shore and take it in.

I looked down and there were all these bubbles and brightly colored leaves. I thought, the bubbles would make a great background. I found a couple of beautiful leaves by the shore. I let them drop into the bubbles to give it an element of randomness.

Jordan Pond

On Karen’s Horizon:

Oregon Coast: King Tides at South Shores

Jedediah Smith Redwoods State Park

Smith River

Toketee Falls in

Workshop Openings:

Join us for more Coastal Photography on the Kenai Fjords National Park July 7-12, 2026. Calving glaciers, Sea Otters, Whales, and beautiful scenery near Seward and Homer, Alaska. 4 Spaces Available. Learn more

Check out other openings on our Upcoming Workshops Page

Thank you for taking the time to read our posts!

Tom and Cree

www.tombolphotoworkshops.com

September 2025: Photographer of the Month

Tom and I celebrate great photos from workshop participants by selecting a Photo of the Month. For September we chose an image from our Greenland Photography Workshop. The image was taken by Eric Lacey in the Greenlandic town of Ilulissat. Eric is a landscape and travel photographer from Boston.

Congratulations to September 2025 ‘s featured photographer – Eric Lacey

Eric sharing his portraits with the locals

The Storyโ€ฆ 


We were out walking the town of Ilulissat with Tom and Odd. We photographed whatever caught our eye. The colorful buildings were interesting and we tried to compress them. We came down to the bottom of the hill and we could see the water. There was a dog kennel nearby. I was looking at the puppies.

I heard the words, “Take Picture.” I turned around and there were two little girls behind me. I said “Oh, do you want me to take your picture?” and she said, “Yeah!”

So I started taking pictures of her and her friend. I went over and sat down to show them the photos. I started taking more photos and more children started coming out of the houses and they all wanted to have their pictures taken.

The girl who I first heard, was the only one who seemed to have any English skills. She understood me pretty well. I tried to get her name, but I couldn’t understand what she said.

I am very intimidated by taking pictures of adults. But it is very easy for me to interact with children. The interaction with the kids was very unexpected. It was spontaneous. I wouldn’t have asked them to pose, but since they raised it first, I was very willing.

The photo may not be my favorite photo of the trip, but it is the one I will remember the most. I really enjoyed the interaction.

I wasn’t exactly sure what reception we would get in Greenland. I learned that the Inuit are a very proud and open people. They were very respectful. We were in a taxi and the driver said, “We respect everyone who respects us.”

September 2025 Photo of the Month by Eric Lacey

EXIF Data:

Camera: Canon R5

Lens: 100-500mm at 100mm

Aperture: f10

Shutter: 1/1250

ISO: 400


Arches of Ice near Ilulissat, Greenland

About Photographing in Greenland


Greenland was never on my bucket list…..until I saw the photos that you and Tom got on your last trip.

The icebergs were phenomenal. The shapes of the iceberg were surprising and beautiful. We got one night of sunset, as opposed to dimer light. Most of my favorite photos came in the sunset. It was an unforgettable trip for us.

The landscape is beautiful but kind of sparse. The tundra is different for those of us who do not get up North regularly.

After showing my photos to other people, they all want to go there now. It is only 3.5 hours from Newark to get to Nuuk.

Fall colors in the tundra near Ilulissat

Eric’ s Tips for Photographing Icebergs

My #1 tip is to shoot wide. I did not own a super wide lens. I bought one two days before going on the trip. I did not think I would use it that much.

In the past I have been disappointed because it makes everything look so small. With the icebergs they are so big, and you can get so close that it works great. I am usually a big scene landscape photographer and use the 24mm range all of the time.

2) Shoot in high speed. Because we were on a moving boat we were shooting very fast. The foreground ice chunks in the scene would move by very quickly. I shot regularly at 10 frames per second. This helped me to position the foreground elements in my final selection.

3) Look for foreground icebergs with a submerged portion. The water is so clear that you can see the definition in the underwater icebergs. Tom brought up a photo during the image review with a beautiful submerged iceberg. This became one of my focuses for the rest of the trip.

4) Not about icebergs, but engage every child you see when walking by.

Iceberg Arch with Foreground Ice

On Eric’s Horizon:

South Georgia, Antarctica, Falklands

South Africa

Peru

Utah Landscapes

Japan

Workshop Openings:

Join us for more Coastal Photography on the Alaska Kenai Explorer July 7-12, 2026. Calving glaciers, Sea Otters, Whales, and beautiful scenery near Seward and Homer, Alaska. 4 Spaces Available. Learn more

Check out other openings on our Upcoming Workshops Page

Thank you for taking the time to read our posts!

Tom and Cree

www.tombolphotoworkshops.com

August 2025: Photographer of the Month

Tom and I celebrate great photos from workshop participants by selecting a Photo of the Month. For August we chose an image from our Redwoods & Rocky Coastlines Workshop. The image was taken by Suzy Onysko at Lagoon Creek Beach. Suzy is a wildlife and fine art photographer from Ohio. You can see her work featured on Susan Onysko Photography.

Congratulations to August 2025 ‘s featured photographer – Suzy Onysko

Suzy photographing at slow shutter speeds on the beach in Crescent City, California

The Storyโ€ฆ 


We went to Lagoon Creek in the afternoon and wow it was windy! I started out with a tripod, trying to capture the fast-moving waves and sea spray with the sea stacks in the background, but honestly, I wasnโ€™t feeling it. Then I remembered something from a talk earlier that day: Tom Bol said he loves shooting water at 1 second because it keeps just enough texture to stay interesting. Normally, I go with much longer shutter speeds to get that dreamy, soft, gooey look in water, so this felt totally new to me. And thatโ€™s exactly why Iโ€™ve traveled with the Bols for 15+ years – thereโ€™s always something new to learn!

So I switched my camera to manual, cranked up the f-stop, lowered the ISO, and set my shutter speed to 1 second. Loved it instantly! And best of all – no need for that 10-stop ND filter I lugged along. ๐Ÿ™‚ I set a 2-second delay so I didnโ€™t need the cable release, parked myself in one spot, and just played with the waves all evening, timing the shutter to see how different wave patterns would transform the image.

At first, for about half an hour, everything came out in these gorgeous midtone grays – perfect for black and white. Then as the sun dropped, the mood shifted. Suddenly, beautiful golden highlights lit up my moody blue water, and the whole scene just glowed. In this photo, what I really loved was the reflection of the sun shimmering in the sand – such a beautiful combo!

I knew I was onto something when I looked up an hour later and realized I was facing the opposite direction of everyone else. Usually Iโ€™m the queen of FOMO, but I was so entranced I didnโ€™t even notice!

Processing was easy in Lightroom. I hit that magical AUTO button, used the Adobe Landscape profile, set a Cloudy WB, and then spent some quality time zapping about a zillion dust spots. Lightroom has really come a long way! My little secret trick was using the Adaptive Sky – Blue Hour Preset. Lightroom thought my waves were clouds (ha!), so by lowering the opacity I ended up with these gorgeous, rich blue tones in the water.

August 2025 Photo of the Month by Susan Onysko

EXIF Data:

Camera: Nikon Z9

Lens:100-400mm at 100mm

Aperture: f32

Shutter: 1 second

ISO: 64


About Photographing in the Redwoods


This was my second time on the Redwoods Photo Workshop with TBPW and I can honestly say that itโ€™s one of the most challenging places Iโ€™ve ever photographed. The first time you go, youโ€™re just overwhelmed by the sheer grandeur of the trees. Figuring out how to photograph them so that the images actually capture their scale and power. Thatโ€™s the tricky part. I donโ€™t think you really understand how hard it is until youโ€™re standing right there in front of them.

Most of the spots we photograph in the Redwoods are low light, which means a tripod is a must if you want clean, sharp files. If youโ€™re not used to shooting with a tripod – practice! ๐Ÿ™‚ For me, itโ€™s especially frustrating because most of my photography is handheld or with a beanbag from a safari vehicle in Africa. Switching gears to โ€œtripod modeโ€ definitely takes patience.

The coast in California and Oregon is absolutely lovely. Of course, I always dream of those gorgeous, cloudy, colorful sunsets (and even stayed extra days in Oregon hoping for one!), but alasโ€ฆ Mother Nature had other plans. Oregon was socked in, and other days I had completely clear skies. So, I went the black-and-white route instead. I ended up thrilled with my slow-water images from this trip. The best part is that the photos from my second trip look completely different from my first. Thatโ€™s the beauty of returning to a place – you never know what magic youโ€™ll find.

Surfline at Lagoon Creek

Suzy’ s Tips for Photographing at the Coast

Iโ€™ll be the first to admit that I am not a huge fan of tripods. Butโ€ฆ in my opinion, they often make the difference between a snapshot and a wall-hanger. ๐Ÿ™‚ At the coast, a tripod really helps when you want to play with different shutter speeds to capture the mood of the waves – whether thatโ€™s silky and soft or crashing and powerful.

One of the highlights of this trip was when Cree found some AMAZING starfish for us to photograph. It was so much fun to see during the image showcase at the end how many variations people captured: starfish with soft waves, starfish with crashing waves, starfish close-up, starfish with big sweeping scenes. The creativity was endless!


As for me, the moment I had pulled out my trusty infrared camera and a polarizer I was completely absorbed in photographing tidal pools. I loved the way the kelp and sea plants transformed in infrared – they had this wonderful, otherworldly texture. I guess that means Iโ€™ll just have to go back another time for those starfishโ€ฆ not the worst problem to have! ๐Ÿ˜‰

Tidepool in Infrared

On Suzy’s Horizon:

Grand Teton National Park

Ouray with TBPW

Australia

Botswana

Falklands, Antarctica and South Georgia with TBPW

Workshop Openings:

Join us for more Coastal Photography on the Alaska Kenai Explorer July 7-12, 2026. Calving glaciers, Sea Otters, Whales, and beautiful scenery near Seward and Homer, Alaska. 4 Spaces Available. Learn more

Check out other openings on our Upcoming Workshops Page

Thank you for taking the time to read our posts!

Tom and Cree

www.tombolphotoworkshops.com

July 2025: Photographer of the Month

Tom and I celebrate great photos from workshop participants by selecting a Photo of the Month. For July we chose an image from our Iceland: Puffins and Waterfalls Workshop. The image was taken by Stuart Litoff on Grimsey Island. Stuart is a landscape and fine art photographer who also photographs wildlife. You can see his work featured here.

Congratulations to our featured photographer for July 2025 – Stuart Litoff

The Storyโ€ฆ 


This was the second day of shooting puffins. I knew I had gotten some okay shots the day before. But I hadn’t gotten any good shots with the fish in their beaks. That was my goal for the second day.

Before the shoot Tom had talked about soft backgrounds and soft foregrounds. I had that on my mind. When I saw this cliff area with the cloud behind it, I kept my eye on the bird that was there. At first it was standing with it’s head in profile, then he slowly turned his head towards me. I was shooting at 30 frames per second so I had a lot to choose from. I liked the way this one looked the best.

I also really wanted a flying puffin with fish. I haven’t found one yet that I like in the images I have reviewed so far.

I enjoy wildlife photography. I don’t like doing it for an entire trip. I can be overwhelmed by too many photos to sort through. I took 3000-4000 pictures of puffins. That was a lot for me. But this was one of the latter shots of the day, so maybe I would have missed this if I had quit earlier.

I use Photo Mechanic to sort images. But I want to see them all. I want to see what I shot. I find that there are surprises in all directions. A photo that I did not think would be good, could turn out to be really good. For this photo I was able to go through a range of images with slightly different head positions.

July 2025 Photo of the Month by Stuart Litoff

EXIF Data:

Camera: Fuji X-H2S

Lens: Fuji 100-400mm lens at 400mm

Aperture: f6.4

Shutter: 1/2000

ISO: 3200 (auto)

Shutter Priority


About Photographing in Iceland

I love Iceland. This is my third trip there. I went there for the first time 10 years ago with Tom on a Strabo trip.

I love the landscape. I love that there aren’t a lot of people there. It is different than a lot of other places. The people are also really nice.

It was great to explore the north, the Highlands and the West Fjords on this trip. That was all new to me.

Sun Voyager Statue on the Coastal Walkway

I had a late flight out on the last day and decided to grab my camera and go out for a walk on the Coastal Walkway. I had seen images of the Sun Voyager sculpture before but did not know where to find it. Just as I arrived at the sculpture I was getting some breaks in the cloud layer. I had my super-wide lens on 6-12mm.

I found the composition to be challenging. I couldn’t get the entire sculpture in, so I focused on including more of the sky instead.

I exposed for the sky instead of the sculpture. I was pleased how the sculpture turned out in post processing.

Icelandic Foals

Stuart’ s Tips for Photographing Wildlife

Tip 1

For me, I have to work at being patient and forgiving. If birds are moving a lot or flying it is hard to get a good photo. I have to try not to get frustrated with the results and just keep working at it.

Tip 2

When there are multiple animals close to each other, I really look for interaction between animals. Those are the best shots. This is when you can capture emotion.

When we arrived at the field with the foals in it, there was a group of seven horses, including a stallion. The Icelandic horses are very friendly and came right over to us. I focused on the connection between the two foals.


On Stuart’s Horizon:

Greece

India, Nepal and Bhutan

Scandinavia

Peru

Scotland

London

Workshop Openings:

Join us for Iceland: Puffins and Waterfalls in July 2026…. 1 Space Available More details

Also going back to Iceland in 2028. Join the Interest List

Check out other openings on our Upcoming Workshops Page

Enjoy the rest of your summer!

Tom and Cree

www.tombolphotoworkshops.com

May 2025: Photographer of the Month

Tom and I celebrate great photos from workshop participants by selecting a Photo of the Month. For May we chose an image from our Monument Valley Workshop. The image was taken by Joan Carroll in Mystery Valley. Joan is a wildlife and landscape photographer from Fort Worth. You can see her work featured on Fine Art America.

Congratulations to May 2025 ‘s featured photographer – Joan Carroll

Joan photographing texture in the sand dunes at the Totem

The Storyโ€ฆ 


That was one place where everyone was all gathered. You pointed it out to us and said it was perfect for forced perspective.

A forced perspective landscape was something I had not done before or even knew about doing. I moved around to get what I thought was the best composition. When I started to develop it, I cropped off part of the bottom. In the Image Review someone else showed a similar photo with the bottom included. I was glad I had cropped mine.

True confessions: I eliminated a tree up on the right side to the right of the green tree. It was a dead tree. It was nice to have the green tree in the composition, but I did not want to have a dead tree in the scene. I used generative fill to remove it.

During the editing process, I had been working on some other photos and I was becoming overwhelmed with the color of the rocks. I decided to try black and white for this photo. I liked the effect right away. I used the Adobe Camera Raw profiles and chose the one with the most contrast. I wanted the edges of the ripples to stand out.

May 2025 Photo of the Month by Joan Carroll

EXIF Data:

Camera: Nikon Z9

Lens: 14-24 mm Nikkor at 15mm

Aperture: f6.3

Shutter: 1/800

ISO: 400

Aperture Priority


About Photographing in Monument Valley


We can’t talk about Monument Valley without talking about the ride up to Hunt’s Mesa. Despite my back issues and the cushion I brought along….I just love that kind of ride up a very rough road. I thought it was great.

I wouldn’t love it so much if I didn’t trust the driver so much. They have driven the road so many times. I assume they know what they are doing. They know how to get up the rocks, when to speed up, when to slow down. It was fun. I liked it.

I enjoyed Carl Phillips. I enjoyed his willingness to share his culture with us without having to be probed. He had great stories to share with us and added a lot of detail. I found the people that we dealt with in the hotel, in the stores, in the restaurant to be very friendly and hospitable. Much more so then what we see in other places in the United States. I found the hospitality to be quite nice.

The land is just spectacular. You cannot really say too much about how beautiful it is. The sunrise shots, the star shots, they were just spectacular.

It was great to get into Honeymoon Cave and see the ruin. It was cooler there and breezy. It was a very peaceful place. When we went up into the cave I had to carry my entire backpack with me. The (Moki) steps going up into the cave where spaced perfectly. After the first 4 steps it was easy.

We did so much on this workshop that I keep forgetting everything that we did.

Anasazi Ruin in Honeymoon Cave

Joan’ s Tips for Landscape Photography in Monument Valley

Tip 1

Stand next to Tom or Cree and see what they are photographing. Sometimes we need a little guidance.

Tip 2

Sometimes when I go places I don’t spend enough time looking for alternatives. I take a photograph and just stay there and photograph it over and over. This time I wanted to walk around and look for nearby places. At one point I found a curving pattern of white on a wall in in Mystery Valley. I was glad I had walked around to find it.

The Totem at sunrise

Tip 3

I hear people talking about not starting to photograph right away but to look at the scene and get a feel for what it is all about and how to approach it. Sometimes we get anxious and just run out and start shooting. I wanted to try this in Monument Valley.

Tip 4

Get the postcard shot but then look for other ways to photograph the landscape. Different angles, shoot with a filter. You can always do better. I need to consciously remind myself to do that.

On Joan’s Horizon:

Grand Teton National Park

Iceland in the summer

Greenland

Greece

Antarctica and South Georgia

Workshop Openings:

Join us in Monument Valley in 2027 Aug 30-Sept 3: Space Available More details

We have two last minute openings for our popular Ouray Fall Color Workshop Sept 28-Oct 2, 2025. Photograph dazzling yellow aspen leaves in the Colorado High Country. Read more

Happy Spring!

Tom and Cree

www.tombolphotoworkshops.com

April 2025: Photographer of the Month

Tom and I celebrate great photos from workshop participants by selecting a Photo of the Month. For April we chose an image taken on our Texas Birds Workshop. The image was taken by Ed Miron at the Laguna Seca Ranch in Texas. Ed is a wildlife and landscape photographer from Fort Collins, Colorado.

Congratulations to April 2025 ‘s featured photographer – Ed Miron

Ed in the bird blinds at Laguna Seca Ranch

The Storyโ€ฆ 


Well, the story was you told us we might see a Scissor tailed Flycatcher. I looked on the map and saw the very limited range where you could see these things. So I knew it was pretty special.

I was concentrating on photographing a cardinal that was out to the left. Cree pointed out a Scissor-tailed Flycatcher on the right. It was just on a branch as I recall. I just wasn’t quick enough and then it flew away. But then it, it did a loop and came back and I had a second chance. And this time I was more prepared and I got the shot.


Prepared for me was changing the camera to pro capture mode. I also had to switch on the tele-converter. I increased the shutter speed to 1/4000th of a second. Someone who’s very skilled could do it very quickly but it probably took me a little longer.

The flycatcher looped around and came back a third time and that’s when I really nailed the shot. So I had a wonderful lens and I had a very cooperative flycatcher.

When I got the camera, I saw a YouTube video on the Pro-capture feature and it was interesting. I played with it just a little with our bird feeder like a year ago in our yard at home. After that, I never had a reason to use it. I knew before this trip I would use it. And I revisited and I saw that the Olympus has three different Pro captures, a dizzying array of settings. And then at the Texas Birds Workshop it was pro capture Boot Camp.

We spent half a day devoted to capturing birds in flight. I was so fortunate that the flycatcher came in the day after we had so much practice with Pro-capture. I felt like I was up to speed.

Pro-capture is a game changer for birds in flight.

April 2025 Photo of the Month by Ed Miron

EXIF Data:

Camera: OM System 1 Mark ii

Lens: 180-300mm with 1.2 built in teleconverter

Aperture: f5.6

Shutter: 1/4000

ISO: 4000

Manual Priority with Auto ISO


About Photographing from the Bird Blinds in Texas


The bird blinds were just unbelievable. I mean, the birds come to you and they come in a flurry. And it’s so well thought out. The placement of the bird blinds. The fact that you have some blinds just for morning use because the sun’s behind you. Then other bird blinds you just go to in the afternoon. The blinds are really thought out with photographers in mind.

I loved the fact that they have this wide area of a hundred yards of a cleared field behind the perches. You could get great bokeh. I think it took more skill designing the bird blinds and setting them up then to take good photos in them . I mean in a way, it’s a little bit like cheating because it just seems too easy.

Before the workshop I spent a morning photographing a Marsh Wren in Fort Collins. They’re hard to photograph.ย They like to stay hidden in bushes .ย They’re very skittish when they come out.ย It took a lot of time and I got one great photo. In the bird blinds you really get a lot of good photos quickly.


So I think a birder would be in heaven there. Somebody who’s not a birder would also really like the trip because they would get a lot of fantastic photos of birds that would emotionally resonate with anybody, even if you know nothing about birds.

I walked away knowing a lot more about birds.

Green Jay on a perch with Blue Plumbago

Ed’ s Tips for Photographing Birds

Tip 1

You really want to have the best longest lens you can get, even if you have to rent a lens. It was much more important to have a longer lens for birds then it was for bears.

Tip 2

Patience. Sometimes the blinds were insanely busy and some times they were slower. You don’t control the birds so flexibility and patience is important.

Northern Cardinal courtship behavior

Tip 3

Having a knowledgeable birder with you will help you get better photographs. Having you and Tom call out the names of birds when they entered the area kept us alert. We learned what behavior to look for like the mockingbirds attacking the raptors. And then, the cardinal behavior between the male and female giving it food. Also the puffing up of the Bronzed Cowbird.

Tip 4

When you are in a bird bling you are alert, you’re in the moment. You have to pay attention. It is exciting. You may just have seconds. Your adrenaline is really up. It is incredibly fun!

On Ed’s Horizon:

Ohio Warblers

Greenland

Nome, Alaska

Lofoten Islands in Norway

Where are Tom and Cree? We will be traveling to several locations for workshops in May: Louisiana, Ohio and Monument Valley. We will do our best to return your messages as soon as possible!

Workshop Openings?

Join us for the 2026 Iditarod! We have space available. Photograph the Last Great Race and fly into the remote Iditarod Checkpoint of Rainy Pass. We’ll photograph aurora at night if it is out! Read more

We have two last minute openings for our popular Ouray Fall Color Workshop Sept 28-Oct 2, 2025. Photograph dazzling yellow aspen leaves in the Colorado High Country. Read more

Happy Spring!

Tom and Cree

www.tombolphotoworkshops.com

Photographer of the Month: March 2025

Tom and I celebrate great images from workshop participants by selecting a Photo of the Month. For March we chose an image taken on our Iditarod and Northern Lights Workshop. The image was taken by Nancy Lehrer on the frozen Chena River at the Fairbanks start to the Iditarod. Nancy is a California street photographer who uses creative inspiration when she tries new genres.

Congratulations to March 2025 ‘s featured photographer – Nancy Lehrer

Nancy on the Chena River in Fairbanks, Alaska

The Storyโ€ฆ 

I looked at my pictures from the ceremonial start two days before and they were lousy. I said, “I have some practicing to do.” In many of the photos the whole bottom part was just snow. The focal patterns weren’t working. It was good practice for the next session.

The first few mushers that came through hadn’t decided where to pass us on the river. We kept running back and forth, from one side of the river to the other. It was just like the 50 yard dash. This was good for me. I had to think about where I wanted to be every time I changed positions.

With each musher going through I got more dialed into figuring it all out. I set up a button for “start tracking” on my Sony and it was finally working for me. By the time Dane Baker came through I was getting more comfortable with the settings. I knew it was Dane Baker because of his big red beard. Cree had told me on the first day to study the line up and learn who was who.

Dane had a great big dog in the front. Most of the dogs came through with their ears back and this dog had it’s ears straight up. That’s the way photography is. If you are working at something, all of the sudden just the right sequence will happen. The dog had the right coloring, his ears were up and he was out in front.

It was the perfect day for this kind of photography. There was never too much direct sun like in Southern California. The sun came out and then clouds would move through and cover everything up. We did not have to deal with high contrast.

We were belly down in the snow. This made it easy to hold a 100-400mm lens. I don’t often shoot with big lenses. We were right next to the tracks from the dog sleds. It wasn’t an outrageously cold day. You could not have asked for a better set -up for first time Iditarod shooter. It felt like we had the place all to ourselves.

March 2025 Photo of the Month by Nancy Lehrer

EXIF Data:

Camera: Sony A7R5

Lens: 100-400 mm

Aperture: f5.6

Shutter: 1/4000

ISO: 1600

Aperture Priority


About Photographing in Alaska in Winter

First of all, it could have been a whole lot colder. If you aren’t from a cold climate, you have to guess what kind of clothing, gloves and shoes will work. The cameras seemed to be just fine in the cold. There used to be a day when cold was an issue for cameras but it is not anymore.

I had been to Northern Japan in the winter the year before. I knew that most of my gear would keep me warm. That was comforting. We were fine. The biggest challenge is trying to move with all the clothing on. You feel less agile.

You have to compensate for the fact that everything is white around you. I ended up using positive exposure compensation on overcast days.

You can’t step off the trail two steps to your right or you will go from hard packed snow to waist deep in the snow. The zoom lens got a little more use for me because of this.

Ice Checkers at the Ice Art Championships in Fairbanks

Nancy s Tips for Photographing the iditarod

Tip 1

I asked myself, “How do I document this activity, that is so unusual”. Most people never see a dog sled race. That was one of the things that was so unique about going to Ruby. We were the only people there who were not locals or involved in setting up the race.

I was surprised about how open the mushers were to us being around them and the dogs even during the race. At first I was afraid to get close and used my zoom lens. I started getting closer and nobody told me to get back. That was surprising to me. They were in the thick of the race but chill about it.

It is a lot like street photography. Be where you want to position yourself. If they are accepting of it, keep doing what you are doing and assume it is going to be okay.

Tip 2

The Mushers’ Gala was the funnest thing I did on the whole trip. I heard from Cree that there would be a Meet & Greet. I thought that it sounded boring so wanted to make it more fun. I wanted them to sign something more personal than an autographed poster. I decided to buy an Instax Camera and have them sign their portraits. It was fun for me. I got a lot of great feedback from the musher when they saw their pictures. They all got a kick out of it.

I am going to make a book out of my photos. The Instax photos will be a big part of it. It is hard to recognize the mushers on the sled aside from things like brainds for Anna Berrington or Dane’s red beard. The Instax photos show them having fun and has details of their faces. They all have big smiles in their portraits.

Nancy’s Photos of Rookie of the Year contenders

Tip 3

Don’t be afraid if you don’t know anything about dogs. I think it helped me experience what was going on around me. I didn’t have pre-conceived notions of how dogs behaved. I didn’t try to pet them. I just noticed what they were doing.

On Nancy’s Horizon:

Japan – Cherry Blossoms

Eastern Europe: Ukraine, Latvia, Poland

China & Russia

What’s coming up?

Where are Tom and Cree? We are at home in Palmer, Alaska after a week full of colorful birds and wildlife in Costa Rica. Next they will be heading to the cactus forests of Tucson, Arizona and then on to South Texas for bird photography.

Workshop Openings?

Join us for the 2026 Iditarod! We have space available. Photograph the Last Great Race and fly into the remote Iditarod Checkpoint of Rainy Pass. Read more

We have one last minute opening for our popular Louisiana Bayous Workshop May 7-11, 2025. Cruise through the cypress swamp on a flat bottom boat photographing beautiful swamp scenes. Photograph Great Egret chicks at a private photo session at a remote rookery. Read more

Happy Spring!

Tom and Cree

www.tombolphotoworkshops.com