At Tom Bol Photo Workshops, we celebrate great participant images by selecting a Photo of the Month. For July we chose an image taken on the Redwoods and Rocky Coastlines Workshopcreated by Scott Harrison. Scott worked as a digital imaging specialist for the LA Times for 33 years. His journalistic approach to photography comes out in the breadth of images he created on the workshop. You can see more of his images at www.harrysonpics.com
Congratulations to July 2023 ‘s featured photographer – Scott Harrison
Scott on the Redwoods and Rocky Coastlines Workshop
The Story…
On the second session on the evening walk I wanted to get a scene setter. I hoped to capture the overall picture. We started up the trail and met with the fog. I started using my 16 mm lens and shot about 20 versions of this scene.
I was trying to use the trail as a leading line. In half of the photos I included a person to give scale to the forest. Almost all of the people were members of our group.
My style – I always use 2 camera bodies. This time I had a 24-200 mm on one. My second lens is always special, in this case a 16 mm. Sometimes I use a LensBaby, sometimes an old manual focus lens.
I like to mix in a variety of focal lengths to tell a story. This keeps the images fresh and not repetitious. By adding a specialty lens I also get creative effects.
July 2023 Photo of the Month
EXIF Data:
Camera: Canon EOS RP
Lens: 16 mm
ISO: 100
Shutter Speed: 1/60 sec
Aperture: f/4
Shooting Mode: Shutter Priority
Exposure Comp -.03
Colors in the fog on the Damnation Creek hike
About Photographing in the Redwoods
I love it!
I’m not a landscape photographer per se, but I like to walk around and photograph things. It is a different world in the Redwoods. I loved the quiet and peacefulness. That is why I was often by myself on the workshop.
I was happy to be in the fog. In Southern California I deal with high contrast lighting all the time. In the fog the lighting is flat and I had the ability to capture more detail. The colors are also saturated. I found the colors were so bright that I had to desaturate them in PhotoShop.
Coquille River Lighthouse in Brandon, Oregon
Scott’s Tips for Photographing on a Workshop
Tip 1
Because of my background, I hate shooting the same photo that everyone takes. I stay away from the Grand Canyon and the parks in Utah. If I am there, then I take photos of the crowds in the foreground taking photos in scenic spots.
About 15 years ago I started taking road trips by myself. To plan my trips I used iphone apps like Roadside America. I also use Fotospot and Atlas Obscura. These apps give me information on all the unusual places in the country. I try to find things that other people do not photograph.
From my training with newspapers, we used to travel to a new town and go right to the local drugstore and look at the postcard rack. Find things outside of the mainstream, including in your own home town.
Tip 2
Join the local camera club and do photo walks. Going as a group can really help.
Tip 3
Listen to what the leaders are saying. I took the fern photo because Cree mentioned dialing back the exposure compensation to create a moody shot. I underexposed by 2 stops for that one. I also created a whole series from the Simpson-Reed Grove in black and white.
Low Key Fern in the Simpson Reed Grove
On Scott’s Horizon:
Route 66 in Oklahoma
Tucson and Saguaro National Park
South Dakota Badlands
New Zealand and Australia
Scott wandering in the redwood forest at the Lady Bird Johnson Grove
Online Image Celebration: Join us on August 10 at 5 pm Denver time to see more of the work created on our workshops in the last 4 months. This is a great way to celebrate new work. Sometimes people need more time to edit their images. If you were on a workshop you are invited to send in 3 images to creetbp@gmail.com. If you would like to join us, send a quick message here and we will send the link.
Tom and Cree are headed to Ecuador next for Ecuador Cloud Forest Workshop. In August they will be out of the office on a wilderness canoe trip in Canyonlands, Utah and then on a scouting trip in remote arctic Alaska.
At Tom Bol Photo Workshops, we celebrate great images by selecting a Photo of the Month. For June we chose an image taken on the Tanzania Photo Workshop with Strabo Photo Tours created by Joan Carroll. Joan is a well-rounded travel and outdoor photographer. She regularly sells her work through Fine Art America. Check out her numerous online galleries for FAA. We hope you enjoy Joan’s images as much as we do!
Congratulations to June 2023 ‘s featured photographer – Joan Carroll
The Story…
We pulled up to the spot and I do not remember which vehicle got there first. It was a pretty amazing scene.
I went back and forth between shooting the 800 mm lens to get a close up view of the animal leaping into the water, and using the 100-400 mm lens to get a wider view of the scene. I really liked the environmental view with animals in both the foreground and the background.
I am a fan of the environmental view. A close portrait of an animal is fantastic. But putting it in the environment gives it a sense of place and is really important.
I was looking at the photos of this scene. I must have 1000 images of it. At the end of the series a crocodile took down one of the wildebeest and stopped the action. Before that, the wildebeest were slipping in from the side of the pool and leaping over the top of each other.
When I looked back on the series of images, I could see the crocodile lurking in the scene, just waiting for the right moment. This made me wonder if the wildebeest knew it was there. Were they swimming for their lives. Animals are smarter than we think. Did they have the awareness of the wildebeest all along?
June 2023 Photo of the Month
All the dust and the whole environment….it’s not something there are really words for.
Of the 1000 images of this sequence, I chose the one where the wildebeest was leaping the highest. He leaped the highest but landed right by the shore where the crocodile was waiting.
EXIF Data:
Camera: Nikon Z9
Lens: 100-400mm at 240
ISO: 5600
Shutter Speed: 1/3200 sec
Aperture: f/11
Shooting Mode: Manual with auto ISO
Exposure Comp +.67
Elephants wrestling at sunset in Serengeti National Park
About Photographing in Africa
Oh my gosh! The two trips to Africa have probably been the most exciting things I have done….ever.
It is so dynamic. It is always changing. It is not like a landscape where you have time to figure everything out and adjust your settings.
I’d still be stuck there if someone hadn’t said “Let’s move on.” I’d just keep shooting.
I’m paying for that now with 44,000 images from the trip. I was going to be more mindful of how many photos I took this time. But when I got to the Serengeti, all bets were off!
Zebra herd at the waterhole
Joan’s Tips for Wildlife Photography
I don’t consider myself any kind of expert.
Stand next to Tom and Cree and do what they do. Keep your ears open for tips and re-evaluate what you are doing.
Be aware of the whole scene and what the possibilities are. Pay attention to the flow of what’s going on. Have global awareness.
Have all the right equipment, batteries and cards.
Get a lot of rest. Be ready to go for every shooting session. I was there to photograph animals and do as much as I could. Know what you want out of a photo trip.
On Joan’s Horizon:
Bears in Lake Clark National Park
Eagles in Chilkat, Alaska
Antarctica, South Georgia and the Falklands
My all time favorite trip was to the Canadian Arctic. We landed at Grise Fjord on Ellesmere Island and took a sledge out onto the ice to go ice diving. The silence was incredible.
Joan and er husband Benny enjoying an African sunset
Why Strabo?
Tom has been doing workshops for Strabo Photo Tours for decades. He likes how trips are well organized and cater to photographer’s needs. Tom and Cree currently do at least one trip per year with Strabo.
At Tom Bol Photo Workshops, we celebrate great images created on our workshops by selecting a Photo of the Month. For May we chose an image from our Louisiana Birds and Bayous Workshop created by Nancy Lehrer. Nancy is primarily a street photographer. She signed up for this workshop to learn more about wildlife and bird photography. We hope you enjoy Nancy’s images as much as we do!
Congratulations to May 2023 ‘s featured photographer – Nancy Lehrer
The Story…
We were heading towards an alligator on the boat. I heard Tom yell, “Look at the light, look at the light.”
In that part of the swamp there was less moss. It seemed like there were two parts to the swamp. There were light green, mossy parts and then there were these dark green and brown parts. When we arrived in this spot I had not seen the dark green part before.
I was trying to get the reflections and the floating algae. I shot about 20 frames, but the focus wasn’t right. I focused on the reflection and not on the plants. I decided to try a wider angle lens instead. I grabbed my 24-105 mm lens. I wanted to capture the feeling of a bowl. Wide angle images give more of a fisheye feeling. I wanted the feeling of a lake in front of the trees.
I didn’t put the tops of the trees in the image because they are in the sun light. It would be too much contrast with the understory. By focusing on the reflection, the viewer can see the sky in the reflection on the water. I also wanted to capture the side lighting that brought out the yellow tones on the trees
May 2023 Photo of the Month
EXIF Data:
Camera: Sony A7 R5
Lens: 24-105mm f4
ISO: 640
Shutter Speed: 1/125 sec
Aperture: f/9
Shooting Mode: Aperture Priority
Shot at 30mm, handheld
Great Blue Heron taking flight
About Photographing in Louisiana’s Swamps
I am really not a wildlife or landscape photographer. I found that photographing in the swamp was very much like doing street photography. The actors were the animals. We were gliding on the boat like I’d be walking down the street, very slowly.
It was very peaceful in the swamp. The animals were in their habitat. I found myself just looking around for animals, birds, turtles, alligators.
Great Egret feeds chicks in a mixed wader rookery
Nancy’s Tips for Bird Photography
Get a camera that has really good Auto Focus. I rented a Sony A7 R5 for this trip and it made a big difference.
Using a monopod really helped me be stable. It meant I didn’t have to worry about fatigue. I practiced with it at home on the birds in the backyard.
Be a good motion detector. Look for motion and then follow the bird.
Look for birds that are stationary and getting ready to take off. That’s the only way I can count on getting birds in flight.
Connect the bird to the landscape. It’s just like street photography. The background should tell a story.
Watch the behaviors. Keep shooting different behaviors and decide later which is the best image.
Louisiana has more alligators than any where else in the world
On Nancy’s Horizon:
Hokkaido, Japan for fishing villages and the Ice festival
Iditarod in Alaska
The Silk Road in China
Anywhere in eastern Europe: Poland, Ukraine, Russia, Hungary, Czech Republique
Nancy, the wildlife photographer
Where are Tom and Cree?
We are headed to Africa to photograph in Tanzania for two weeks. Then it’s up to Alaska for our annual Brown Bears at Summer Solstice trip. We have space for 1 male photographer if you’d like to join us from June 18-23. We’ll be photographing brown bears with cubs in Lake Clark National Park. Click here for more information.
We’ll be posting photos from these two trips on Instragram @tombolphoto and Facebook. We’d love to see your photos on our Photos for Inspiration TBPW Facebook Page.
At Tom Bol Photo Workshops, we celebrate great images created on our workshops by selecting a Photo of the Month. For April we chose an image from our Tucson Workshop created by Suzy Onysko. Suzy is a wildlife and portrait photographer. Her work is wonderfully creative and she often carries an infrared camera in addition to her regular gear. We hope you enjoy Suzy’s images as much as we do!
Congratulations to April 2023 ‘s featured photographer – Susan Onysko
The Story…
Well, this never, ever happens… at least to me anyway. This photograph was taken the first morning of our workshop at Gates Pass. I started out using a wide-angle lens to photograph the yellow brittle bush in the foreground and the stunning rocks, cacti, and clouds in the background. I love color and that was a pop of color in the desert that I didn’t expect. It was pretty windy out, though, and I worried about the flowers ghosting too much in the foreground. I looked for another foreground element and found this stunning barrel cactus.
I took a few shots in color first. They looked nice but with the clouds in the scene and yellow flowers not being an important element anymore, I ran back to the car. I got my infrared camera to see how that would look. I quickly changed my preview screen to show the image in black and white instead of the out of camera red preview. I shot a frame and the infrared image took my breath away.
I will be the first to admit that wide angle landscape photography is not my forte, so when I get an image I like I am quick to analyze why I like it. Hopefully in the future I come to “see” that image a bit quicker in the field. Why do we like the desert? The textures of the prickly cactus is what we are drawn to and what it’s known for. By taking away the color I enhanced all the desert textures and shapes. The clouds enhanced it by adding a bit more mood.
Did I click once and be done? Oh no… I took two hundred images of this scene (no judging, it’s free!) by changing my position mere inches up, down, left, and right until the cactus was just big enough in the foreground but not too big to overwhelm the rest of the scene. I liked how the barrel cactus was the focal point, but by showing some mid-ground I also included some prickly pear cactus which led to some Saguaro Cactus and an impressive rock formation and then those incredible clouds!
April 2023 Photo of the Month
EXIF Data:
Camera: Nikon Z9
Lens: Nikon NIKKOR Z 14-30mm f/4 S Lens
ISO: 2000 (did I denoise it? Nope – I like the grainy effect for a western black and white image)
Shutter Speed: 1/100 sec
Aperture: f/11
Shooting Mode: Aperture Priority
Shot at 15mm, handheld
About Photographing in Saguaro National Park
I am from the Midwest and love unusual landscapes that I do not get to see at home. Death Valley is another place that I love. I find that the desert and Death Valley both give an other-worldly vibe that I adore. We were fortunate enough to have the yellow brittle bush blooming while we were there which for me added an unexpected element. What a happy surprise!
This trip truly has something for everyone, and the variety helped me and my ADD brain! It offered wide landscape desert views, macro photography, bird photography, and at Old Tucson we photographed some very dashing cowboys. Check on the portrait photography also!
Saguaro and Brittle Bush with a 600mm lens
One of my favorite things we worked on was long lens landscape shooting. I often have a hard time seeing the wide angle shot that are right in front of me, sun stars included. It’s like all clutter to me since there is so much going on. Many times in the past I have used a 70-200mm or 100-400 mm to isolate more intimate scenes in a landscape. Tom encouraged me to try using my 600mm to do this and I have to say that I am hooked. I look insane carrying the beast of a lens for a landscape shot, but the images created using this lens have such mood. Cacti framed by yellow flowers look so mysterious and I feel like a spectator viewing and interpreting the relationships between desert subjects as opposed to just pointing and shooting at them.
Gambel’s Quail at the Desert Photo Retreat
About the Quail Image
I love shooting from bird blinds – I was hooked after going on the Texas Bird trip. I will be the first to admit I struggle when finding/seeing/shooting birds in the wild handheld. I get too spastic and excited when I see them. Animal eye tracking on the Nikon Z9 is slowly helping with that issue, but being able to slow down on a tripod with a gimbal to help stabilize the camera makes all the difference in the world. If you know me, I am not normally a tripod fan so when I say that it means a lot!
This Gambel’s Quail is probably like a pigeon to those who live out West but for me this little guy had so much spunk and personality. He was my favorite bird I photographed on the trip. I was determined to get a shot that showed more of his personality than just him strutting across a log, which he did a lot! When he paused for a split second on the log and pondered what his next move would be I saw my chance and shot away. I loved the curve of his head and how the log swirl underneath him mimicked his body position. I looked for a photo that didn’t have his tail merging into the log and was fortunate to have one. This image will be hanging in my house and hopefully others.
Saguaros in infrared at Saguaro National Park – West
Suzy’s Tips for Photographing in the Desert with Infrared
Tip #1) IR works beautifully: it gives an Old West feel to the images. If you ever play with IR, do more than just make a preset for it and call it done. I love playing with all the different LR black and white presets. By doing just that with my multiple infrared images here they all take on a different look. Ethereal, contrasty, ghostlike… you have all the control and can change the mood of the image with one click. I recently converted one of my Z9s to a Deep BW IR conversion through Lifepixel.
For at least ten years I have been converting my oldest camera to infrared through Lifepixel and I am always thrilled with the results. I went mirrorless last year and had to upgrade all my gear. Instead of using my oldest camera (that didn’t exist) I purchased an already converted Nikon Zfc through Lifepixel. I chose the Zfc because it was only ½ lb. It worked well, but it ended up being the only camera in my bag with completely different controls. To make things easier on myself last month I decided to convert a Nikon Z9 body so that all my controls were the same on all my camera bodies. I was thrilled with the results. My fingers knew the controls by heart and I was no longer fumbling, trying to learn a new camera body. As an added bonus the 45 megapixel infrared files are stunning compared the 20 megapixel images of the Zfc!
Tip #2) Bring every focal length: 14-840mm. I did for this trip (my family thought I was insane) and used every one of them!
Tip #3) Mind your body in the field. Jumping Cholla (look them up) are not to be messed with. A week later and I still have bruises where I was nailed by two little balls.
On Suzy’s Horizon:
Botswana, Tanzania and Kenya in June
Hummingbirds in Madera Canyon, Arizona and Ecuador in July
Eagles at Chilkat in Alaska
Cypress trees in the Texas Bayous
Cosplayers at conventions in Vermont, Indiana, Wyoming, New Hampshire, South Dakota, and Maine for my personal project –Cosplay 50: The United States of Cosplay.
Bears at Lake Clark, June 18-23 – 1 space available. Photograph grizzly bears with cubs in Alaska Click here
Where are Tom and Cree?
We are headed to the Lone Star State for our annual Texas Birds in Spring (space available). If we are lucky, we will see Painted Buntings all over the ponds.
We hope spring has finally arrived in your area of the world. We’d love to see what you are photographing. Post your spring images on our Photos for Inspiration TBPW Facebook Page.
At Tom Bol Photo Workshops, we celebrate great images created on our workshops by selecting a Photo of the Month. For February we chose an image from our Norway in Winter Workshop created by Ellie Burns-Brookens. Ellie is new to Tom Bol Photo Workshops and recently traveled to both Patagonia and Norway with us. We hope you enjoy Ellie’s images as much as we do!
Congratulations to February 2023 ‘s featured photographer – Ellie Burns-Brookens
The Story…
We walked through a little gate and could see this amazing color down the fjord. It was a lovely fjord with a beautiful view, but it was the color that first caught my attention.
The challenge for me was deciding what to include. What was my composition? What was my subject? The little town on the fjord caught my attention. There were so many beautiful things in the area.
I decided the color was the most interesting thing about the scene.
I had my 24-70mm on the camera to capture the entire scene. But I decided the mountains, the orange light and the sun were the real subject of the photo.
February 2023 Photo of the Month
I switched lenses in the freezing cold, which I never do, so I could zoom in more on the mountains.
Then, I noticed that there was a very large dynamic range to the scene. I asked myself, “What do I do now?”.
I decided to wait for the sun rays to peak through the clouds and then take 3 different exposures. I did this manually and shot at 0, then -1, then -2. I blended the 3 images in Lightroom. I wanted to bring the direct sunlight down and get some more definition in the brighter areas.
We saw this combination of orange and blue light several times in Norway. It almost did not look real, but that was the color it was. It was so stunning.
EXIF Data:
Canon R6 with a 70-200mm lens
ISO 100 1/800 sec f8
Aperture Mode
Shot at 138mm on a tripod
About Photographing in the Lofoten Islands
Every time I turned around it was “Oh my god!” It was so beautiful everywhere we went. There were small villages, tall mountains and stunning fjords.
I loved the snow. I really like the constant contrast of the orange, blue, read and yellow with the snow.
I think the Lofoten Islands are the most beautiful place that I’ve brought my camera to.
Ellie’s Tips for Travel Photography
Tip 1: Research in advance to figure out where to go. I often look at 500px. I like to know where other people have shot.
Tip 2: Then look for what is interesting when you get there. I look for curves, angles and leading lines.
Tip 3: Remember what your subject is. Try to tell a story with an image.
On Ellie’s Horizon:
Lake District in England – big rolling landscapes
Highlands in Scotland – old castle ruins
Faroe Islands – quirky cousin of Iceland
Ellie composing her image in Norway
Last minute openings on 2023workshops:
Louisiana Birds and Bayous, May 10-14, 2023 – 2 spaces available. Photograph wading birds in the beautiful cypress swamps of Cajun Country in Louisiana Click here
Bears at Lake Clark, June 18-23 – 1 space available. Photograph grizzly bears with cubs in Alaska Click here
Ecuador Cloud Forest July 30-August 7, 2023 – 1 space available. Photograph exotic hummingbirds with long tails and beaks, toucans, barbets and more: Click here
Where are Tom and Cree?
Next stop: We are headed to Alaska next for an assignment with the Matanuska-Susitna Visitor’s Bureau. We’ll be photographing the Iditarod start in Willow, snow machining, skiing, snow shoeing. If we are lucky, we will find some aurora at night as well.
We hope you are enjoying the winter photography in your area of the world. Thanks for reading our posts!
At Tom Bol Photo Workshops, we celebrate great images created on our workshops by selecting a Photo of the Month. For January we chose an image from our Easter Island Workshop created by Keith Eisele. Keith is a fan of using artificial lights and jumped right in with a speed light when he saw our Rapa Nui dancers. We hope you enjoy Keith’s images as much as we do!
Congratulations to January 2023 ‘s featured photographer – Keith Eisele
Keith using his Z9 in Easter Island
The Story…
The light was rapidly decreasing as the sun was going down. To me that meant it was the perfect time to use a speed light.
There was just enough ambient light to pick up the statues in the background. With a native dancer in traditional attire, I really wanted to show the Moai statues in the background.
I took a couple of test shots to make sure the light wasn’t too hot. I was pleased that the shadows from the feathers on his hand showed up on his body.
I wanted to make sure the horizon line did not cross any major parts of the body like his head or hands. This would create too much of a distraction. I ended up down on the ground sitting on my derriere to get the horizon line where I wanted it.
January 2023 Photo of the Month
It was tough to get separation between the dancer and the statues. He moved a lot while posing and then would freeze for just a few seconds. The feathers often merged with the statue and I really wanted to get clean separation in the image.
I really liked this image because of the lean of his body. His leg creates a strong leading line in the image.
It felt to me that the dancers really knew what they were doing. I noticed that they never touched, even though they had very good rapport. The male was very patient and willing to look at us. There were not at all self-conscious. It made them very easy to photograph.
EXIF Data:
Nikon Z9 with a 24-70mm lens
ISO 200 1/60sec f5.6
Manual Mode
Shot at 27mm
About Photographing on Easter Island
I really enjoyed it.
I also found it somewhat challenging. Because of all the clouds moving around, the light changed very quickly. I had to be on top of my settings all of the time.
Overall, I really enjoyed the trip. Of course you expect to shoot statues on Easter Island. I also really enjoyed the hike through the quarry where the Moai statues were excavated.
Keith’s Tips for Photographing Portraits
Tip 1: I’m still learning
When I’m shooting someone, even if it is someone I already know, I have to establish a new rapport. They may be nervous about the lights or they haven’t worked with me as a photographer before.
I set the camera down and walk over to them. I explain what I have in mind for the shot and ask them “What would you like?”
Tip 2: You can tell people where you want them to stand and how you want them to pose. I prefer to show them and demonstrate what I want.
Tip 3: After I have taken a few frames, I show them an example of what I’m getting. Sometimes I even shoot tethered. Then they can see the results as soon as I can.
On Keith’s Horizon:
Lofoten Islands in Norway – returning for Northern Lights
Faroe Islands
Svalbard
Ouray, Coroado
Oaxaca, Mexico
Paris, France
Keith and John – always together on a shoot
Just 5 openings left on domestic trips in2023:
Old Car City Workshop, March 30-April 2 – 2 spaces available . Use speed lights on classic cars and models. Click here
Bears at Lake Clark, June 18-23 – 1 space available. Photograph grizzly bears with cubs in Alaska Click here
Route 66 East from Oct 25-29 – 2 spaces available . Learn about speed lights for creative effect. Click here
Where are Tom and Cree?
Next stop: Lofoten islands in Norway. We hope to find crystal clear nights with green Northern Lights reflecting of water and snowy surfaces. Bring on the cold!
We hope you are enjoying the winter photography in your area of the world. Thanks for reading our posts!
At Tom Bol Photo Workshops, we celebrate great images created on our workshops by selecting a Photo of the Month. For December we chose an image from our Patagonia Photo Workshop created by Greg Ness. Greg has photographed wildlife in Patagonia several times and was delighted with his condor encounter on this trip. We hope you enjoy Greg’s images as much as we do!
Congratulations to December 2022 ‘s featured photographer – Greg Ness
Greg, dressed for the weather, at the Mirador del Condores (Condor Viewpoint)
The Story…
It was humorous. When we arrived on scene we looked like a cautious infantry unit. Everyone took 5 steps forward. Then everyone took 5 more steps. The condor was eye balling us the whole time. It must have been thinking, “What are they doing?”
I was using the Sony A1 because I was hoping for a flight shot. I figured if he did fly it would be a very quick shot. I got a couple of decent flight shots but they were kind of at an angle that did not show off his wings.
I loved the bird just sitting there. What an interesting face. You have to ask yourself, what is it about that bird? A face that could stop a truck. Why is it designed like that. I am sure bird experts have some interesting theories on that. I wanted to show the interesting features.
December 2022 Photo of the Month
The light was just right. We had intermittent sunshine. It illuminated the grass right in front of the bird. This made for a nice counterpoint to the dark body of the bird.
I would like to know why it sat there as long as it did. It must have been eating something.
After I got home I did some research. The condor is the biggest flying bird in the world if you combine wingspan (up to 10 ft) and weight (up to 30 pounds). We saw them all over the place. With the Patagonian winds they barely have to flap their wings to take off.
EXIF Data:
Sony AI Sony 200-600 mm f5-6.3 lens at 600 mm
ISO 500 1/2000 sec f6.3
Aperture Priority Mode
Exposure compensation -.03
The view of Mt Fitzroy when heading into Chalten
About Photographing in Patagonia
One of the things that intrigued me about Patagonia is its ties to our past. Anyone who lives in Colorado asks themselves, wouldn’t it be fun to transport yourself back to the Old West. Some one described Patagonia as being like the Old West – large plains, mountain ranges, dramatic weather.
It’s big and wild there. It’s also hard to get to a lot of the places. It keeps the majority of the tourists out. You have to work for photographs in Patagonia. Even if you get to the locations, you can spend days trying to get a picture of Fitzroy or El Chalten and never see it.
This means you have to have patience. The last day we were in Torres del Paine. The calm waters were incredible. How many people have seen that before?
Calm waters at Hosteria Pehoe, our hotel for 3 days
Greg’s Tips for Photographing in Patagonia
Tip 1: I took two rented lenses. This was not a great idea. Know your lenses and know your camera equipment really well. If Marcos is sprinting across the pond on his horse, you may only get one shot of it.
Zoom lenses are really valuable to have. A condor is sitting on the ground, but it could fly at any minute. My suggestions are: 100-500mm and 70-200 and 24-70mm. Take two bodies: anything could happen.
Tip 2: The weather was like last time. It would almost knock you over one day and the next day, no wind. Shoot a lot on the good days. Consider black and white for the cloudy days.
Tip 3: I liked using black and white for the gaucho photos. It fits with the idea of a hard to get to place that is almost lost in time. It has not changed that much in the last 9 years. But it will slowly change.
Patagonian Grey Fox at ground level
On Greg’s Horizon:
Wanaka in New Zealand
Lofoten in Norway – want to return for hiking
Arizona for a month – both hiking and photography
Polar regions -Greenland, Iceland
Cruise to Northern Greenland
Faroe Islands
Madeira in Spain
Greg photographing a Porcelan Orchid
Workshop News
Few spots left: Masking Made Easy: Online Editing Class. Brush up on your editing skills and learn how to use new masking features in either PhotoShop or Lightroom as well as older features like luminosity masks. Click here to learn more.
Few Spots Left: Old Car City Workshop from March 30-April 2, 2023. Photograph classic cars in the Georgia hardwoods. Learn about speed lights for creative effect. Click here to read more.
Where are Tom and Cree?
We are just back from a personal trip to Jackson, Wyoming. We photographed Great Gray Owls, Moose and Coyotes and had a splendid ski in front of the Tetons on New Years Day.
We hope you have a wonderful 2023 and find plenty of time to take photos. Thanks for reading our posts!
At Tom Bol Photo Workshops, we celebrate great images created on our workshops by selecting a Photo of the Month. For November we chose an image from our Botswana and Zimbabwe Photo Workshop created by Alex Sneiders. Alex has photographed wildlife in Africa several times and was happy to finally see a Serval Cat on this trip. We hope you enjoy Alex’s images as much as we do!
Congratulations to November 2022 ‘s featured photographer – Alex Sneiders
Alex in action on the Chobe River in Botswana
The Story…
I was enjoying the scene. I was fascinated by the vultures waiting in the wings on the tree. I visualized the clouds as they were coming in and the impending rain. I tried to capture all of that in the photo.
The dead elephant had a whole pride of lions enthralled with eating. They totally ignored us.
November 2022 Photo of the Month
I was captivated by the elephant being in one corner of the frame and the vultures in another corner.
I shot in Infrared with the intent of shooting a couple of unique images. This was my favorite so far.
I converted the camera with Lifepixel. It is much easier to shoot IR with a mirrorless camera. The focus is automatic with mirrorless but not with a SLR or DSLR.
I was trying to do a color conversion at first. I found that with the color conversion, there was too great of a departure from what it actually looked like. I find that the black and white versions frequently come out elegantly.
EXIF Data:
Nikon Z7 with IR Conversion, Nikon 24-70mm 2.8 lens shot at 51 mm
ISO 800 1/2500 sec f4
Aperture Priority Mode
About Photographing in Botswana and Zimbabwe
The difference between these countries and my previous safaris was mainly the Chobe River in Botswana. There were lower views of the wildlife and faster action.
There was a different variety of animals, particularly in the bird life. That was the highlight of the trip for me.
When using the pre-release feature while photographing Malachite Kingfishers, I learned that the jpeg images are quite good. You have to be patient and keep your finger on the shutter button.
When using Pre-release, you have to cull through all of your images to find a few pieces of gold.
Malachite Kingfisher captured with Nikon’s Pre-release
Alex’s Tips for Photographing on Safari:
Tip 1: Bring lots of cards. I took 45 thousand photos on this trip. That is a record for me. Using Pre-release with the Nikon Z9 added a ton of jpegs
Tip 2: Be patient
Tip 3: Practice focusing. Play around with different focus patterns modes like 3D, wide area large and single point. Practice switching between them as well.
Low key giraffe from Splash Camp in Botswana
On Alex’s Horizon:
Antarctica
Greenland
Namibia
Mongolia
Indonesia
Faroe Islands
Pantanal
Svalbard
Galapagos
Alex getting to know the wildlife in Zimbabwe
Workshop News
Just Added: Masking Made Easy: Online Editing Class. Join us in mid January to brush up on your editing skills and learn how to use all the new masking features in either PhotoShop or Lightroom. Click here to learn more.
Space is still available on our Old Car City Workshop from March 30-April 2, 2023. Photograph classic cars in the Georgia hardwoods. Learn about speed lights for creative effect. Click here to read more.
Where are Tom and Cree?
We are traveling in Argentina and Chile right now with our Patagonia Workshop. Look for updates on social media.
At Tom Bol Photo Workshops, we celebrate great images created on our workshops by selecting a Photo of the Month. For October we chose an image from our Acadia Fall Colors Workshop created by Traci Rickman. Traci is a real estate photographer and is equally at home photographing landscapes. We hope you enjoy Traci’s images as much as we do!
Congratulations to October 2022 ‘s featured photographer – Traci Rickman
Traci in the lobster town of Bernard, Maine
The Story…
I almost missed the window of opportunity. I didn’t have a lot of time because I had stayed back to photograph the Bubbles. Everyone else headed over to capture the fog earlier than I did.
The sun was filtering in from the right side of the frame. By the time I arrived, Tom was saying “Here it comes.” I set up and started shooting quickly. You can just see a bit of sun filtering into the scene below the fog.
I just love the color in this, mm mm mm!
I tried to fill up my frame with color.
There were more grass clusters in the foreground, but they had hot spots on them from the sun coming in. I took them out with Lightroom and PhotoShop to get rid of some of the hot grass.
October 2022 Photo of the Month
EXIF Data:
Nikon D500, Nikon 70-200mm lens shot at 70 mm
F16, 1/10 sec, ISO 100 on a tripod
Exposure Compensation -2.0
Aperture Mode
About Photographing in Acadia National Park
I love Acadia. I love Bar Harbor. This was the second time I’ve been there. I was excited to go back with Tom and Cree.
The first time I went I was a bit overwhelmed.
I felt like I missed a lot of the shots. I did more artistoc compositions. When I got back home my husband said “Did you look at rocks the whole time?” This time I wanted to get more iconic shots.
I focused on shooting what spoke to me. I realized that in the past I was shooting what I thought other people wanted to see.
On this trip I wanted to redeem myself!
Sunrise at Otter Rock
Traci’s Tips for Photographing Landscapes:
Tip 1: Photograph what speaks to you. Other people will find other subjects to focus on. Find your own subjects.
Tip 2: Broaden your view. Don’t get so focused on what is in your camera viewfinder.
Look behind you. Look around. I will often take out my cellphone and see things differently with it. It helps me see the larger view. Then I’ll take out my camera…..
Tip 3: Try moving three feet to the side or one foot vertically.
When I photographed the foggy scene (below) I decided to walk down the road from where everyone else was standing. I was really drawn in by the grasses and the lines leading into the red tree. Instead of shooting a tight shot with just the red tree, I decided I liked this composition better.
I do this a lot in real estate photography. I’ll move to the right or left by just one foot when photographing a room. Often time this move makes the shot.
Foggy scene in Acadia National Park
On Traci’s Horizon:
Costa Rica
Redwoods National Park
Congratulations Traci
Workshop News
We added another Acadia Fall Colors Workshop for October 2025. Just 2 spaces left. Click here to learn more.
By popular demand we also added our Old Car City Workshop from March 3-April 2, 2023. Photograph classic cars in the Georgia hardwoods. Learn about speed lights for creative effect. Click here to read more.
Finally, we will be heading to Oaxaca, Mexico in January 2024 to explore Day of the Dead inspired portraits and colorful travel photos Click here to read more.
Where are Tom and Cree?
We have been enjoying a few weeks at home in Fort Collins. Our last two workshops of 2022 are in Botswana & Zimbabwe and then on to Argentina and Chile for our Patagonia Workshop. We will keep you updated on social media.
Looking forward to winter and the holidays. Thanks for reading our posts!
At Tom Bol Photo Workshops, we celebrate great images created on our workshops by selecting a Photo of the Month. For September we chose an image from our Lofoten Norway Workshop created by Lauren King. Lauren was in the right spot at the right time. As a portrait photographer Lauren immediately was drawn to the couple on the beach. We hope you enjoy Lauren’s images as much as we do!
Congratulations to September 2022 ‘s featured photographer – Lauren King
Lauren King in Lofoten, Norway
The Story…
We were all on the beach. We wanted to make sure we had lined up for the shot without other people being in the shot. I had my super-wide lens on to capture the full arch of the creek.
I have been trying to work on shooting from different angles. I was holding my camera above my head and finger touching on the screen. Then this couple walked into the scene.
I waited for the couple to find their spot. Then…..voila! It just happened.
September 2022 Photo of the Month
I have been working on sunstars and sunstar placement in my images. Getting a sunstar right behind the little mountain with the couple in the foreground was my goal.
I did very little in post process. I smoothed some of the sand in the foreground. I also worked on slightly cropping the image so that the sunstar was in the right place and the couple’s shadow was still in the frame.
EXIF Data:
Nikon Z6ii, Nikon 14-24 lens shot at 15 mm
F22, 1/100 sec, ISO 100
Manual Mode
Lauren’s Tips for Photographing Travel Images:
Tip 1: Think outside of the box. Think about what people are not getting. What can you shoot that is not right in front of your face? What is not obvious?
Tip 2: Use the reticulating screen. If you use the screen when shooting people, they may not realize you are taking a photo. This means they will be less self-conscious in the image.
Fall color on a Norwegian Fjord
About Photographing in the Lofoten Islands
Oh my goodness, it was amazing!
I felt like we were lucky with the weather. I expected a lot of greens from Norway. I did not expect all the reds and yellows at ground level. We photographed at a small lake one day and I could have stayed there all day.
Lofoten is very pristine. It was nice to be out in the fresh air. From the grand views to the tiny flowers – there was always something to shoot. There were worlds within worlds.
Looking for what is not obvious in Nusfjord
Cabin Shoots:
Everybody was at Nusfjord and went up the hill above the yellow cabin. It was muddy and I did not think I would make it up there.
I told myself to go back down and find something that no body else had seen. I went in between the buildings and this is what I found (image above).
I did very little in post process for this image. I cropped a small bit. I also removed a person who was standing below one of the windows in front of the yellow cabin.
In my mind this was a modern take on Norway even though they are old cabins.
At Statles Rorbuer, where we stayed I went out by myself on an afternoon break. Even before I got to Norway, I knew I wanted to try selective color on the cabins. I saw the line-up of cabins and knew it was the right one for my image. I used a color range mask to select the cabins and worked with Cree on the editing.
We are headed back to the Lofoten Islands in Norway this winter on February 18-25 for snowy landscapes and the Northern Lights. Space is still available. Click here to read more.
Where are Tom and Cree?
We are looking forward to our next photo adventure in Acadia National Park. Mid-October is the perfect time to be in Maine for red fall leaves and we are headed there next week with a full group of photographers.
