Tom and Cree just finished their Costa Rica RainforestPhoto Workshop and are sharing the highlights with you. They traveled with their groups to the Osa Peninsula in Costa Rica to photograph the animals, flowers and birds in the lowland rainforest. Our groups were delighted with the baby monkeys and abundance of Scarlet Macaws this year.
To see photos from our Costa Rica Rainforest Workshop, check out our trip report by clicking here
What’s next:
Tom and Cree are headed to the Bayous of Louisiana for their next workshop. They will be gliding through the bayous on pontoon boats in search of alligators and birds and then visiting a rookery with nesting Great Egrets and Roseate Spoonbills.
Tom and I celebrate great images from workshop participants by selecting a Photo of the Month. For March we chose an image taken on our Iditarod and Northern Lights Workshop. The image was taken by Sherry Reese during a spectacular aurora photo shoot near Fairbanks. Sherry is a wildlife and travel photographer from Arcadia, Oklahoma.
Congratulations to March 2024 ‘s featured photographer – Sherry Reese
Photographer Sherry Reese
The Story…
When we got out of the van, the aurora was already going off. We ran to the edge of the field and I threw my backpack in the snow. We set everything up as quick as we could in the dark and we started taking pictures.
I had never seen the aurora before. I was amazed by all of it. I didn’t realize that it is not as colorful with the naked eye. It takes a longer exposure to bring out all of the colors. This style of shooting was completely new to me.
I listened to Tom and Cree and their setting recommendations to get in the ballpark. I used minor changes to ISO and shutter speed to tweak my settings as the aurora changed.
The aurora never looked the same. Second by second it changed. It went from a roman candle type formation to minimal to the whole sky blowing up. The trick is to take as many pictures as you can and just keep shooting. It changed so fast that you will get a new photo every few seconds.
You don’t really know what you are going to get till you get it out of the camera. When I was reviewing my images, I realized how important it is to keep infinity focus. Some of them were blurry because the camera would get bumped and the focus would shift. Next time I will use a Z lens because it makes infinity focus way easier. I was using manual focus to keep the stars sharp.
I got extra help from Cree to learn how to edit aurora. Enhancing to remove noise is the first step. Then I used a little bit of clarity to bring out the stars and increase definition in the aurora. I opened up shadows in the foreground and color corrected the snow to remove some of the green cast.
It was magical. I think most people say that about the aurora. People come from all over the world to see aurora in Fairbanks. It doesn’t always happen. But when you see it, it is just magical.
Photo of the Month – Northern Lights in Fairbanks
EXIF Data:
Camera: Nikon Z9
Lens: DSLR 20mm 1.8
Aperture: f1.8
Shutter: 2.5 seconds
ISO: 3200
Mode: Manual, on a tripod
About Photographing in Alaska in Winter
The snow is beautiful. It accentuates the terrain. It was not nearly as cold and dark as I expected. In March there is an even split between dark and day light ours. When we were lucky enough to get a snowy day, it made the photos even better.
The beauty of this trip is that it is such a mix of things to see, do and expect. The dogs, the iconic Iditaord, the snow, the aurora. There wasn’t just one thing, there were so many different things to shot.
This trip is going to be amazing even if the aurora never shows up.
Sherry captures Ryan Redington’s team on 4th Street
Sherry’s Tips for Aurora Photography
Tip 1
Practice using your camera in the dark ahead of time. This will help you to make minor exposure changes quickly when in the field.
Tip 2
Have the right cold weather gear. For me, keeping my hands warm was the hardest. It was a challenge to change my settings with the overmitts on. I ended up using an electric handwarmer in my pocket. I used just my liner gloves when changing settings. When I switched to a cable release, it was easier to use my overmitts.
Tip 3
When the aurora is really strong you need to reduce exposure time and ISO to not blow out the green channel. I had blown out areas on some of my images. It really changes second by second with aurora photography.
Tip 4
Bring your heavy tripod. You will need a stable platform in deep snow with uneven ground.
Sherry’s work at the Dallas Seavey Kennel
On Sherry’s Horizon:
South Africa’s Skeleton Coast
Grand Canyon River Rafting
Kenya
Switzerland
Sherry and Ned share a moment in the snow
Interested in joining us in Alaska?We have space on three Alaska trips:
Tom and I celebrate great images from workshop participants by selecting a Photo of the Month. For February we chose an image taken on our Indonesia Workshop. The image was taken by Richard Epter during a photo shoot in a rice paddy near Malang on East Java. Richard is a wildlife and landscape photographer from Augusta, Georgia.
Congratulations to February 2024 ‘s featured photographer – Richard Epter
Richard Epter in Indonesia
The Story…
I remember that we got to sleep in. We left at 4am which was later than the days before. I had no idea what we were going to see because I had never been to a rice paddy before.
When we got there, we walked through some fields and then the view opened up. It was twilight and we were just starting to see light. In the distance I could see terracing. I could’t see much beyond that because it was cloudy and too dark.
There was a short wall made of mud on our right. The walls were a foot think. I thought it was gorgeous to see that. Terracing has always been fascinating to me. Earlier on the trip we saw terraces on the sides of mountains and I was amazed at how steep they were.
During the shoot, I learned how the local men in the rice paddies make the walls. They dig up mud, push it to the edge of the paddy and manually build up the the walls, layer by layer. It all happened right before us.
In my photo there are tiny rice plant shoots in the foreground. Rice is one of the few aquatic crops other than taro. The image shows a lot of water with the rice plants just starting to grow. As they grow they don’t need as much water.
I found it very interesting that on the downhill edge of each paddy, there was a small 6 inch gap that drained the terraces. This allowed the entire field to drain slowly throughout the day.
As the sun rose I could see a huge mountain in the background. I was so surprised to hear that it was Mt Semeru. Semeru is the the same mountain we had photographed days early with volcanic gases escaping. We were on the opposite site of the volcanic massif. It was not just a coincidence. That was fantastic to see and photograph both sides.
When we were walking back from the shoot, I was looking for an angle that really accentuated the lines of the terraces and the reflection of Semeru. I used a low perspective to get the entire mountain in the reflection.
It wasn’t until I got on the computer that I realized what I had. I couldn’t believe how beautiful it was,
Photo of the Month – Malang Rice Paddy with Mt Semeru by Richard Epter
EXIF Data:
Camera: Nikon Z9
Lens: Nikon 24-120
Aperture: f11
Shutter: 1/13 sec
ISO: 64
Mode: Manual
About Photographing in Indonesia
This was my first time to Indonesia. It has so much natural beauty. The people were so nice everywhere we went.
The only volcano I had ever seen was Haleakala in Hawaii a long time ago. All of my pictures were blown out then. I did a much better job this time around.
Our sunrise shoot at Semeru was very impactful for me. It was interesting to be so close to an active volcano. You never know what it is going to do. That is exciting in and of itself.
This was one of the most beautiful things I’ve ever seen. The gases were spewing perfectly to catch the colors of sunrise in the clouds. The sun started strolling down the sides of the volcanos and brought out all of the volcanic ridges.
Every day in Indonesia was exciting. We never knew what we were going to see.
The monkeys and orangutans in the wild made it feel like we were on the set of Tarzan. The skills of the guides were terrific. They could see and hear things that none of the rest of us could. They were fantastic. They would point out a kingfisher on a limb and I couldn’t even see the limb! It helped me learn to train my eye.
This was one of the most adventurous trips I’ve ever taken.
Mt Semeru at sunrise
Richard’s Tips for Travel Photography
Tip 1
Take an extra minute or so to access the angle of view. Try moving up and down to change your perspective. A foot to the left or right can also make a hug difference. When I squatted down, I was able to get the entire reflection of Mt Semeru in the photo.
Tip 3
Don’t worry about taking too many frames. Shoot at a high frame rate, especially if you are on a moving boat. I tend to shoot wildlife at 20 frames per second. This really helps capture more images where the animal is looking right at you. This makes a more engaging shot.
Tip 4
Use the lowest ISO that you can. I learned this from Tom in Indonesia. Now I try to use ISO 64 when I can to keep the noise low. Noise reduction software can make a big difference, but it’s even better to start with a low ISO.
Tom and Cree just finished their Iditarod and Northern LightsPhoto Workshop and are sharing the highlights with you. They traveled with their group to Alaska to photograph the action and pageantry of the Iditarod and then on to Fairbanks for Northern Lights. Our group was surprised how caught up they became in the ongoing race standings. It was also a great year for aurora, with the lights showing up 4 times on the workshop.
To see photos from our Iditarod and Northern Lights Workshop, check out our trip report by clicking here
What’s next:
Tom and Cree are headed to Central America for their Costa Rica Rainforest Workshop. We will be photographing tree frogs, macaws and 4 species of monkeys in Osa Peninsula.
What’s New:
It’s official! Tom and Cree just bought a house in Palmer, Alaska and will be moving in June. They will continue to offer workshops in the Lower 48 and abroad, just from a different home base. New address coming soon.
Want to join us in Alaska this summer? We have a few openings:
Nome: Arctic Birds and Musk Ox: June 17-22, 2024 – 2 spaces available Click here
Brown Bear Safari: August 13-19, 2024 – 2 spaces available Click here
Tom and Cree just finished their Indonesia Workshop and are sharing the highlights with you. They traveled with their group to Borneo and East Java in Indonesia to photograph the colorful people, places and animals of the area. Our group enjoyed the interactions among orangutans and were astonished at how human-like they were.
To see photos from our 2024 Indonesia: Orangutans and Volcanos, check out our trip report by clicking here
What’s next:
Tom and Cree are headed to Alaska for Northern Lights and the Iditarod. We will be photographing the “Last Great Race” in three different locations and then searching for aurora in Talkeetna, Healy and Fairbanks, Alaska. As part of our route, we drive right by the entrance to Denali National Park.
Tom and I celebrate great images from workshop participants by selecting a Photo of the Month. For January we chose an image taken on our Oaxaca Mexico Workshop. The image was taken by Monica Whitt during our Dia de los Muertos photo shoot. Monica is a commercial and portrait photographer from Anchorage, Alaska. Check out her work at Monica Whitt Photography
Congratulations to January 2024 ‘s featured photographer – Monica Whitt
Monica in agave fields of Oaxaca
The Story…
The way the lights were set up was amazing. The Clam Shell format is pretty cool. It really highlights the face.
The background light was also convenient. The wall was already red. The background light with the red gel cap accentuated the color and added mood.
It was great to have the strobe trigger and be able to direct the model. I tried to get as many expressions in the face as possible. I asked her to turn around and to tilt her face a bit.
I also shot in portrait and landscape. I zoomed in and out. I was using my Canon 28-70 2.0 lens. This worked well for zooming. I just kept experimenting to see what worked best.
The villa was amazing. The arches, the color, the flooring. The whole place helped the mood and the vibe. It was comfortable and not at all hot. So colonial. I loved it!
Photo of the Month – Sofia - Day of Dead
EXIF Data:
Camera: Canon EOS 5D Mark IV
Lens: 28-70 2.0
Aperture: f8
Shutter: 1/100 sec
ISO: 100
Mode: Manual
About Photographing in Oaxaca
It was my first time in Oaxaca. Photographing people was a highlight of the week. This is why I signed up for the workshop.
I was also fascinated by the murals all over town. Then adding the couple (of models), this made it so much better.
I frequently had to decide what angle to photograph. Literally in a 360′ view, there would be 1000 photos right there. The people were just wonderful.
Chef Alejandro Ruiz at the market
Monica’s Tips for Travel Portraits
Tip 1
I recommend environmental portraits in Oaxaca. They showcase where the person works and the area.
Tip 2
Shooting in shade makes for even lighting. If there is no shade, try putting the sun behind the person.
Tip 3
Depending on their comfort level – tell the models to do whatever they want. They feel free and really show more natural expressions and genuine smiles.
Tip 4
I try to get a variety of expressions. When I work with high school seniors I ask them funny questions like, “Are you the smart one in the family?” They laugh and I get great expressions.
Working the agave fields
On Monica’s Horizon:
Patagonia
Germany – to visit family
Portraits of Native Alaskans
Interested in joining us in Oaxaca in January 2025? Learn more
Tom and Cree are headed to Borneo with a workshop this weekend. They will be photographing an area with the largest population of Orangutans in the world. After that they join a group in Alaska for Northern Lights and the Iditarod.
Tom and Cree just finished their Oaxaca Mexico Workshop and are sharing the highlights with you. They traveled with their group to Oaxaca de Juarez in the mountains of Mexico to photograph the colorful people, places and food of the area. They loved the photo opportunities there so much that they decided to return for another workshop in Oaxaca in January 2025. We hope you will consider joining us.
To see photos from our 2024 Oaxaca Mexico Workshop, check out our trip report by clicking here
Note about covid on this workshop:
On the fourth day of the workshop Cree tested positive for covid. We want to share this experience to help you understand what that looks like on a workshop. As soon as Cree felt a sore throat she used a rapid test and it was positive. She immediately isolated from the group and spent the next 3 days in her room watching Netflix and learning online Spanish. Because she isolated so quickly, no one else on the group came down with covid. Tom tested negative and was able to continue teaching. He decided to wear a mask for the remainder of the workshop to protect others.
A few take aways from this experience:
Realize that covid is still going around and as a traveler you could catch it. If you have any syptoms that could be covid, notify the trip leaders immediately.
Always travel with several rapid tests, masks and extra medication in case you need to stay longer. We recommend talking to your doctor about bringing covid medications.
Realize that if you test positive you cannot travel with the group and will need to isolate yourself. You will need to pay for any extra rooms, meals or transportation required for your isolation. We strongly recommend travel insurance for all of our workshops for that reason.
Fortunately, the recent strains have been fairly mild and most people recover quickly. Preparation and early detection are key to keep the group protected. Keeping everyone healthy is a top priority at TBPW.
What’s next:
Tom and Cree will be heading to the jungles of Borneo and the volcanos of Java for the Indonesia Workshop. Then it is off to Alaska for Northern Lights and the Iditarod. Very different packing for those two workshops!
We are in the middle of teaching our two online classes this week. The topic of Artificial Intelligence has been getting plenty of attention. We want to invite you to attend our next free, online Happy Hour Chat on AI. We will be discussing AI in photography and looking at images modified and or created with AI. The session goes from 5-6 pm Denver MDT on Thursday, January 18. If you are an AI user, you are welcome to submit an image to share for the chat. Send an image or request the Zoom link at creetbp@gmail.com.
Sand not snow!
New Workshops for 2026
We have just started adding new workshops for 2026, including our Louisiana Birds and Bayous. Our Antarctica Workshop is already full with 20 people heading to South Georgia, the Falklands and Antarctica with us. We will be adding more workshops throughout the next few months and encourage you to check back frequently. We hope to post our 2026 Chilkat Eagle Workshop next.
Openings for 2024
Our Upcoming Openings button makes it easier to see which workshops have openings in the short term. We have a few openings in both 2024 and 2025. We look forward to seeing you in the field!
Today is the last day for us to take sign ups for our 2024 Northern Lights and Iditarod Workshop. We have a few open spaces if anyone would like to take advantage of peak northern lights season from February 29- March 8, 2024. Aurora, Alaska and some of the best sled dog photography in the world!
Speaking of Alaska, some of you have heard that Tom and I plan to move back to Palmer, Alaska in the next year. The timing is good for us and we look forward to returning to spectacular wildlife and landscape photography year round. Rest assured that we will be continuing all of our usual domestic and international workshops and perhaps adding a few new ones in Alaska.
We always love hearing from you! creetbp@gmail.com
Tom and I celebrate great images from workshop participants by selecting a Photo of the Month. For December we chose an image taken on our Bosque and White Sands Workshop. The image was taken by Tim Crull during a stunning sunset at Bosque del Apache Wildlife Refuge. Tim is a wildlife and landscape photographer from Indiana and he loves grizzly bears!
Congratulations to December 2023 ‘s featured photographer – Tim Crull
Tim Crull at White Sands National Park
The Story…
When we arrived at the Roosting Pond, there were only a few ducks there. We could hear cranes from a distance and we started to see them flying towards us.
We needed the right sky color. Then we needed the cranes to fly right in front of it.
I began tracking multiple groups of cranes. Sometimes the cranes were not close enough. Othertimes they overlapped and did not look as good. I just kept trying until I got what I wanted. Just keep shooting.
Everything has to come together to get the right shot. I waited until I got an odd number of cranes with just the right separation between them.
Photo of the Month – Trio of Sandhill Cranes by Tim Crull
EXIF Data:
Camera: Canon EOS R5
Lens: 600 mm
Aperture: f4
Shutter: 1/1000 sec
ISO: 500
Mode: Manual, auto ISO
About Photographing in White Sands
I had never been there before. I’ve been to other sand dunes like in Death Valley. The white sand makes it really amazing.
I went two days before the workshop but could not get in early. Going with a workshop means you can get in before sunrise. This makes all the difference in the world.
It’s all about the light there. The sand reflects the different colors in the sky like no where else.
Sunset at White Sands National Park
Tim’s Tips for Photographing at Bosque
Tip 1
You need the right weather. Keep going back until you get it. A sunset with red or orange is what you want.
Tip 2
Shoot a lot. You won’t know the position of the birds and groupings until later.
Tip 3
Practice tracking birds with your camera and lens before you go.
Tip 4
The first day the 600mm felt like it was too much. But that was really all I used for the rest of the trip. The 100-500mm Canon lens was what I used in White Sands, in addition to the 24-105mm
Tip 5
Experiment. Try some slow shutter speeds. I shot the Snow Geese at 1/30th of a second and that was new for me.
Snow Geese at 1/30th second
On Tim’s Horizon:
Bears in Katmai National Park in Alaska
Iceland
Chilkat, Alaska for Bald Eagles
Denali National Park
Northern Lights
Tim at Bosque with his Canon 600mm
Tom and Cree just returned from a family vacation in the jungles and beaches of Mexico. Great to relax and enjoy sunsets with Spotted Eagle Rays swimming by us.
We are finishing up a very successful 2023 year. Thank you to all of you who joined us on trips this year. We hope to see you again in 2024: 2024 Schedule and 2025
Tom and Cree just finished their Bosque and White Sands Workshop and want to share the highlights with you. They traveled with their group to two locations in New Mexico to photograph thousands of birds in flight and capture dazzling pink skies on white gypsum sand dunes. The photos were so good this year, we decided to add another workshop there in 2024..
To see photos from our 2023 Bosque and White Sands Workshop, check out our trip report, click here
What’s New:
This year is the peak of the 11 year cycle for Northern Lights Photography. That means the displays promise to be dazzling for night photographers. Three spaces available on our Northern Lights and Iditarod Workshop in March 2024. Learn more
What’s next:
Tom and Cree will be taking a break for a few days in the jungles of Mexico. They will be at home for the holidays and then working on a few Online Classes for January.
