May 2025: Photographer of the Month

Tom and I celebrate great photos from workshop participants by selecting a Photo of the Month. For May we chose an image from our Monument Valley Workshop. The image was taken by Joan Carroll in Mystery Valley. Joan is a wildlife and landscape photographer from Fort Worth. You can see her work featured on Fine Art America.

Congratulations to May 2025 ‘s featured photographer – Joan Carroll

Joan photographing texture in the sand dunes at the Totem

The Storyโ€ฆ 


That was one place where everyone was all gathered. You pointed it out to us and said it was perfect for forced perspective.

A forced perspective landscape was something I had not done before or even knew about doing. I moved around to get what I thought was the best composition. When I started to develop it, I cropped off part of the bottom. In the Image Review someone else showed a similar photo with the bottom included. I was glad I had cropped mine.

True confessions: I eliminated a tree up on the right side to the right of the green tree. It was a dead tree. It was nice to have the green tree in the composition, but I did not want to have a dead tree in the scene. I used generative fill to remove it.

During the editing process, I had been working on some other photos and I was becoming overwhelmed with the color of the rocks. I decided to try black and white for this photo. I liked the effect right away. I used the Adobe Camera Raw profiles and chose the one with the most contrast. I wanted the edges of the ripples to stand out.

May 2025 Photo of the Month by Joan Carroll

EXIF Data:

Camera: Nikon Z9

Lens: 14-24 mm Nikkor at 15mm

Aperture: f6.3

Shutter: 1/800

ISO: 400

Aperture Priority


About Photographing in Monument Valley


We can’t talk about Monument Valley without talking about the ride up to Hunt’s Mesa. Despite my back issues and the cushion I brought along….I just love that kind of ride up a very rough road. I thought it was great.

I wouldn’t love it so much if I didn’t trust the driver so much. They have driven the road so many times. I assume they know what they are doing. They know how to get up the rocks, when to speed up, when to slow down. It was fun. I liked it.

I enjoyed Carl Phillips. I enjoyed his willingness to share his culture with us without having to be probed. He had great stories to share with us and added a lot of detail. I found the people that we dealt with in the hotel, in the stores, in the restaurant to be very friendly and hospitable. Much more so then what we see in other places in the United States. I found the hospitality to be quite nice.

The land is just spectacular. You cannot really say too much about how beautiful it is. The sunrise shots, the star shots, they were just spectacular.

It was great to get into Honeymoon Cave and see the ruin. It was cooler there and breezy. It was a very peaceful place. When we went up into the cave I had to carry my entire backpack with me. The (Moki) steps going up into the cave where spaced perfectly. After the first 4 steps it was easy.

We did so much on this workshop that I keep forgetting everything that we did.

Anasazi Ruin in Honeymoon Cave

Joan’ s Tips for Landscape Photography in Monument Valley

Tip 1

Stand next to Tom or Cree and see what they are photographing. Sometimes we need a little guidance.

Tip 2

Sometimes when I go places I don’t spend enough time looking for alternatives. I take a photograph and just stay there and photograph it over and over. This time I wanted to walk around and look for nearby places. At one point I found a curving pattern of white on a wall in in Mystery Valley. I was glad I had walked around to find it.

The Totem at sunrise

Tip 3

I hear people talking about not starting to photograph right away but to look at the scene and get a feel for what it is all about and how to approach it. Sometimes we get anxious and just run out and start shooting. I wanted to try this in Monument Valley.

Tip 4

Get the postcard shot but then look for other ways to photograph the landscape. Different angles, shoot with a filter. You can always do better. I need to consciously remind myself to do that.

On Joan’s Horizon:

Grand Teton National Park

Iceland in the summer

Greenland

Greece

Antarctica and South Georgia

Workshop Openings:

Join us in Monument Valley in 2027 Aug 30-Sept 3: Space Available More details

We have two last minute openings for our popular Ouray Fall Color Workshop Sept 28-Oct 2, 2025. Photograph dazzling yellow aspen leaves in the Colorado High Country. Read more

Happy Spring!

Tom and Cree

www.tombolphotoworkshops.com

Trip Report: Monument Valley Photo Tour

Tom and Cree just returned from their Monument Valley Photo Workshop and are sharing the highlights with you. Ten photographers joined us in heart of the Navajo Nation to photograph sweeping desert vistas with colorful buttes and spires. Highlights of the workshop were photographing from Hunt’s Mesa and exploring Mystery Valley.

To see photos from our Monument Valley Photo Workshop, check out the trip report by clicking here

What’s Next: Cree and Tom are traveling to Grand Teton National Park to photograph landscapes, wildlife and the Jackson Rodeo. They will finish the month of June with their very popular Lake Clark Bears Workshop.


Any Upcoming Openings?

Just Added: Alaska Kenai Explorer July 7-12, 2026 Calving glaciers, whales, snow capped mountains, eagles and more. Read details

Join us in Monument Valley in 2027, August 30-September 3, 2027. Four spaces left

Happy Spring!

Tom and Cree

Photo by Joan Carroll

Trip Report: Costa Rica

Tom and Cree just returned from their Costa Rica Workshop and are sharing the highlights with you. Ten photographers joined them in the rainforest of Southern Costa Rica to photograph spectacular mammals, birds and reptiles. Highlights of the workshop were photographing the Fiery-billed Aracari and seeing a Northern Tamadua Anteater.

To see photos from our Costa Rica Rainforest Workshop, check out our trip report by clicking here

What’s Next: Cree and Tom are off to Tucson next week for their Tucson and Saguaro National Park Workshop. They will be joining 10 photographers to photograph the Sonoran Desert and it’s magnificent backlit cacti at sunset.


Any upcoming openings?

Just one space left on our Louisiana Bayous Workshop May 7-11, 2025. Explore the cypress swamps by boat looking for herons, egrets, spoonbills and alligators. Photograph nesting Great Egrets chicks at a private rookery. This trip is already full in 2026.

Ouray Fall Colors : September 28-August 2, 2025 1 Space Available. The best of Colorado’s aspen forests just in time for brilliant yellow foliage.

Enjoy the spring weather!

Tom and Cree

From our balcony at Botanika

Photographer of the Month: March 2025

Tom and I celebrate great images from workshop participants by selecting a Photo of the Month. For March we chose an image taken on our Iditarod and Northern Lights Workshop. The image was taken by Nancy Lehrer on the frozen Chena River at the Fairbanks start to the Iditarod. Nancy is a California street photographer who uses creative inspiration when she tries new genres.

Congratulations to March 2025 ‘s featured photographer – Nancy Lehrer

Nancy on the Chena River in Fairbanks, Alaska

The Storyโ€ฆ 

I looked at my pictures from the ceremonial start two days before and they were lousy. I said, “I have some practicing to do.” In many of the photos the whole bottom part was just snow. The focal patterns weren’t working. It was good practice for the next session.

The first few mushers that came through hadn’t decided where to pass us on the river. We kept running back and forth, from one side of the river to the other. It was just like the 50 yard dash. This was good for me. I had to think about where I wanted to be every time I changed positions.

With each musher going through I got more dialed into figuring it all out. I set up a button for “start tracking” on my Sony and it was finally working for me. By the time Dane Baker came through I was getting more comfortable with the settings. I knew it was Dane Baker because of his big red beard. Cree had told me on the first day to study the line up and learn who was who.

Dane had a great big dog in the front. Most of the dogs came through with their ears back and this dog had it’s ears straight up. That’s the way photography is. If you are working at something, all of the sudden just the right sequence will happen. The dog had the right coloring, his ears were up and he was out in front.

It was the perfect day for this kind of photography. There was never too much direct sun like in Southern California. The sun came out and then clouds would move through and cover everything up. We did not have to deal with high contrast.

We were belly down in the snow. This made it easy to hold a 100-400mm lens. I don’t often shoot with big lenses. We were right next to the tracks from the dog sleds. It wasn’t an outrageously cold day. You could not have asked for a better set -up for first time Iditarod shooter. It felt like we had the place all to ourselves.

March 2025 Photo of the Month by Nancy Lehrer

EXIF Data:

Camera: Sony A7R5

Lens: 100-400 mm

Aperture: f5.6

Shutter: 1/4000

ISO: 1600

Aperture Priority


About Photographing in Alaska in Winter

First of all, it could have been a whole lot colder. If you aren’t from a cold climate, you have to guess what kind of clothing, gloves and shoes will work. The cameras seemed to be just fine in the cold. There used to be a day when cold was an issue for cameras but it is not anymore.

I had been to Northern Japan in the winter the year before. I knew that most of my gear would keep me warm. That was comforting. We were fine. The biggest challenge is trying to move with all the clothing on. You feel less agile.

You have to compensate for the fact that everything is white around you. I ended up using positive exposure compensation on overcast days.

You can’t step off the trail two steps to your right or you will go from hard packed snow to waist deep in the snow. The zoom lens got a little more use for me because of this.

Ice Checkers at the Ice Art Championships in Fairbanks

Nancy s Tips for Photographing the iditarod

Tip 1

I asked myself, “How do I document this activity, that is so unusual”. Most people never see a dog sled race. That was one of the things that was so unique about going to Ruby. We were the only people there who were not locals or involved in setting up the race.

I was surprised about how open the mushers were to us being around them and the dogs even during the race. At first I was afraid to get close and used my zoom lens. I started getting closer and nobody told me to get back. That was surprising to me. They were in the thick of the race but chill about it.

It is a lot like street photography. Be where you want to position yourself. If they are accepting of it, keep doing what you are doing and assume it is going to be okay.

Tip 2

The Mushers’ Gala was the funnest thing I did on the whole trip. I heard from Cree that there would be a Meet & Greet. I thought that it sounded boring so wanted to make it more fun. I wanted them to sign something more personal than an autographed poster. I decided to buy an Instax Camera and have them sign their portraits. It was fun for me. I got a lot of great feedback from the musher when they saw their pictures. They all got a kick out of it.

I am going to make a book out of my photos. The Instax photos will be a big part of it. It is hard to recognize the mushers on the sled aside from things like brainds for Anna Berrington or Dane’s red beard. The Instax photos show them having fun and has details of their faces. They all have big smiles in their portraits.

Nancy’s Photos of Rookie of the Year contenders

Tip 3

Don’t be afraid if you don’t know anything about dogs. I think it helped me experience what was going on around me. I didn’t have pre-conceived notions of how dogs behaved. I didn’t try to pet them. I just noticed what they were doing.

On Nancy’s Horizon:

Japan – Cherry Blossoms

Eastern Europe: Ukraine, Latvia, Poland

China & Russia

What’s coming up?

Where are Tom and Cree? We are at home in Palmer, Alaska after a week full of colorful birds and wildlife in Costa Rica. Next they will be heading to the cactus forests of Tucson, Arizona and then on to South Texas for bird photography.

Workshop Openings?

Join us for the 2026 Iditarod! We have space available. Photograph the Last Great Race and fly into the remote Iditarod Checkpoint of Rainy Pass. Read more

We have one last minute opening for our popular Louisiana Bayous Workshop May 7-11, 2025. Cruise through the cypress swamp on a flat bottom boat photographing beautiful swamp scenes. Photograph Great Egret chicks at a private photo session at a remote rookery. Read more

Happy Spring!

Tom and Cree

www.tombolphotoworkshops.com

Photographer of the Month – February 2025

Tom and I celebrate great images from workshop participants by selecting a Photo of the Month. For February we chose an image taken on our Baja Whales Workshop. The image was taken by Marni Nagy off the coast of Cabo San Lucas in Mexico. Marni is a California photographer who owns a business that makes custom camera straps: Capturing Couture

Congratulations to February 2025 ‘s featured photographer – Marni Nagy

Marni at San Ignacio Lagoon

The Storyโ€ฆ 

For this image I had my 150-600 lens all the way out. A guy named Bertrand was in the front of the boat and would not move. So I moved to the left side of the boat. The whale jumped another time right before the picture that I got. It was wavy and bumpy. I found it was easier to stabilize the camera shooting from the side of the boat.

It was dumb luck to get the boat in there. With wildlife photography you are just lucky most of the time.

I was shooting pretty quick. Tom had us up at over 4000th of a second for shutter speed. It was pretty sunny, so ISO was not a problem.

The boat gives the breach context and scale. In my new job I am always asking my media folks to give me more context. They submit close up images of race cars. I always want to see the track or something in the background for context.

February 2025 Photo of the Month by Marni Nagy

EXIF Data:

Camera: Nikon D850

Lens: Sigma 180-600

Aperture: f6.3

Shutter: 1/5000

ISO: 4100


About Photographing in Baja

Baja was great. Whales galore. The whales were so close that they filled the frame. It was hard to get context because we were so close.

There were some behaviors that I did not even know I wanted to get. I was very happy to get a shot of the “golden rainbow” feeding behavior that creates a rainbow when the whale spouts.

The Sea of Cortez side was all about the different kinds of animals. I had never seen dolphins like that, They were small and black with stubby little noses.

The sealions had so many expressive faces. I took photos of everything we saw: Great Blue Herons, kingfishers, jellyfish. The sea lions had the most personality of all.

I always have a bit of gear envy on these trips. Most people had the new stuff. I was super impressed with the quality of the images from my Nikon d850. After holding it up for so long shooting whales, I started to think about how to create a small tripod support system to help with the weight. A mono pod might have helped.

I was sceptical that we would really get to pet the whales. On the second day we were headed back. The boat slowed down. Everyone was saying “Come on, come on.” The whale turned around and came to out boat. It was just magical. We all willed the whale to come over.

When I photographed the Blue Footed Boobies, they were getting bounce light off of the bird poop on the rock. It made everything really bright. I waited until the birds were doing something interesting with their heads. That was my first time photographing Blue-footed Boobies. They have weird little eyes. They look a bit creepy and have interesting feathers.

Blue-footed Boobies

Marni’ s Tips for Photographing in Baja

Tip 1

Sunscreen.

Tip 2

The shots I like the most are the images with some background in them. I was on a workshop once with Joe McNally and he said, “Take a picture that can’t be shot in a zoo”. A whale with the Baja coastline in the background is definitely not from the zoo

Tip 3

Don’t throw anything away. I didn’t lock the pelican shot in the camera. It was brighter int he camera and I brought the exposure down in Lightroom. It was the shape of the water that made the shot for me.

Brown Pelican on the Sea of Cortez

On Marni’s Horizon:

Patagonia

Iceland

Finland

Galapagos

What’s coming up?

Happy Hour: Winter Image Celebration – Join Tom and Cree on March 19 at 6 pm MDT Denver time to see what everyone has been shooting lately. Submit your 3 favorite images from this winter and settle in for a photo expo. Click here to ask for the link

Where are Tom and Cree? They are in Alaska right now photographing in the arctic. The weather looks good and aurora activity should be high this week. Next up they will be heading to Costa Rica with 12 photographers to explore the rainforest and photograph sloths, monkeys and macaws.

Workshop Openings?

Last minute opening for Louisiana Bayous, just one space May 7-11, 2025 also just one space left for August 22-29, 2025 Greenland.

Hope to see you at the Image Celebration!

Tom and Cree

www.tombolphotoworkshops.com

Baja Whale Workshop: Trip Report

Tom and Cree just returned from their Baja Whale Workshop and are sharing the highlights with you. Nine photographers joined them on the Sea of Cortez and San Ignacio Lagoon to photograph Blue Whales, Gray Whales, Humpback Whales, dolphin and plenty of seabirds. The experience of touching a wild whale and being so close to them was a highlight of the workshop.

To see photos from our Baja Whale Workshop, check out our trip report by clicking here

What’s Next: Cree and Tom are headed off to photograph the Iditarod Sled Dog Race and to look for Northern Lights in Fairbanks, Alaska. Our group will be flying into Ruby, Alaska this year to see the race in progress.

Image Celebration: Winter Images – please join us for our next Happy Hour Image Celebration. This is your chance to show 3 of your recent images from this winter. March 19 at 6 pm MDT Denver. Click here to request the Zoom link. Feel free to invite all your friends and fellow photographers as well!


Any upcoming openings?

A space just opened: Louisiana Bayous May 7-11, 2025

Ouray Fall Colors : September 28-August 2, 2025 4 Spaces Available

Have a wonderful winter!

Tom and Cree

Finland Photo Tour: Trip Report

Tom and Cree just returned from Finland and their Finland: Winter Magic Workshop and are sharing the highlights with you. Eleven photographers joined them in Finnish Lapland to photograph aurora at night and to explore the Finnish forest during the day. The dazzling aurora displays and novel modes of transportation were highlights of the workshop.

To see photos from our Finland Winter Magic Photo Workshop, check out our trip report by clicking here

What’s Next: Cree and Tom are headed to Baja to photograph whales and sea life leaping out of the water. A highlight is sure to be touching Gray Whales from our small fishing boat.

Aurora Photography: Free Zoom Presentation – please join us for our next Happy Hour talk on Aurora Photography. Tom and Cree will walk you through all the settings, gear and techniques for capturing the aurora. February 11 at 6 pm MST Denver. Click here for the Zoom link. Feel free to invite all your friends and fellow photographers as well!


Any upcoming openings?

A space just opened: Louisiana Bayous May 7-11, 2025

Two spaces available: Greenland Disko Bay August 22-29, 2025

We hope you are enjoying your winter where ever you are!

Tom and Cree

Trip Report: Bosque & White Sands

Tom and Cree just returned from New Mexico from their Bosque and White Sands Photo Workshop and are sharing the highlights with you. They joined two groups of 10 photographers to photograph otherworldly landscapes flocks of waterfowl in flight. The stunning sunsets and ample opportunities to perfect “birds in flight” techniques were both favorites of the tour.

To see photos from our Bosque and White Sands Photo Workshop, check out our trip report by clicking here

What’s Next:

Cree and Tom will be celebrating the Holidays in Palmer, Alaska with their son Skyler. There will likely be some birding outings and hopefully some opportunities to photograph Northern Lights.

Image Celebration: Best of 2024 – You are all invited to this annual event! Join Tom and Cree online for a free celebration of everyone’s top 1 or 2 images from 2024. January 10 at 6 pm MST Denver. Send in your best one or two images for 2024 and be ready to share details. Contact us for the link. This will be recorded and available afterwards.


Any upcoming openings?

By popular demand we are offering two online PhotoShop classes from January 6-10. A few spaces open on each. Here are all the details

Two of our 2025 Workshops have openings.

Two spaces just became available for our popular Costa Rica Rainforest Workshop – March 22-29, 2025. This is also a wonderful option for non-photographer spouses or friends. Read More

Three spaces are available for our Spring Warblers Workshop May 13-20. This once only workshop is perfect for bird photographers in one of the best places for spring warblers in the US.

Warmest wishes for a wonderful holiday season with friends, family and loved ones!

Tom and Cree

Photo of the Month – October 2024

Tom and I celebrate great images from workshop participants by selecting a Photo of the Month. For October we chose an image taken on our Route 66 West Workshop. The image was taken by Scott Harrison while photographing at the Enchanted Trails RV Park outside of Albuquerque. Scott is an editorial photographer who enjoys photographing in color, Infrared and Black and White. He can be found on both Facebook and Instagram as harrysonpics.

Congratulations to October 2024 ‘s featured photographer – Scott Harrison

Scott in the Seaba Motorcycle Museum in Warwick, Oklahoma

The Storyโ€ฆ 

I just started photographing several scenes of vintage trailers. To make it look more like an Infrared image I decided to include trees. Trees turn white in Infrared photography. I even forget what color the car was in the original. Processing in infrared turned it to orange.

Processing is what really creates the color for infrared. I purchased a few profiles that I use in Lightroom for my infrared images. This allows me to select whichever channel color swap I want when processing. I created a YouTube video on Infrared Basics for the Thousand Oaks Camera Group and you can access it here

I started working with Infrared 3 years ago. Now I am on my second converted Infrared camera. I got started by using an Infrared filter on my iphone. I used it to photograph missions in California. I used an iphone tripod because the exposures are 30-60 seconds long.

October 2024 Photo of the Month by Scott Harrison

With the image of the trailer, I wanted to emphasize the color in the trees. I often shoot superwide with Infrared to include vegetation. To make infrared photos pop, I photograph the subject with trees surrounding it.

EXIF Data:

Camera: Canon EOS RP

Lens: Canon 16mm 2.8

Aperture: f6.3

Shutter: 1/400th

ISO: 160


Scott’s Tips for Photographing on Route 66

Tip 1

Quite often when you meet someone you only have time to take a few pictures. I followed Barb into the Meat Market in Erick, OK and I asked the owner if I could take a photo. I took two frames and he asked us to leave. I often use shutter priority when I shoot indoors

Route 66 portrait from Erick, Oklahoma

Tip 2

I want to tell a story with my images. My idea in the long run is to create a book. I mix in people, objects, close ups, mid-range, long-range, a bit of everything.

Tip 3

Use a variety of lenses. I carry two cameras to have more lenses available.

Tip 4

I hate using tripods. It seems too restricting.

Tip 5

Pick up a camera every day. Join your local camera club to learn. Join the competitions. It will improve your photography. Photography is a great hobby for retirees.

Painted Desert Inn in Petrified Forest National Park

About Photographing on Route 66

I love history and Americana. On Route 66 you are going to see all sorts of signs, vehicles, museums, interesting people. It gives you an understanding of how America developed.

My favorite parts are Arizona and New Mexico. Every town you go to has tourist attractions that are fun to photograph. You also see small towns that are suffering economically. Seligman in Arizona brings tourists in by the busload. But one block away there are houses that are 50 years old and abandoned areas. You see that all along Route 66.

My dad’s family lived in western Nebraska. Twice in the 1930’s they went to Los Angeles to look for work. I think they must have gone down through Denver to Albuquerque and then along Route 66 to LA. This was the dust bowl era. I have a personal family connection to Route 66.

Lily at the Route 66 Diner in Albuquerque

On Scott’s Horizon:

Tucson, Arizona

New England, especially Boston

Pinnacles National Park

Alaska Eagles or Bears

Scott in Winslow, Arizona

What’s up with Tom and Cree?

Tom and Cree will be traveling in Moab, Utah with a workshop group and then heading to Haines, Alaska to photograph eagles as a personal project. Leave us an email if you need anything and we will do our best to respond as soon as we can.

Interested in an upcoming workshop? Check out of Upcoming Openings page

Happy Trails!

Tom and Cree

www.tombolphotoworkshops.com

Photo of the Month August 2024

Tom and I celebrate great images from workshop participants by selecting a Photo of the Month. For August we chose an image taken on our Katmai Bears Workshop. The image was taken by William Janssen while photographing brown bears in a remote part of Katmai National Park in Alaska. William is a wildlife photographer from Canada and has a strong fondness for bears.

Congratulations to July 2024 ‘s featured photographer – William Janssen

Photographer William Janssen

The Storyโ€ฆ 

We were all watching the mother with her cubs fishing. She lifted up her head and noticed something in the water. I knew she saw something. I anticipated that she was going to go after a fish. I was on Nikon 3D auto focus mode and decided to stay with that.

Photo of the Month – August 2024

As she brought up her left paw I made the decision to follow her with animal detect mode turned on. She went into a full trot right towards us in the stream. I took 30 images of her going after the salmon. She ended up catching it and I also got a few frames with the sockeye in her mouth ( image below).

Brown Bear with Sockeye Salmon

We all had slightly different angles. Annette caught the bear in full pounce. We were all shooting at 20 frames a second but have different final results.

I chose this image from the series because the tail fin of the sockeye really shows up. I also liked the splashing in the water and the catch light in her eye. I found that in the images where she is diving into the water the amount of splash dominated the scene. In this image there was just enough splash and the fish stands out.

EXIF Data:

Camera: Nikon Z9

Lens: Nikon Z series 100-400 mm with 1.4 teleconverter

Aperture: f8

Shutter: 1/4000 second

ISO: 1250

Mode: Manual with Auto ISO


In the image below I really wanted to capture a bear from a lower angle. I had the camera’s collar turned around and the live view screen puled out and turned on. I could look down at the screen and hold the lens about six inches from water level. I was sitting in the water right next to the dead salmon. I was shooting with the auto focus mode in animal detection mode. Fortunately the image was really level. You can see the blood on its mouth, where it had just finished eating a fish.

About Photographing in Katmai National Park

This was exhilarating to be so close to the bears. We were very deliberate about our approach. We observed them and saw which way they were traveling and then the guide decided where we would position and sit down. This method helped us be around the bears without impacting their behaviour.

Brooks Camp felt awfully commercial with boardwalks and viewing platforms. It seemed more like a tourist attraction. When we were in remote Katmai National Park all of that was gone. You land on a lake and walk a few kilometers to a bluff.

On the way we saw ptarmigan and bears lying on the tundra. As Tom says, “Katmai is the land of the happy bears”. They do not see the people as a threat because of the way that the groups approach them. I would not be on the trip if I didn’t feel it was safe.

This was a very bear oriented trip. Some of my other bear photography trips involved many other species like marine mammals, Bald Eagles, sealions, harbor seals. We focused just on brown bears.

It far exceeded any expectations I had.

William’s Tips for Bear Photography

Tip 1

I am used to being in close proximity to animals. Trust your workshop leaders. Try to pick up as many tips as possible and try new techniques. On this workshop, I switched to manual mode from always shooting in aperture priorty. I practiced at home with red fox kits. Using manual mode gave me better control of the ISO

Tip 2

Use your exposure compensation button even when shooting in manual with auto ISO. I started using it more on the second day of the workshop and it helps with correct water exposure and backlighting.

Tip 3

Try to stay calm. I get excited every time. Maintain focus. Check your settings and review images even if you are excited.

Tip 4

I ended up with over 15 thousand images because I shot at a frame rate of 20 frames per second for the whole trip. Don’t be afraid to fill your cards.

On William’s Horizon:

Khutzeymateen Grizzly Bear Sanctuary in Canada

Gray Wolves on Vancouver Island

Alaska Black Bears

Great Bear Rainforest Komode Bear

Katmai Brown Bears – Rafting

William at Lake Iliamna, Alaska

Want to join us in Katmai National Park for Bear Photography in 2026? We will be rafting to where the bears are. August 28-Sept 2, 2026 Read more

Ready to join us before then? We have space on one of our most popular stretches of Route 66. Use speed lights to illuminate classic cars, sleep in a WigWam and join us “standing on a corner in Winslow, Arizona.”

Route 66: Albuquerque to Winslow, Arizona from Oct 23-27, 2024 Learn more

Happy Trails!

Tom and Cree

www.tombolphotoworkshops.com