Tom just returned from the Iceland: Puffins and Waterfalls and we are sharing the highlights with you. Tom led a group of photographers to the coast and the Highlands of Iceland to capture both wildlife and landscape images. Highlights of the workshop were the abundance of puffin on Grimsey Island and the variety of waterfalls all over Iceland.
To see photos from our Iceland: Puffins and Waterfalls Workshop, check out the trip report by clicking here
What’s Next: Tom will be heading to Greenland with two groups of photographers to photograph dramatic icebergs and Humpback Whales in the middle of August. Cree will be back home working on the schedule for 2028. Where would you like to go in 2028? Let us know
Our Iditarod Workshop for 2026 is starting to fill up. Photograph Northern Lights and the Last Great Race during the best month for winter photography in Alaska. Rental packets available for warm clothing and boots Read more
Our new workshop Alaska Kenai Explorer has space available: July 7-12, 2026 Calving glaciers, whales, snow capped mountains, eagles and more. This is a workshop with easy walking. Read details
Tom and Cree just returned from their Tetons Photo Workshop and are sharing the highlights with you. Nine photographers joined us in Grand Teton National Park to photograph rugged, snow capped peaks and surrounding fields of flowers. Highlights of the workshop were photographing a mother moose and her calf and going to the Jackson Rodeo.
To see photos from our Tetons PhotoWorkshop, check out the trip report by clicking here
What’s Next: Cree and Tom are traveling to Lake Clark National Park to photograph lBrown Bears in Alaska. This continues to be one of our most popular workshops. We hope to find spring cubs this year and watch a rematch of ping pong between Tom and David the lodge owner!
Our new workshop Alaska Kenai Explorer has space available! July 7-12, 2026 Calving glaciers, whales, snow capped mountains, eagles and more. Read details
Our Iditarod Workshop for 2026 is starting to fill up. Photograph Northern Lights and the Last Great Race during the best month for winter photography in Alaska. Read more
Tom and I celebrate great photos from workshop participants by selecting a Photo of the Month. For May we chose an image from our Monument Valley Workshop. The image was taken by Joan Carroll in Mystery Valley. Joan is a wildlife and landscape photographer from Fort Worth. You can see her work featured on Fine Art America.
Congratulations to May 2025 ‘s featured photographer – Joan Carroll
Joan photographing texture in the sand dunes at the Totem
The Story…
That was one place where everyone was all gathered. You pointed it out to us and said it was perfect for forced perspective.
A forced perspective landscape was something I had not done before or even knew about doing. I moved around to get what I thought was the best composition. When I started to develop it, I cropped off part of the bottom. In the Image Review someone else showed a similar photo with the bottom included. I was glad I had cropped mine.
True confessions: I eliminated a tree up on the right side to the right of the green tree. It was a dead tree. It was nice to have the green tree in the composition, but I did not want to have a dead tree in the scene. I used generative fill to remove it.
During the editing process, I had been working on some other photos and I was becoming overwhelmed with the color of the rocks. I decided to try black and white for this photo. I liked the effect right away. I used the Adobe Camera Raw profiles and chose the one with the most contrast. I wanted the edges of the ripples to stand out.
May 2025 Photo of the Month by Joan Carroll
EXIF Data:
Camera: Nikon Z9
Lens: 14-24 mm Nikkor at 15mm
Aperture: f6.3
Shutter: 1/800
ISO: 400
Aperture Priority
About Photographing in Monument Valley
We can’t talk about Monument Valley without talking about the ride up to Hunt’s Mesa. Despite my back issues and the cushion I brought along….I just love that kind of ride up a very rough road. I thought it was great.
I wouldn’t love it so much if I didn’t trust the driver so much. They have driven the road so many times. I assume they know what they are doing. They know how to get up the rocks, when to speed up, when to slow down. It was fun. I liked it.
I enjoyed Carl Phillips. I enjoyed his willingness to share his culture with us without having to be probed. He had great stories to share with us and added a lot of detail. I found the people that we dealt with in the hotel, in the stores, in the restaurant to be very friendly and hospitable. Much more so then what we see in other places in the United States. I found the hospitality to be quite nice.
The land is just spectacular. You cannot really say too much about how beautiful it is. The sunrise shots, the star shots, they were just spectacular.
It was great to get into Honeymoon Cave and see the ruin. It was cooler there and breezy. It was a very peaceful place. When we went up into the cave I had to carry my entire backpack with me. The (Moki) steps going up into the cave where spaced perfectly. After the first 4 steps it was easy.
We did so much on this workshop that I keep forgetting everything that we did.
Anasazi Ruin in Honeymoon Cave
Joan’ s Tips for Landscape Photographyin Monument Valley
Tip 1
Stand next to Tom or Cree and see what they are photographing. Sometimes we need a little guidance.
Tip 2
Sometimes when I go places I don’t spend enough time looking for alternatives. I take a photograph and just stay there and photograph it over and over. This time I wanted to walk around and look for nearby places. At one point I found a curving pattern of white on a wall in in Mystery Valley. I was glad I had walked around to find it.
The Totem at sunrise
Tip 3
I hear people talking about not starting to photograph right away but to look at the scene and get a feel for what it is all about and how to approach it. Sometimes we get anxious and just run out and start shooting. I wanted to try this in Monument Valley.
Tip 4
Get the postcard shot but then look for other ways to photograph the landscape. Different angles, shoot with a filter. You can always do better. I need to consciously remind myself to do that.
On Joan’s Horizon:
Grand Teton National Park
Iceland in the summer
Greenland
Greece
Antarctica and South Georgia
Workshop Openings:
Join us in Monument Valley in 2027 Aug 30-Sept 3: Space Available More details
We have two last minute openings for our popular Ouray Fall Color Workshop Sept 28-Oct 2, 2025. Photograph dazzling yellow aspen leaves in the Colorado High Country. Read more
Tom and Cree just returned from their Monument Valley Photo Workshop and are sharing the highlights with you. Ten photographers joined us in heart of the Navajo Nation to photograph sweeping desert vistas with colorful buttes and spires. Highlights of the workshop were photographing from Hunt’s Mesa and exploring Mystery Valley.
To see photos from our Monument Valley PhotoWorkshop, check out the trip report by clicking here
What’s Next: Cree and Tom are traveling to Grand Teton National Park to photograph landscapes, wildlife and the Jackson Rodeo. They will finish the month of June with their very popular Lake Clark Bears Workshop.
Tom and Cree just returned from their Louisiana Bayous Workshop and are sharing the highlights with you. Eight photographers joined us in heart of Cajun Country to photograph moody Bald Cypress, alligators and a variety of wading birds. Highlights of the workshop were photographing in fog and seeing so much wildlife.
To see photos from our Louisiana BayousWorkshop, check out our trip report by clicking here
What’s Next: Cree and Tom are Ohio with a small group of photographers photographing the spring Warbler Migration. They will finish the month with a landscape workshop in Monument Valley.
Any upcoming openings?
Just Added: Alaska Kenai Explorer July7-12, 2026 Calving glaciers, whales, snow capped mountains, eagles and more. Read details
Also in Alaska: Travel to Alaska next March and photograph the Last Great Race – the Iditarod Sled Dog Race. Photographers will learn to mush a sled, photograph dogs in action and wait for aurora to light up the sky at night. A true Alaska Adventure. Read More
Tom and Cree just returned from their Tucson & Saguaro National Park Workshop and are sharing the highlights with you. Ten photographers joined them in the Sonoran Desert to photograph landscapes, cactus, birds and blossoms. Highlights of the workshop were photographing backlit cactus at dawn and seeing so many desert birds at our blind.
To see photos from our Tucson & Saguaro National Park Workshop, check out our trip report by clicking here
What’s Next: Cree and Tom are off to Texas next week for their Texas Birds in Spring Workshop. They will be joining 8 photographers to photograph rare south Texas birds like Green Jays, Pyrhuloxia and Bobwhite Quail.
Any upcoming openings?
Just one space left on our Louisiana Bayous Workshop May 7-11, 2025. Explore the cypress swamps by boat looking for herons, egrets, spoonbills and alligators. Photograph nesting Great Egrets chicks at a private rookery. This trip is already full in 2026.
Ouray Fall Colors : September 28-August 2, 2025 1 Space Available. The best of Colorado’s aspen forests just in time for brilliant yellow foliage.
Tom and I celebrate great images from workshop participants by selecting a Photo of the Month. For January we chose an image taken on our Bosque and White Sands Workshop. The image was taken by Ellie Burns-Brookens while photographing the “Blast Off” at Bosque Del Apache NWR. Ellie is a landscape photographer from Oregon who is quickly becoming a wildlife photographer as well.
Congratulations to January 2025 ‘s featured photographer – Ellie Burns-Brookens
Ellie in White Sands National Park
The Story…
I don’t shoot birds very well. We had a practice session where we were just learning about our equipment. I knew I needed help getting the right settings. Steve Glass helped me get the right Canon settings. Tom did a presentation that showed us what we were looking for with birds in flight. Tom’s hints included light coming through feathers, groups of birds and specific behavious. That helped me understand the goals.
I knew that I needed to just see those situations and shoot. With landscape photography I take my time and try different compositions. The pace is much faster with wildlife photography.
We shot for quite a while that morning. I started by taking close up photos of Snow Geese. I tried to capture bird behaviour and then started working on birds that were taking off and landing.
Tom often starts yelling random things. He said “Try to get them flying through the sun”. This made no sense to me in the beginning. I was wondering “What exposure should I use?” “How do i do this?” Then I just started looking for groups of geese flying through the sun. I kept tracking them and pushing the shutter.
January 2025 Photo of the Month by Ellie Burns-Brookens
In this photo, I loved the silhouettes, especially the one with the tattered wing. In order for me to be successful with this king of shooting, I needed a combination of knowing when to start shooting and knowing what to looking for. Normally, I would never have shot into the sun without Tom’s hint. A tiny bit of skill, Some luck. And the right suggestion at the right time.
Now I am in Hawaii shooting albatross in flight….very hard! I feel like I know what I am looking for. The camera is behaving. I feel like I have learned a lot. It will be a long time before I feel like I am really good at it.
I am using Photo Mechanic now to go through all my new bird images. This is the least edited photo I have ever done. It was all in the camera. I added a slight vignette and brought down the highlights.
Okay…..I guess you can shoot into the sun.
EXIF Data:
Camera: Canon R6
Lens: Canon RF 100-500 at 500mm
Aperture: f7.1
Shutter: 1/1250
ISO: 100
Mode: Manual, Auto ISO
Sunset with Sandhill Cranes at Bernardo Refuge
About Photographing in Bosque
I learned a lot more about wildlife photography. The last time I shot birds was in Patagonia and they were condors with 9 ft wing spans.
The colors in Bosque are stunning in the sky. You have beautiful light for the background to the wildlife.
We knew the geese and cranes would be coming to certain areas for roosting at night and take off in the morning. The ponds are managed for that. The wildlife is so abundant that you get a chance to practice a lot. There are so many behaviors to see. Combine that with incredible skies and it is just magical.
I didn’t realize the Sandhill Cranes were so colorful. They are quirky birds that make weird gestures. They move their necks in funny ways. They are very different from other birds that I have photographed.
I love the feeling and the noise when all the cranes come in at once. You can hear them coming from a long way off. It is very exciting. I didn’t think bird photography would be so exciting.
About Photographing in New Mexico
I loved photographing in White Sands. It felt a lot like photographing in the Palouse. I practiced looking for shape and light. This was different for me as a landscape photographer. I was looking forward to that.
I did a workshop in the Palouse and for the first few days I could not see it. I could not see the shapes and lines. This came back to me when we were in White Sands. I was always looking for beautiful opportunities with layers and V shapes. Intersecting lines and curves. The intersecting layers reached all the way to the mountains and it was so pretty.
The other thing that was available was finding a single standout subject, like the yucca, to contrast to the sea of shapes and color. I tried to keep it very simplistic. I used my telephoto and made sure I had just a few layers in the foreground. I put the yucca on the right on purpose to balance out the hills on the left.
Landscape in White Sands National Park
Ellie’s Tips for Photographing in New Mexico
Tip 1
Go with Tom and Cree. They know the locations and the bird behavior. It is the perfect workshop to learn to shoot birds in flight. I could never have done it on my own. I knew what to look for and had plenty of time to practice in the field.
Tip 2
I was amazed at the colors. I love lenticular clouds. I have never seen a bright orange lenticular cloud like that before. In White Sands, the sand reflects the beautiful color of the clouds. I don’t know of any other place where the light is like the light in New Mexico.
Tip 3
These are great locations for trying new creative techniques. Sometimes you get stuck in a photography rut and want to be more creative. These are great places to try thinking differently. Shoot flying things flying through the sun. Shooting shapes and simplicity in the dunes. This workshop got me jazzed up again. I am inspired to try more new things.
Sandhill Crane Behaviour in Bosque NWR
On Ellie’s Horizon:
Iceland
Botswana – first time to Africa
Ireland and Scotland
Orkney and Shetland Islands
Ellie photographing the Blast Off in Bosque NWR
What’s coming up?
Happy Hour: All About Aurora – Join Tom and Cree for a free online presentation on photographing the Aurora. February 11 at 6 pm MST Denver time. Click here to ask for the link
Where are Tom and Cree? We are headed to Finland for a Northern Lights Workshop and then on to Baja to photograph whales with a group. Both temperature extremes on these two workshops
Workshop Openings? Interested in photographing whales and iceburgs in Greenland? One space just opened in August. We also have openings for Costa Rica and Spring Warblers in 2025.
Tom and I celebrate great images from workshop participants by selecting a Photo of the Month. For November we chose an image taken on our Arches and Canyonlands Workshop. The image was taken by SaraLynn Lehner and edited by her husband Dave Lehner while photographing at the Garden of Eden in Arches National Park. Dave and Saralynn are wildlife and landscape photographers from Colorado Springs.
Congratulations to November 2024 ‘s featured photographer – Saralynn and Dave Lehner
Saralynn and Dave in Castle Valley, Utah
The Story…
Saralynn: It took my breath away. I am not normally a person who likes deserts. I was thinking this scene is magnificent. How do I record this to capture the feeling after we leave?
I wanted to be sure I had my settings right. I am still learning the camera. I tried different apertures. I was thinking about exposure comp and asked myself “Do I want it lighter or darker?” Because I get so easily excitable, I had to think about my breathing. I was hand holding the camera and wanted to be still, so I took some deep breaths.
I took a whole bunch of photos. I moved to the left to get the arch in the frame. I felt very satisfied that I got it. I played with a variety of settings to make sure I captured the scene just right.
In the past I have not used my playback enough. On this trip I used playback all the time. I was walking back to the car and saw some tourists from India. They asked what we were photographing and I showed them my camera back. They said, “Oh my gosh, that looks like a painting.” That’s when I knew I really got it.
November 2024 Photo of the Month by Saralynn Lehner
Dave: I like using just one tool to edit. I found PhotoShop much easier to use than Lightroom and it really meets my needs. The editing was pretty straight forward. I masked the sky separately from the mountains. I brought the whites down a bit in the landscape because the mountains and clouds were bright. I added texture to the red rocks. This brought out some of the lines in the rocks.
I did a very minimal edit on the color. I did not want to effect the pink sky because Saralynn really captured it. I did not want to lose any of the red orange on the rocks. I really just stuck to changing the textures in the scene. I did remove a few minor road signs.
EXIF Data:
Camera: Nikon Z8
Lens: Nikon 100-400 at 360mm
Aperture: f5.6
Shutter: 1/320th
ISO: 640
Mode: Aperture
The Garden of Eden in Arches National Park by Saralynn Lehner
About Photographing in Arches and Canyonlands
Saralynn – I loved it. I was so surprised at how beautiful the rocks and the arches were. This was especially so when the sun came out. Monument Valley was beautiful too. Arches had so much more. There were formations all over the place and the snowy background added to it. I fell in love with Moab. It surprised me.
Dave – This was my third time going to Arches. I have always been impressed with the arches and the sky behind the arches. The highlight of this trip was the recent snow on the LaSals.. They looked so crisp and clean. They looked like they were on a Coors Lite commercial.
Saralynn – We have plans to go back in late February or early March. You could spend so much time in the park and it is only 8 hours from our house. You can shoot the formations from so many different angles. We want to spend some time at Delicate Arch and Double Arch.
Dave – Mesa Arch was on my wishlist and we nailed it. I loved our angle on the right side of the arch.
Mesa Arch at Sunrise by Saralynn Lehner
Lehner Tips for Photographing in the Utah Desert
Tip 1 Saralynn
Include the iconic features. It donned on me that I was taking so many photos and yet, I did not have any of the arches in them. The snow on the LaSals and the sun distracted me. I took two steps to the left and was able to include the Turret Arch in the image.
Tip 2 Dave
Walking down the road just a bit will really change the perspective on the scene. Walk up the road and then walk in the opposite direction. Going the other direction will bring other opportunities. Keep looking for images as you walk.
Tip 3 Dave
Every day is different with the weather in November. It was a blessing for us. It gave us new opportunities every day. ND filters can add a moody element to changing weather.
Tip 4 Saralynn
When other people are photographing from a different spot, walk over and see if there is something there. Maybe they are seeing something different. Keep an open mind to others’ point of view.
On Team Lehner’s Horizon:
Bosque & White Sands National Park
Tucson & Saguaro National Park
Iceland
Redwoods National Park
Ouray, Colorado
Acadia National Park
Vietnam
Team Lehner in action
What’s coming up?
Bol Holiday Gift Guide – Everyone welcome! Join Tom and Cree online for our free annual gift recommendations for photographers. December 1, 2024 at 4 pm MDT Denver. Click here to get the free link.
Tom and Cree are headed to Bosque del Apache and White Sands National Park next. A last minute space opened up on the Dec 8-12 workshop if you would like to join them Click here for details.
Tom and Cree just returned from the Utah Desert for their Arches and Canyonlands Photo Workshop and are sharing the highlights with you. They joined a group of 10 photographers to photograph landscapes with stunning red rock formations. The variable weather, night sky shoot and morning light at Mesa Arch were all favorites of the tour.
To see photos from our Arches and Canyonlands Workshop, check out our trip report by clicking here
What’s Next:
Cree and Tom are taking a few weeks off to photograph eagles in Haines, Alaska. They will be driving over and looking for moose and northern lights along the way. Keep an eye on Facebook and Instagram for updates. We will do our best to answer your emails as soon as possible.
Any upcoming openings?
Two spaces just became available for our popular Costa Rica Rainforest Workshop – March 22-29, 2025. Photograph sloths, Scarlet Macaws and four types of monkeys. Read More
Tom and Cree just finished their Monument Valley Workshop and are sharing the highlights with you. They joined 10 photographers on a 4 day exploration of Monument Valley on the Navajo Nation. The variety of photography and inspiring vistas were highlights for everyone.
To see photos from our Monument Valley Workshop, check out our trip report by clicking here
What’s new:
We will be heading to Africa for the great migration next. Our tent camp is located right on the Mara River where all of the action is. After leaving Kenya, Cree is headed to Scotland to hike the highlands with family. Tom is headed back to Alaska to capture fall aurora in his favorite places.
We will be in remote places for the next few weeks and it may be a bit harder to contact us. We will do our best to respond as soon as we can. Thanks for your patience!
Any upcoming openings?
Route 66 Albuquerque to Winslow: Oct 23-27, 2024 Read more Photograph iconic locations like the WigWam Motel, Route 66 Diner, and Petrified Forest National Park. Learn more about using a speed light to add color and creativity to your images.
We are starting to fill our 2026 Workshops. If something is full and you want to join the waitlist, just send us a message from our Contact Page
