At Tom Bol Photo Workshops, we celebrate great images created on our workshops by selecting a Photo of the Month. For May we chose an image from our Louisiana Birds and Bayous Workshop created by Nancy Lehrer. Nancy is primarily a street photographer. She signed up for this workshop to learn more about wildlife and bird photography. We hope you enjoy Nancy’s images as much as we do!
Congratulations to May 2023 ‘s featured photographer – Nancy Lehrer
The Story…
We were heading towards an alligator on the boat. I heard Tom yell, “Look at the light, look at the light.”
In that part of the swamp there was less moss. It seemed like there were two parts to the swamp. There were light green, mossy parts and then there were these dark green and brown parts. When we arrived in this spot I had not seen the dark green part before.
I was trying to get the reflections and the floating algae. I shot about 20 frames, but the focus wasn’t right. I focused on the reflection and not on the plants. I decided to try a wider angle lens instead. I grabbed my 24-105 mm lens. I wanted to capture the feeling of a bowl. Wide angle images give more of a fisheye feeling. I wanted the feeling of a lake in front of the trees.
I didn’t put the tops of the trees in the image because they are in the sun light. It would be too much contrast with the understory. By focusing on the reflection, the viewer can see the sky in the reflection on the water. I also wanted to capture the side lighting that brought out the yellow tones on the trees
May 2023 Photo of the Month
EXIF Data:
Camera: Sony A7 R5
Lens: 24-105mm f4
ISO: 640
Shutter Speed: 1/125 sec
Aperture: f/9
Shooting Mode: Aperture Priority
Shot at 30mm, handheld
Great Blue Heron taking flight
About Photographing in Louisiana’s Swamps
I am really not a wildlife or landscape photographer. I found that photographing in the swamp was very much like doing street photography. The actors were the animals. We were gliding on the boat like I’d be walking down the street, very slowly.
It was very peaceful in the swamp. The animals were in their habitat. I found myself just looking around for animals, birds, turtles, alligators.
Great Egret feeds chicks in a mixed wader rookery
Nancy’s Tips for Bird Photography
Get a camera that has really good Auto Focus. I rented a Sony A7 R5 for this trip and it made a big difference.
Using a monopod really helped me be stable. It meant I didn’t have to worry about fatigue. I practiced with it at home on the birds in the backyard.
Be a good motion detector. Look for motion and then follow the bird.
Look for birds that are stationary and getting ready to take off. That’s the only way I can count on getting birds in flight.
Connect the bird to the landscape. It’s just like street photography. The background should tell a story.
Watch the behaviors. Keep shooting different behaviors and decide later which is the best image.
Louisiana has more alligators than any where else in the world
On Nancy’s Horizon:
Hokkaido, Japan for fishing villages and the Ice festival
Iditarod in Alaska
The Silk Road in China
Anywhere in eastern Europe: Poland, Ukraine, Russia, Hungary, Czech Republique
Nancy, the wildlife photographer
Where are Tom and Cree?
We are headed to Africa to photograph in Tanzania for two weeks. Then it’s up to Alaska for our annual Brown Bears at Summer Solstice trip. We have space for 1 male photographer if you’d like to join us from June 18-23. We’ll be photographing brown bears with cubs in Lake Clark National Park. Click here for more information.
We’ll be posting photos from these two trips on Instragram @tombolphoto and Facebook. We’d love to see your photos on our Photos for Inspiration TBPW Facebook Page.
Tom and Cree just finished their Louisiana Birds and Bayous Workshop and want to share the highlights with you. The birds and alligators in the swamp were abundant and the flat bottom boats made it very easy to get up close for photography. This is a great workshop for both landscape and wildlife photographers, with very little walking.
To learn more about our Louisiana Birds and Bayous Workshop, check out our trip report, click here
Tom and Cree just finished their Texas Birds in Spring Workshop and want to share the highlights with you. With plenty of rain in April, south Texas was covered in yellow wildflowers. this year. This made for spectacular backgrounds for colorful birds coming in to the 2 bird blind ranches. Cree and Tom are on their way to the Bayous of Louisiana next.
To learn more about our Texas Birds in Spring Workshop, check out our trip report, click here
Still looking for a trip to join in 2023?. We have a few 1 opening each on two very popular trips: Bears at Summer Solstice and Route 66 East. Check out our new page called Immediate Openings to see all openings for 2023
Thanks for reading our posts. Happy spring wherever you are!
Tom and Cree just finished their Utah Landscapes Workshop and want to share the highlights with you. There were spectacular skies, cool temperatures and three different night sky sessions during this workshop. After a relaxing week at home, they are on their way to Texas and Louisiana next.
To learn more about our Utah Landscapes Workshop, check out our trip report, click here
Still looking for a trip to join in 2023?. We have a few 1 opening each on two very popular trips: Bears at Summer Solstice and Route 66 East. Click on the underlined links to learn more.
Thanks for reading our posts. Happy spring wherever you are!
At Tom Bol Photo Workshops, we celebrate great images created on our workshops by selecting a Photo of the Month. For April we chose an image from our Tucson Workshop created by Suzy Onysko. Suzy is a wildlife and portrait photographer. Her work is wonderfully creative and she often carries an infrared camera in addition to her regular gear. We hope you enjoy Suzy’s images as much as we do!
Congratulations to April 2023 ‘s featured photographer – Susan Onysko
The Story…
Well, this never, ever happens… at least to me anyway. This photograph was taken the first morning of our workshop at Gates Pass. I started out using a wide-angle lens to photograph the yellow brittle bush in the foreground and the stunning rocks, cacti, and clouds in the background. I love color and that was a pop of color in the desert that I didn’t expect. It was pretty windy out, though, and I worried about the flowers ghosting too much in the foreground. I looked for another foreground element and found this stunning barrel cactus.
I took a few shots in color first. They looked nice but with the clouds in the scene and yellow flowers not being an important element anymore, I ran back to the car. I got my infrared camera to see how that would look. I quickly changed my preview screen to show the image in black and white instead of the out of camera red preview. I shot a frame and the infrared image took my breath away.
I will be the first to admit that wide angle landscape photography is not my forte, so when I get an image I like I am quick to analyze why I like it. Hopefully in the future I come to “see” that image a bit quicker in the field. Why do we like the desert? The textures of the prickly cactus is what we are drawn to and what it’s known for. By taking away the color I enhanced all the desert textures and shapes. The clouds enhanced it by adding a bit more mood.
Did I click once and be done? Oh no… I took two hundred images of this scene (no judging, it’s free!) by changing my position mere inches up, down, left, and right until the cactus was just big enough in the foreground but not too big to overwhelm the rest of the scene. I liked how the barrel cactus was the focal point, but by showing some mid-ground I also included some prickly pear cactus which led to some Saguaro Cactus and an impressive rock formation and then those incredible clouds!
April 2023 Photo of the Month
EXIF Data:
Camera: Nikon Z9
Lens: Nikon NIKKOR Z 14-30mm f/4 S Lens
ISO: 2000 (did I denoise it? Nope – I like the grainy effect for a western black and white image)
Shutter Speed: 1/100 sec
Aperture: f/11
Shooting Mode: Aperture Priority
Shot at 15mm, handheld
About Photographing in Saguaro National Park
I am from the Midwest and love unusual landscapes that I do not get to see at home. Death Valley is another place that I love. I find that the desert and Death Valley both give an other-worldly vibe that I adore. We were fortunate enough to have the yellow brittle bush blooming while we were there which for me added an unexpected element. What a happy surprise!
This trip truly has something for everyone, and the variety helped me and my ADD brain! It offered wide landscape desert views, macro photography, bird photography, and at Old Tucson we photographed some very dashing cowboys. Check on the portrait photography also!
Saguaro and Brittle Bush with a 600mm lens
One of my favorite things we worked on was long lens landscape shooting. I often have a hard time seeing the wide angle shot that are right in front of me, sun stars included. It’s like all clutter to me since there is so much going on. Many times in the past I have used a 70-200mm or 100-400 mm to isolate more intimate scenes in a landscape. Tom encouraged me to try using my 600mm to do this and I have to say that I am hooked. I look insane carrying the beast of a lens for a landscape shot, but the images created using this lens have such mood. Cacti framed by yellow flowers look so mysterious and I feel like a spectator viewing and interpreting the relationships between desert subjects as opposed to just pointing and shooting at them.
Gambel’s Quail at the Desert Photo Retreat
About the Quail Image
I love shooting from bird blinds – I was hooked after going on the Texas Bird trip. I will be the first to admit I struggle when finding/seeing/shooting birds in the wild handheld. I get too spastic and excited when I see them. Animal eye tracking on the Nikon Z9 is slowly helping with that issue, but being able to slow down on a tripod with a gimbal to help stabilize the camera makes all the difference in the world. If you know me, I am not normally a tripod fan so when I say that it means a lot!
This Gambel’s Quail is probably like a pigeon to those who live out West but for me this little guy had so much spunk and personality. He was my favorite bird I photographed on the trip. I was determined to get a shot that showed more of his personality than just him strutting across a log, which he did a lot! When he paused for a split second on the log and pondered what his next move would be I saw my chance and shot away. I loved the curve of his head and how the log swirl underneath him mimicked his body position. I looked for a photo that didn’t have his tail merging into the log and was fortunate to have one. This image will be hanging in my house and hopefully others.
Saguaros in infrared at Saguaro National Park – West
Suzy’s Tips for Photographing in the Desert with Infrared
Tip #1) IR works beautifully: it gives an Old West feel to the images. If you ever play with IR, do more than just make a preset for it and call it done. I love playing with all the different LR black and white presets. By doing just that with my multiple infrared images here they all take on a different look. Ethereal, contrasty, ghostlike… you have all the control and can change the mood of the image with one click. I recently converted one of my Z9s to a Deep BW IR conversion through Lifepixel.
For at least ten years I have been converting my oldest camera to infrared through Lifepixel and I am always thrilled with the results. I went mirrorless last year and had to upgrade all my gear. Instead of using my oldest camera (that didn’t exist) I purchased an already converted Nikon Zfc through Lifepixel. I chose the Zfc because it was only ½ lb. It worked well, but it ended up being the only camera in my bag with completely different controls. To make things easier on myself last month I decided to convert a Nikon Z9 body so that all my controls were the same on all my camera bodies. I was thrilled with the results. My fingers knew the controls by heart and I was no longer fumbling, trying to learn a new camera body. As an added bonus the 45 megapixel infrared files are stunning compared the 20 megapixel images of the Zfc!
Tip #2) Bring every focal length: 14-840mm. I did for this trip (my family thought I was insane) and used every one of them!
Tip #3) Mind your body in the field. Jumping Cholla (look them up) are not to be messed with. A week later and I still have bruises where I was nailed by two little balls.
On Suzy’s Horizon:
Botswana, Tanzania and Kenya in June
Hummingbirds in Madera Canyon, Arizona and Ecuador in July
Eagles at Chilkat in Alaska
Cypress trees in the Texas Bayous
Cosplayers at conventions in Vermont, Indiana, Wyoming, New Hampshire, South Dakota, and Maine for my personal project –Cosplay 50: The United States of Cosplay.
Bears at Lake Clark, June 18-23 – 1 space available. Photograph grizzly bears with cubs in Alaska Click here
Where are Tom and Cree?
We are headed to the Lone Star State for our annual Texas Birds in Spring (space available). If we are lucky, we will see Painted Buntings all over the ponds.
We hope spring has finally arrived in your area of the world. We’d love to see what you are photographing. Post your spring images on our Photos for Inspiration TBPW Facebook Page.
Tom and Cree just finished their Tucson and Saguaro National Park and are on their way to Utah next. There was a spectacular flower bloom this year in Tucson. With plenty of rain in February and March, the Sonoran Desert exploded in color.
To learn more about our Tucson and Saguaro Workshop, check out our trip report, click here
Tom and Cree are just back from their East Coast workshop in the hardwood forest of Northern Georgia. They broke out speed lights, strobes and models to make the most of the collection of old cars at Old Car City. The budding dogwoods and red buds were a much appreciated welcome to spring….
To learn more about our Old Car City Workshop, check out our trip report, click here
At Tom Bol Photo Workshops, we celebrate great images created on our workshops by selecting a Photo of the Month. For February we chose an image from our Norway in Winter Workshop created by Ellie Burns-Brookens. Ellie is new to Tom Bol Photo Workshops and recently traveled to both Patagonia and Norway with us. We hope you enjoy Ellie’s images as much as we do!
Congratulations to February 2023 ‘s featured photographer – Ellie Burns-Brookens
The Story…
We walked through a little gate and could see this amazing color down the fjord. It was a lovely fjord with a beautiful view, but it was the color that first caught my attention.
The challenge for me was deciding what to include. What was my composition? What was my subject? The little town on the fjord caught my attention. There were so many beautiful things in the area.
I decided the color was the most interesting thing about the scene.
I had my 24-70mm on the camera to capture the entire scene. But I decided the mountains, the orange light and the sun were the real subject of the photo.
February 2023 Photo of the Month
I switched lenses in the freezing cold, which I never do, so I could zoom in more on the mountains.
Then, I noticed that there was a very large dynamic range to the scene. I asked myself, “What do I do now?”.
I decided to wait for the sun rays to peak through the clouds and then take 3 different exposures. I did this manually and shot at 0, then -1, then -2. I blended the 3 images in Lightroom. I wanted to bring the direct sunlight down and get some more definition in the brighter areas.
We saw this combination of orange and blue light several times in Norway. It almost did not look real, but that was the color it was. It was so stunning.
EXIF Data:
Canon R6 with a 70-200mm lens
ISO 100 1/800 sec f8
Aperture Mode
Shot at 138mm on a tripod
About Photographing in the Lofoten Islands
Every time I turned around it was “Oh my god!” It was so beautiful everywhere we went. There were small villages, tall mountains and stunning fjords.
I loved the snow. I really like the constant contrast of the orange, blue, read and yellow with the snow.
I think the Lofoten Islands are the most beautiful place that I’ve brought my camera to.
Ellie’s Tips for Travel Photography
Tip 1: Research in advance to figure out where to go. I often look at 500px. I like to know where other people have shot.
Tip 2: Then look for what is interesting when you get there. I look for curves, angles and leading lines.
Tip 3: Remember what your subject is. Try to tell a story with an image.
On Ellie’s Horizon:
Lake District in England – big rolling landscapes
Highlands in Scotland – old castle ruins
Faroe Islands – quirky cousin of Iceland
Ellie composing her image in Norway
Last minute openings on 2023workshops:
Louisiana Birds and Bayous, May 10-14, 2023 – 2 spaces available. Photograph wading birds in the beautiful cypress swamps of Cajun Country in Louisiana Click here
Bears at Lake Clark, June 18-23 – 1 space available. Photograph grizzly bears with cubs in Alaska Click here
Ecuador Cloud Forest July 30-August 7, 2023 – 1 space available. Photograph exotic hummingbirds with long tails and beaks, toucans, barbets and more: Click here
Where are Tom and Cree?
Next stop: We are headed to Alaska next for an assignment with the Matanuska-Susitna Visitor’s Bureau. We’ll be photographing the Iditarod start in Willow, snow machining, skiing, snow shoeing. If we are lucky, we will find some aurora at night as well.
We hope you are enjoying the winter photography in your area of the world. Thanks for reading our posts!
Tom and Cree just finished a spectacular workshop in the Lofoten Islands in Norway. Norway is known for terrific aurora photography with warmer temperatures than in Alaska. Because of all the open water in the winter, it is possible to photograph the northern lights reflected in the fjords. After weeks of blustery weather, our group won the weather jackpot….
To learn more about our Photography Workshop in the Lofoten Islands of Norway, check out our trip report, click here
Looking for a warmer destination in January 2024. We have three spaces available on our Oaxaca: the Colors of Mexico Workshop. We will be photographing vibrant art, food, people and more with Marcelo along to show us the sites. Read more
Thanks for reading our posts. Happy photographing from our family to yours…..Tom and Cree
At Tom Bol Photo Workshops, we celebrate great images created on our workshops by selecting a Photo of the Month. For January we chose an image from our Easter Island Workshop created by Keith Eisele. Keith is a fan of using artificial lights and jumped right in with a speed light when he saw our Rapa Nui dancers. We hope you enjoy Keith’s images as much as we do!
Congratulations to January 2023 ‘s featured photographer – Keith Eisele
Keith using his Z9 in Easter Island
The Story…
The light was rapidly decreasing as the sun was going down. To me that meant it was the perfect time to use a speed light.
There was just enough ambient light to pick up the statues in the background. With a native dancer in traditional attire, I really wanted to show the Moai statues in the background.
I took a couple of test shots to make sure the light wasn’t too hot. I was pleased that the shadows from the feathers on his hand showed up on his body.
I wanted to make sure the horizon line did not cross any major parts of the body like his head or hands. This would create too much of a distraction. I ended up down on the ground sitting on my derriere to get the horizon line where I wanted it.
January 2023 Photo of the Month
It was tough to get separation between the dancer and the statues. He moved a lot while posing and then would freeze for just a few seconds. The feathers often merged with the statue and I really wanted to get clean separation in the image.
I really liked this image because of the lean of his body. His leg creates a strong leading line in the image.
It felt to me that the dancers really knew what they were doing. I noticed that they never touched, even though they had very good rapport. The male was very patient and willing to look at us. There were not at all self-conscious. It made them very easy to photograph.
EXIF Data:
Nikon Z9 with a 24-70mm lens
ISO 200 1/60sec f5.6
Manual Mode
Shot at 27mm
About Photographing on Easter Island
I really enjoyed it.
I also found it somewhat challenging. Because of all the clouds moving around, the light changed very quickly. I had to be on top of my settings all of the time.
Overall, I really enjoyed the trip. Of course you expect to shoot statues on Easter Island. I also really enjoyed the hike through the quarry where the Moai statues were excavated.
Keith’s Tips for Photographing Portraits
Tip 1: I’m still learning
When I’m shooting someone, even if it is someone I already know, I have to establish a new rapport. They may be nervous about the lights or they haven’t worked with me as a photographer before.
I set the camera down and walk over to them. I explain what I have in mind for the shot and ask them “What would you like?”
Tip 2: You can tell people where you want them to stand and how you want them to pose. I prefer to show them and demonstrate what I want.
Tip 3: After I have taken a few frames, I show them an example of what I’m getting. Sometimes I even shoot tethered. Then they can see the results as soon as I can.
On Keith’s Horizon:
Lofoten Islands in Norway – returning for Northern Lights
Faroe Islands
Svalbard
Ouray, Coroado
Oaxaca, Mexico
Paris, France
Keith and John – always together on a shoot
Just 5 openings left on domestic trips in2023:
Old Car City Workshop, March 30-April 2 – 2 spaces available . Use speed lights on classic cars and models. Click here
Bears at Lake Clark, June 18-23 – 1 space available. Photograph grizzly bears with cubs in Alaska Click here
Route 66 East from Oct 25-29 – 2 spaces available . Learn about speed lights for creative effect. Click here
Where are Tom and Cree?
Next stop: Lofoten islands in Norway. We hope to find crystal clear nights with green Northern Lights reflecting of water and snowy surfaces. Bring on the cold!
We hope you are enjoying the winter photography in your area of the world. Thanks for reading our posts!
